Moon water
1424 creative works found
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Sorry I haven’t been around lately.. Had the dratted flu! Thought I’d mix up the lunar world! :)
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I was driving along a road in a seaside town at Jervis Bay National Park, just 2.5 hours south of Sydney Australia when I glimpsed this moon through some trees with a pathway of silver light across the water. A lucky moment, in that all the elements were there but tricky in putting them together because it was so dark I couldn’t see anything through the viewfinder and had to keep taking pics, viewing them on the LCD display and then moving the tripod to get the composition I wanted. / It looks to me like the trees on either side of the moon are partners about to dance onto the floor of some enchanted ballroom. Information for Sold! Group – Sold as a framed print to a work colleague and a laminated print to a mystery buyer off RB plus 9 cards off RB. Canon 30 D / Tv: 10 secs / Av: f/4.5 / ISO: 100
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A Great blue heron silhouetted in the twinkling moonlight. / / / Portfolio Areas / Tigers / Wildlife / Macro / Landscape / Birds / Abstracts / Cats~wild and domestic
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under the cool glow of an almost full moon these tropical falls took on a completely different feeling…. / / / EOS A2, Fuji Velvia 50. / ©T.Middleton2007 bubblesite / photography blog / portfolio —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / / see more photographic works from North Qld. by clicking on the preview below
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/ . / Please view large photo to appreciate panorama fully / . / This is a panorama taken on the same night of my other photos “Luna Over Luna Park”, ““By Request””, and “Luna Harbours”. The photos were taken in quite quick succession. I attempted to combine the full moon, with the Sydney Harbour Bridge and Luna Park. You might be interested in viewing the other photos because one is in Portrait, two are in Landscape, and this one PANORAMA. It’s amazing how a similar subject can be photographed in slightly different ways, and produce different results. I will interested in knowing which of the four is you favourite !
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Twilight storm at Lido Key beach. The two brightest celestial bodies are the Moon and Venus. Because of the storm most people cleared the beach, but because of the storm, I was drawn towards it. I did not get another good shot of lightning that evening – I forgot to bring my tripod, so the photos prior to this one are too blurred. I captured this clear shot by setting my camera on a beach chair, and propping up the lens with one of my flip-flops. And this stroke of lightning was the last significant one. But I’m sure grateful for it! I didn’t modify the picture except to increase the brightness and contrast a bit, and remove camera artifacts. I’m not too good at making photos look more ‘artistic’, but for landscape, atmospheric, and flower photos, I think I prefer the more natural look. / (Photo taken on July 17, 2007)
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Worth going to Larger for this one – heaps more stars. Storm off Bundeena Cliffs, Royal National Park. This shot has all my favourite elements in one image – the moon, stars, lightning, storm clouds, and ocean. What a treat this night was – getting some fantastic storms here. This is about the sixth I’ve photographed. There are two lightning cells here – the white one under the moon and the orange one off to the right of the main cloudbank. This is one shot in a continuous sequence of 100 I shot to create a startrails version. Unfortunately my computer is choking on processing that many 50mb files at once so may be delayed in posting the startrails version. Shot with the Big Scary Monster: Canon 1Ds MkIII – 16-35mm f/2.8 LII USM lens / Tv: 30secs / Av: f/3.5 / ISO: 200 / FL: 17mm
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I would like to thank J.K. York of redbubble for letting use his image. / / Thanks buddy. http://www.redbubble.com/people/jkyork
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This is a photoblend of 91 X 30 second exposures using the brilliant Startrails photoblend action that you can download from here / This is the 45 minute storm in one shot – in other words it’s the opposite end of the spectrum from the timelapse version I recently posted here / Trippy huh! / The large white streak in the sky is the moontrail, the little ones are startrails. The long lines sweeping across the sky are planes taking off and landing and the ones on the water are fishing trawlers. / A couple of curious things in this image. The first is the clear section of cloud above the main lightning strikes versus the blurred cloud around them. I think this is the result of these clouds being flashlit by each of the 20 odd lightning strikes whereas the other clouds were lit evenly by the moon in each image and hence blurred in the blend (hope that makes sense). / The other weird thing is that strange green line just above the middle planetrail near the centre of the image. It isn’t parallel to the startrails so isn’t one of them and satellites move so fast that one of those would have shown up as a long streak like the planetrails – any ideas? Taken off the cliffs at Bundeena, Royal National Park, Sydney Australia. / Canon EOS 1Ds MkIII / EF 16-35mm f/2.8 LII USM / Tv: 30sec / Av: f/3.5 / ISO: 200 / FL: 17mm
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Thunderstorm at Lido Key beach, Florida. The two brightest celestial bodies are the Moon and Venus. Because of the storm most people cleared the beach, but because of the storm, I was drawn towards it. Unfortunately, I did not get another good shot of lightning that evening – I forgot to bring my tripod, so the photos prior to this one are too blurred. I captured this clear shot by setting my camera on a beach chair, and propping up the lens with one of my flip-flops. And this stroke of lightning was the last significant one. But I’m sure grateful for it! / (Photo taken on July 17, 2007) ”#12 Great Features.”
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Taken on the same night as these two (just click on the pics): / / This second pic has a link to an animated time lapse version of the whole storm – 91 photos linked into a sequence so you get to see the whole storm in 23 seconds. Storm off Bundeena Cliffs, Royal National Park just south of Sydney Australia. / This shot has all my favourite elements in one image – the moon, stars, lightning, storm clouds, ocean and moonlit rocks. What a treat this night was – getting some fantastic storms here. This is about the sixth I’ve photographed. / Canon 1Ds MkIII – 16-35mm f/2.8 LII USM lens / Tv: 30secs / Av: f/3.2 / ISO: 200 / FL: 27mm / Here’s another couple of crops of the same image: #1 / #2 /
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Definitely worth clicking on the photo to see it large. Part of the Raging Stillness series this is a blend of 10 X 30 second exposures taken as part of a series of 110 sequential images during a particularly lovely night storm we had a little while ago. You’re looking at 5minutes of the storm at its height. The lines above the storm are startrails and the reflection in the water is from the full moon (out of shot). / Taken off Bundeena Cliffs, Royal National Park, just south of Sydney Australia. / This is a tiny section from the original photograph – being able to blow up such a small part of the image to A3 is where the 1Ds and the L series Canon lenses come into their own. / Canon 1Ds MkIII – 16-35mm f/2.8 LII USM lens / Tv: 30secs / Av: f/3.2 / ISO: 200 / FL: 27mm Oh wow how cool – Rob Mullner nominated Raging Stillness for the briliant Pay it Forward Group with this comment: “Having tried my darndest to get lightning shots with mixed results and success, I know how hard it is to nail it perfectly…This shot really highlights the awesome power of storms, technically perfect and a difficult element of nature to photograph – so hats off to your Geoff for this and these series of shots, and your work in general….Rob. Thanks heaps Rob. Taken on the same night as these two (just click on the pics): This second pic has a link to an animated time lapse version of the whole storm – 91 photos linked into a sequence so you get to see the whole storm in 23 seconds.
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Thanks for your help George Lenz / Layers and blends used in PhotoShop… / By using Photoshop, I used 4 different layers here to configure this piece. I took the clouds in one layer, added the egrets in another layer, George Lenz was so kind to help me with the moon layer and I also added a nice flood filter to give the reflections and blending them all in I’m staring out into the night / And trying to hide the pain / I’m going to the place where love / and feeling good don’t ever cost a thing, / And the pain you feel’s a different kind of pain / I’m going home to the place where I belong / where your love has always been enough for me / I’m running from you know I think you got me all wrong / I don’t regret this life I chose for me / But these places and these faces are getting old / So I’m going home / The miles are getting longer it seems / The closer I get to you…. babe / I’ve not always been the best woman and friend for you / But your love remains true and I don’t know why / You always seem to give me another try / I’m going home / To the place where I belong / Where your love has always been good enough for me / I’m running from you know I think you got me all wrong / I don’t regret this life I chose for me / But these places and these faces are getting old / Be careful what you wish for / cause you just might get it all / you just might get it all and then some you dont want / be careful what you wish for cause you just might get it all / You just might get it all / I’m going home to the place where I belong / Where your love has always been enough for me / And I’m running from.. you know I think you got me all wrong / I don’t regret this life I chose for me’ / But these places and these faces are getting old / But these places and these faces are getting old / I’m going home Credits to Chris Daughtry
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In modern English, the term ghost ship has come to stand for at least one of three separate definitions, all of which involving unexplained circumstances. Historically, the term has been used to refer to reported sightings of apparitions over water that have appeared in the form of maritime sailing ships, often after having previously been known to have sunk, or to derelict vessels found floating with no crew. In fiction, ghost ships have often been vessels crewed by some manner of spectral beings. Full Moons are traditionally associated with temporal insomnia, insanity and various magical phenomena such as lycanthropy. Psychologists, however, have found that there is no strong evidence for effects on human behavior around the time of a full moon. They find that studies are generally not consistent, with some showing a positive effect and others showing a negative effect (hence the terms lunacy and lunatic) Many neopagans hold a monthly ritual called an Esbat at each full moon, while some people practicing traditional Chinese religions prepare their ritual offerings to their ancestors and deities on every full and new moon
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Best view larger. NOTE: Rainbow Waterfalls was nominated to the Pay It Forward group by Kathy S Gillentine and here is what she had to say: ”I want to nominate bigd / He has a great eye for photography. He has allowed to ask me how to do things if he’s not sure ,then he helps me find the way. Big D has been a true inspiration to me ,not only by his work but by his kindness to help me when I need help. His images are beautiful and well thought out. Take the time to look through his extensive portfolio and be inspired by his work.” Kathy S Gillentine It’s a huge surprise and thanks Kathy. Taken at Watkins Glen State Park on 10/31/2008 in the town of Watkins Glen. I changed the background because it was too busy with trees and harsh light. A Canon Rebel XTi camera and edited in PS. Featured All Water in Motion group. / Betterphoto Finalists / Featured in DSLR Users Only – 1/24 – Camera & Lens In Description Please group. / Featured in Appalachian State Parks group. / Featured in Pay It Forward group. /
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All work in this portfolio is © Stephanie Rachel Seely. / These materials (images and poems) may NOT be edited, copied, reproduced, printed, distributed, displayed, performed, or used in any way, in whole or in part, without my written permission. Please respect copyright and do not save or upload any images or poems to Photobucket, Flickr, Myspace, Facebook etc. These creative materials are NOT public domain. This artwork was featured in The True Beauty, Dream & Fantasy, All About Your Best Work, Music Inspired Art, Core [C.O.R.E], Made In Digital, Dimensions, #1 Artists of RedBubble, The Dreaming Tree, and Live and Let Live This artwork placed in the Top 10 for the Dream & Fantasy First New Avatar challenge Won the All About Dreams challenge – May 29, 2009 Placed 2nd in the Unearthly Dreams challenge A peaceful place within my mind… I spent an hour working with a field/mountain background only to decide that I was going in the wrong direction. Strange how the image I intend to make is never the final result. But I’m usually happier when that happens… Endless Silence by ATB ....Stock Credits…. / Sky / Model / Stock copyrights remain the property of their respective owners.
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Digatal artwork created in 2007
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This picture is a collaboration with Neil Johnson… hope you like it Neil song to the siren
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/ Canvas Print / / Framed Print / / Greeting Card Moonlit Tide coloured pencil, pencil, charcoal, pastels on paper another in the “Connections” series of dry media on paper, I completed this today. / this young lady dressed in her patterned hawaiian hibiscus moo moo, is representational of how healing still water is, particularly on a moonlit night at eventide. Peace, tranquility, harmony….oneness with nature
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A picture taken near St-Laurent river in Quebec,with a blue tone added. / / /
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Full Moon Rising (Enlarge for FULL effect :) By: / Terri~Lynn Bealle / 2009 Featured in: Images and Ideas Group / Outsiders Group (Canon EOS Digital Rebel XT)
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featured in Globes,Spheres&Curves 10-28-2009 / featured in SOLO-EXHIBITION 10-19-2009 An exquisite flower opens, in I Belong to You by Desirée Glanville, to reveal a / huge silvery perl– certainly a priceless treasure. Its antithesis, a gazing ball, / popular in Victorian and modern gardens, is suspended above it. Perhaps / hinting at the subliminal message, the gazing ball mirrors a very real world with tree, water, and sky; / rather than the ideal fantasy that we see before us. / Tiny remnants of petals float in the blue, luminous atmosphere. Desirée has repeated their skeletal / veins in the lower petals of the central flower; so that we know the air is filled with petals pulled from / the larger one. Was this a “He Loves me, he loves me not” scenario—a child’s game with Daisies that / gets replayed in various intonations when we are adults? The video accompanying the piece is a track, “I Belong to You”, from British alternative rock band, / Muse, from their album, The Resistance, released in Europe mid September 2009. / Remembering that the ultimate key to unlock the mystery of Glanville’s art is in the paired music, / it’s of importance that the song and lyrics regard one who travels half the world to tell their muse “I / Belong to You”. / Mid-song, from this British band, are French verses, sung with such emotion to melt the soul. / They are borrowed from Camille Saint-Saëns’ opera, “Samson and Delilah”. / Delilah sings these verses to seduce Samson, in a famous aria in Act II, “Mon coeur s’ouvre ta / voix” (“My heart opens itself to your voice”, or commonly “Softly awakes my heart”). / Ah! réponds à ma tendresse! / Verse-moi, verse-moi l’ivresse! / translated: / Ah! respond to my tenderness! / Fill me with ecstasy! / It’s uncertain, here, whether Desirée is presenting the side of the muse as a reaction to the / overtures, or the perspective of the one presenting overtures of tenderness to their heart’s desire. / It could be either or both, probably determined by the perspective of the viewer. / This is where fine art brings the viewer in as co-artist, to complete the work. Desirée seems to me / to have accomplished that spiritual merger here. / Either way, Desirée has input in the matter. Remember the gazing ball in the garden. It never lies. / Despite our fantasy and what we want things to be, there is also reality to deal with. * featured in* SOLO EXHIBITION 19-25 Oct 2009 / featured in I Got the Music in Me 10-12-2009 / featured in Abstract Digital Art&Writing 10-05-2009 / featured in The World as We See it 10-04-2009 When these pillars get pulled down, / It will be you who wears the crown, / And I’ll owe everything to you How much pain has cracked your soul? / How much love could make you whole? / You’re my guiding lightning strike I can’t find the words to say, / But they’re overdue, / I’ve travelled half the world to say, / I belong to you Then she attacks me like a Leo, / When my heart is split like Rio, / But, I assure you my debts are real I can’t find the words to say, / When I’m confused, / I’ve travelled half the world to say, / You are my mu- (Ah! Réponds à ma tendresse, / Verse-moi, verse-moi l’ivresse, / Réponds à ma tendresse, / Réponds à ma tendresse, / Ah! Verse-moi l’ivresse, / Verse-moi, verse-moi l’ivresse, / Réponds à ma tendresse, / Réponds à ma tendresse, / Ah! Verse-moi l’ivresse, / I belong, / I belong to you alone) -use, / I can’t find the words to say, / But they’re overdue, / I’ve travelled half the world to say, / I belong to you Incendia, Apophysis, Photography &PSP
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