Monoprint
226 creative works found
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monoprint, 22*44cm
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monoprint 22*44 cm
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monoprint, 22*44 cm
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monoprint 30cm*45cm
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monoprint 30cm*44cm
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blue monoprint on red background, size A4
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blue monoprint on red background, size A4
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First print from a session of five pulled from the same plate and inking. / 11×15 inches 140 lb coldpress Speedball black and yellow oilbase ink. Done in the Reductive Ink Process TM as developed by Michael Coffee, / Owner/ opperator/ artist of Shy Rabbit Gallery. / shyrabbit.com
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Second print from a session of five pulled from the same plate and inkings. / 11×15 inches 140 lb coldpress Speedball black and yellow oilbase ink. Done in the Reductive Ink Process TM as developed by Michael Coffee, / Owner/ opperator/ artist of Shy Rabbit Gallery. / shyrabbit.com
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Third print from a session of five pulled from the same plate and inkings. / 11×15 inches 140 lb coldpress Speedball black and yellow oilbase ink. Done in the Reductive Ink Process TM as developed by Michael Coffee, / Owner/ opperator/ artist of Shy Rabbit Gallery. / shyrabbit.com
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Fourth print from a session of five pulled from the same plate and inkings. / 11×15 inches 140 lb coldpress Speedball black and yellow oilbase ink. Done in the Reductive Ink Process as developed by Michael Coffee, / Owner/ opperator/ artist of Shy Rabbit Gallery. / shyrabbit.com
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Fifth print from a session of five pulled from the same plate and inkings. / 11×15 inches 140 lb coldpress Speedball black and yellow oilbase ink. Done in the Reductive Ink Process as developed by Michael Coffee, / Owner/ opperator/ artist of Shy Rabbit Gallery. / shyrabbit.com
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First of a session of seven prints pulled from same plate and inking;7.5×11 inches 140lb coldpress Speedball black and blue oilbase ink. Done with the Reductive Ink Process TM as developed by Michael Coffee, / owner/opperator/artist of Shy Rabbit Art Gallery. / shyrabbit.com
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Second of a session of seven prints pulled from same plate and inking;7.5×11 inches 140lb coldpress Speedball black and blue oilbase ink. Done with the Reductive Ink Process TM as developed by Michael Coffee, / owner/opperator/artist of Shy Rabbit Art Gallery. / shyrabbit.com
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Fourth of a session of seven prints pulled from same plate and inking;7.5×11 inches 140lb coldpress Speedball black and blue oilbase ink. Done with the Reductive Ink Process TM as developed by Michael Coffee, / owner/opperator/artist of Shy Rabbit Art Gallery. / shyrabbit.com
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Fifth of a session of seven prints pulled from same plate and inking;7.5×11 inches 140lb coldpress Speedball black and blue oilbase ink. Done with the Reductive Ink Process TM as developed by Michael Coffee, / owner/opperator/artist of Shy Rabbit Art Gallery. / shyrabbit.com
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Seventh of a session of seven prints pulled from same plate and inking;7.5×11 inches 140lb coldpress Speedball black and blue oilbase ink. Done with the Reductive Ink Process TM as developed by Michael Coffee, / owner/opperator/artist of Shy Rabbit Art Gallery. / shyrabbit.com
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This is a mixed medium collage that began with a drypoint, monoprint and a digital photograph. I then scanned it into photoshop and added filters. The inspiration came on a recent trip to the Kimberley, where on the way I saw way too much evidence of feral cats and foxes killing native birds; particulary just north of the Flinders Ranges and at Chambers Pillar.
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Monoprint done in Reductive Ink Process. / 140lb BFK Rives paper, Speedball black
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monoprint, 2 color plates
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monoprint, 3 color plates
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monoprint 30*50 cm
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I hope to make a painting of this touch drawing soon. Many times this is how I start. I make a touch drawing first, then a painting follows. So, you may be wondering : What is touch drawing? In the words of the talented woman who created it – Debra Koff-Chapin: “Touch Drawing is a simple yet profound process that allows the soul to speak through the hands. In touch drawing, the fingers take the place of pen or brush. Paper is placed over a freshly inked surface, and wherever it is touched, an imprint is made on the back side. Many drawings can be made in one session, each a stepping stone to the next, guiding one deeper and deeper into the self. Even those who believe they cannot draw find Touch drawing to be a powerful and fulfilling experience.” In my own words, touch drawing is basically a monoprint- and the lines are drawn with fingernails or fingertips. What is so magical about the process is that because you are drawing directly with your hands, expressions are much more authentic. Emphasis is not placed on “getting things right” but expressing your inner world. I find the process to be very freeing. (as long as you check your inner critic at the door!) Because there is no erasing or reconfiguring, touch drawings can sometimes look rough or raw-but that is what I think is most beautiful about them. I have started to colorize some of my touch drawings with pastel and paint. I will post some of those soon. http://touchdrawing.com/
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