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89 creative works found
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Portrait / Architectural / people/culture / Macro / Landscape / Still live / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love / All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. / —-—-—-—-—-—-—-—-—-—-—-—-—-- Inspired by the poem of Gillian E. Shaw / X – Vis-à-Vis (Face to face) / / Suddenly, through a veil of tears I saw the knave. / Wearing guilt across a blighted face: / Like the ambitious wife hiding wrong and blood; / vile stubborn stain, longing to vanish. / Vainglorious conquests! Viewed from here; assonine / exploits with multiple illusions. / A magician with a box of tricks opening / up on the darkest day; winding down / to deeper proceedings. Charmed, stinking essence; / transparent, I saw the knave; hidden. France / November 2004 Gillian.E. Shaw / In case you miss it..my recents work..thanks in advance! / /
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Portrait / Architectural / people/culture / Macro / Landscape / Still live / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love —-—-—-—-—-—-—-—-—--
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Portrait / Architectural / people/culture / Macro / Landscape / Still Life / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love —-—-—-—-—-—-—-—-—-- All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. / —-—-—-—-—-—-—-—-—-—-—-—-—-- / Old Portrait Re-Worked! The Evening Squall Her thoughts drift with the clouds / Such beauty sitting there / The mind is running free / As in the distance stares / A moment to reflect / The night about to fall / Emotions running high / A silly Summer squall / And when the morning comes / Refreshed from nature’s sleep / A smile will spread so wide / No more the need to weep / Phil Sanders / 5/12/07 In case you miss it..my recents work..thanks in advance! / /
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/ Portrait / Architectural / people/culture / Macro / Landscape / Still live / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. —-—-—-—-—-—-—-—-—--
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Portrait / Architectural / people/culture / Macro / Landscape / Still live / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-— The Lady of the Flowers She lies amidst the flowers / A vision there to see / Such a stunning apparition / The lady of the sea / The perfume rises slowly / And matches all her charm / Forever and a day / May she be safe from harm / Phil Sanders 30/11/07 —-—-—-—-—-—-—-—-—--
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Portrait / Architectural / people/culture / Macro / Landscape / Still live / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. —-—-—-—-—-—-—-—-—--
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Portrait / Architectural / people/culture / Macro / Landscape / Still Life / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love —-—-—-—-—-—-—-—-—-- All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. —-—-—-—-—-—-—-—-—-- Which one is forbidden? / The Apple or The Lady?? / Guess what.. It is you who has to decide…LOL / Thanks for looking! Ant
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TIP: A very useful colour adjustment tip
by Alan RodmellI am currently working through my third CS3 tutorial and I picking up a ton of useful tips for my photographic workflow. I just HAD to s…
I am currently working through my third CS3 tutorial and I picking up a ton of useful tips for my photographic workflow. I just HAD to share this one with you. Regarding Hue/Saturation. When you overdo this on an adjustment layer in your photos your detail is lost and it looks really blocky. Sometimes you just can’t get the saturation adjustments you need. Here’s how its done – Thank you to Chris Orwig for this one. 1) Open you image and convert it to LAB colour using: Image – Mode – Lab Colour 2) Create a curves adjustment layer 3) In the Curves dialog box ALT-click the grid to get a more detailed display 4) Go to the a – channel 5) Pull the black slider on the bottom of the grid into the right just one grid line (in this example although you can play!) 6) Pull the white slider opposite into the left by the same one grid line 7) Switch to the b channel and repeat. 8) Check out your image. This method actually increases saturation in tones you couldn’t even see that you had. Its excellent for autumn leaves or rivers and waterfalls. 9) When your done exit Curves dialog and convert your image back to RGB (select to Flatten in the pop up prompt) 10) Your all done. This is by far the best tip I’ve discovered so far. I tried it out of interest on a shot from this afternoon and it brought out lovely greens in Autumn leaves and a lovely hazy blue on water and waterfalls. Try it – I think you will like it! :D
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/ Wonderful Tonight It’s late in the evening / She’s wondering what clothes to wear / She puts on her make up / And brushes her long dark brown hair / And then she asks me / Do I look alright / And I say yes, you look wonderful tonight We go a party / And everyone turns to see / This beautiful lady / That’s walking around with me / And then she asks me / Do you feel alright / And I say yes, I feel wonderful tonight I feel wonderful / Because I see the love light in your eyes / And the wonder of it all / Is that you just don’t realize / How much I love you It’s time to go home now / And I’ve got an aching head / So I give her the car keys / She helps me to bed / And then I tell her / As I turn out the light / I say my darling, you were wonderful tonight / Oh my darling, you were wonderful tonight (by Eric Clapton) / —-—-—-—-—-—-—-—-—-—-—-— / Portrait / Architectural / people/culture / Macro / Landscape / Still live / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love / -—-—-—-—-—-—-—-—-—-—-—-—- / All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action.
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A quirky little idea I came up with, will probably appeal to the geeks of Red Bubble. Hope you like :)
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a photoshop piece of my girlfriend on the swing. / i hope you enjoy, feel free to leave your comments and tips. Worktime: 8 hours / Layers: 19
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I pinched these protea flowers from a garden in Frankston Victoria , for the purpose of photographing them, .......only cause i can ! i then put a torch over them while having my camera set for time exposure mode / /
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This Picture is the result of a collaboration between Tatalia at Deviant Art @: http://tatalia.deviantart.com/ and me. This is the original picture I used to create it @: http://www.deviantart.com/deviation/46088556/ 24 hours of work on Photoshop to create it. And this is the link to the Video Tutorial of this creation @: http://fr.youtube.com/watch?v=sjfH3siqDpc
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Blend Modes and Type
by Alison JohnstonWhat a great effect this one is, I first saw it done by Corey Barker. Just a couple of points that may come in handy before we get on …
What a great effect this one is, I first saw it done by Corey Barker. Just a couple of points that may come in handy before we get on with the tutorial. I’ve created a car shape for you to practise on, if you would like to make your own shape there are a couple of things you need to know – after you have created your shape, you are going to have to be able to lock the transparency of that layer at some point – here’s how you can make that happen. Right click on the shape layer and choose Rasterize from the menu. Making sure the shape layer is active, hold down your Ctrl (Cmmd) key on the keyboard and click on the New Layer Icon at the bottom of the layers palette (this will force the new layer below the shape layer). Click back on the shape layer to make it active, right click on the layer and from the menu choose Merge Down. You will now be able to Lock the Transparency of that layer later on. When you get to do the type part of the tutorial, you can add your own text – I’ve been lazy and gone to the Lorem Ipsum site and used the text generator to randomly generate some copy. You can find the site HERE The last thing you will need to know is this – If you want to add some additional type after you have done the type effect you will find that every time you click on the image with theType Tool selected it will put the Type on the Type Layer you already have there, which you may want to happen, but if you want to do some FX’s on the additional Type it will affect all of the Type. Two ways you can get around this – in CS3 you can right click on the Type Layer and choose Convert to Smart Object. If you have earlier editions of Photoshop hold down the Shift click before clicking on the file and it will force the Type onto a new Type Layer. With all that said, let us get on with the tutorial. Create a new file 800×600@72dpi with a white background. Save the image below, then open it in Photoshop. The first thing you will have to do with the car image is go to Image>Mode and change the file from ‘indexed’ to ‘RGB’ now grab your move tool and holding down your shift key, drag the car image onto the other file you have there. Holding down the shift key will centre the image for you. Click through for the larger image You should have something like this. Go to the Lorem Ipsum site and generate some copy then copy it to the clipboard. Go back to Photoshop and with your Type Tool selected draw a selection around the image. Then go and ahead and paste the text. You may have to adjust the text a little bit – Double click on the thumbnail, then go ahead and pick the font and size from the top menu bar. You can also click inside and get rid of the paragraphs if you like. You may end up with something similar to the image below. I’ve left the type a little bit bigger in my version so you can see what is going on – and I’ve used the transform tool to spread the type toward the edges a little bit more. That’s not anything special …. wouldn’t it be really nice if we could get the text to be white when it goes over the car instead of black ….... lets go and do that now. Drag the type layer below the car layer – or drag the car layer above the type layer … whichever suits :-) Click on the car layer to make it active and then lock the transparency of that layer by clicking on the ‘Lock Transparent Pixels’ icon at the top of the layers palette … see image below. Make sure the car layer is active, and the transparency is locked, then go ahead and fill the car with white – you should end up with something that looks terrible :-) Go ahead now and change the blend mode of the car layer to Difference …. and boom! you’re type is now white where the car is ….. what a simple and cool effect. You can go ahead and fade the type if you like by taking the opacity of that layer down. Fill the car with some different colours to see what effects you can come up with. Try the type and car in the same colour (not black). In the image below, both the type and car have been changed to the same colour R 13 G 105 B 143, I’ve also added a layer above the background layer and given it a gradient. I added another type layer (remember what I said about that at the beginning of the tutorial) and then I used the transform tool on the original type layer.
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Layers and Blend Modes
by Alison JohnstonPractically all users of Photoshop and other image editing software will be aware of Layers and Blend Modes, and how useful they can be. ...
Practically all users of Photoshop and other image editing software will be aware of Layers and Blend Modes, and how useful they can be. Some of the most useful blend modes from a photographic point of view are screen, multiply, soft light, overlay, luminosity and hard light. The problem with blend modes is that you have to add a second layer into the mix for them to work – even if you unlock your b/ground layer blend modes are not available to you. So we’re stuck with large file sizes from duplicating layers, slow performance and the chance of a computer crash ….. or are we :-) I do some image restoration and I can tell you that more often than not, the files can start to get rather large if there is a lot of work that needs to be done. Enter Katrin Eismann, a photoshop guru and one of the most well known people in image restoration. She has a little trick that I’m going to show you here that will keep your file sizes within a manageable range, whilst applying all the blend modes that you want. My start image is a 800×600 72dpi file, which you will recognise from the creating rain tutorial. What I want you to notice in the image below, is that after applying 6 adjustment layers my file size has only doubled. So lets get started. Open your image, duplicate the image and close the original. Or use THIS What I want you to do now is go to the bottom of the layers palette and click on the adjustment layer icon and select a curves adjustment layer and when the dialogue box opens click ok without making any adjustments. Go to the top of the layers palette and change the blend mode to screen. You will notice that the image has lightened, but we are only looking for the foreground to be lighter in this case. Make sure the layer mask is selected and choose your gradient tool. With your f/ground, b/ground set to the default black and white, go to the gradient picker in the top menu bar and select black to transparent. Bearing in mind that black will conceal, I want you to start at the top of the image, hold down your left mouse button, drag down to the bottom hold down your shift key if you want a straight line, then release. The sky should have stayed the same as the original, and the f/ground will now be lighter. Go to the adjustment layer icon again and pick a levels adjustment layer this time. When the dialogue opens click ok and change the blend mode of the layer to multiply. Do exactly the same as you did above except reverse the starting point for your gradient because we want to keep the dark sky. See image below for the effect so far. You’ll notice that it didn’t make any difference whether we used a curves or levels adjustment layer because we didn’t make any changes. I’ve gone on and used 2 more adjustment layers with this image, both with the blend mode changed to screen, both with inverted masks – ctrl i on the keyboard to invert the mask (f/ground colour to white, select brush tool), and then I’ve painted back in over the trees on the first mask, and the foreground on the second mask. You can see in the image below that the revealed part of the mask is white i.e the part I wanted to stay lighter. Start Image first, adjusted image second. / Remember that you can take down the opacity of any of the adjustment layers if you feel the effect is too strong.
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Portrait of a palm tree. When I saw it I immediately thought about Depeche Mode and its CD cover for the: “Exciter” album but I didn’t remember the precise framing ! I worked on this subject with my own style and…I just love it ! I took this picture Yesterday at: Les jardins et serres d’Auteuil // Garden and greenhouse in Auteuil. Auteuil is a place at the doors of Paris.
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I thought I did not post anything for a while. I thought I better get going. Image done in Photoshop. Figure is stock photography. Graffiti image was a photograph taken from my local park.
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elephants have to be my favorite animal to stick into real world situations. so here you are, senor elefunk. not so original idea i’m sure, but I LIKE IT.
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Fashions fade, style is eternal. Yves Saint Laurent (1940-2008)
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I don’t normally do mornings. Thus I decided to design a shirt which would speak for itself, so I don’t have to. It can be worn on any occasion, but goes especially well with morning, daytime, and evening attire. If you’re like me, you’ll find this incredibly useful!
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Underside of interesting flower found and photographed at Wittunga Botanic Gardens / All artwork is copyright© to Stephen Mitchell, All Rights Reserved. / You may not use, replicate, manipulate, redistribute, or modify this image without my express consent.
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