Model photographic
130 creative works found
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Photographer: Jo O’Brien / Model: James Price / See all out collaborations here
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Pose, be emotive, hold it…. the shots of a photographer are invasive and can often be false. Thanks to Hien for taking the shot and Hailey Swanson for being the model. Back Alley Atelier
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People Set PLease have a look at the wonderful work Nicole does /
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PHOTO SHOOT MELBOURNE & SYDNEY PHOTOGRAPHERS ALL WELCOME: JOIN THE MAILING LIST
by AlateiaI PRODUCE & DIRECT PHOTO OPPORTUNITIES FOR STILL CAPTURE / for Amateur & Professionals alike PRIVATE ENQUIRIES ALSO WELCOME / ”!http:/...
I PRODUCE & DIRECT PHOTO OPPORTUNITIES FOR STILL CAPTURE / for Amateur & Professionals alike PRIVATE ENQUIRIES ALSO WELCOME / / photo courtesy of MAREE TOOGOOD / / photo courtesy of Jodie Johnson If you are interested in attending any of the PHOTOGRAPHIC SESSIONS that i stage and stepping off the virtual platform for a shoot, meeting other bubblers, working with excellent models, picking up tips on the job, let me know! and i will add you to our mailing list and keep you in the loop. / _photo courtesy of KARLS I organise, models, drops & props, venues, equipment etc. for on location and studio shoots. So jump on the mailing and stay in the loop just email SHOOTER MELBOURNE or SHOOTER SYDNEY to / events@arthouseproductions.com.au Some of the sessions are by invitation only as location can restrict numbers so let me know what areas interest you ie, dance, portraiture, black and white, cityscape, sports, nudes, fashion, catwalk, landscape, storms, seascape, animals, babies, night , long exposure, photo journalsim, macro, etc. etc Look forward to seeing you at the next SHOOTERS GALLERY !!
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Part of a collaboration with my favorite model, Deb Parkin. Deb is also a photographer :) To each of the other models I worked with in 2007, I know I told you that you are my favorite model, and you are…
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More from the Lightscapes Set More from the Black and White Set Two young cows playing around in the afternoon with magical back lighting. This is one of the first photos taken on my first d-slr!
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Model – Meluxine The height of winter, she’s laying on wet frozen ground, in a vintage dress and my ugg boots, full to the brim with Hungry Jacks, watching me dance like a crazy person with a head cold around her when suddenly the sun breaks through right at the perfect moment, and she manages to pull of that look like it’s as easy as microwave popcorn. / This girl rocks. Canon 40D + available [overcast] light. / The film versions are pretty cool too. Copyright 2008 Harmony Nicholas
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Photographers - What are you paying for? (Part 2)
by Jo O'BrienBe open minded about your camera gear You can make a tripod for only a few dollars...
Be open minded about your camera gear You can make a tripod for only a few dollars, tracing paper makes a great diffuser and a trip to a hardware store will give you very bright lights. Yes, there are downsides, and for the technically perfect photographer, these suggestions will be a very funny joke. The point here is keep and open mind and try new things before forking out $100 for a piece of shiny material that resembles a $5 dash board cover. Unless you use a biscuit tin to take photos, eventually you will want to buy a new camera. Shop around, get advice, try out a friend’s and when you walk into the shop, don’t spend hundreds of dollars on accessories that you wont’ use. It doesn’t hurt to haggle a bit either. When the salesman tries to close the deal, my typical response is “what else are you throwing in?” Studio Hire So the first question you ask yourself is “Do I know anyone who already has a studio set up?” If the answer is yes. Skip the rest of this section, suck up your pride and ask them if you can visit and have a play. The rest of you, ask yourself what you are paying for. Is it the chance to get a professionally lit shot? Maybe you could try a lighting course that will not only give you many opportunities to work with professional lights, but will teach you the theory and science of lighting. Often these courses are much cheaper than a similar amount of time in a rented studio. Do you want to try shooting in more controlled conditions? Try clearing out a room of your house and setting up a few scenes. The results may not be brilliant but it will give you a sense of how much time you can spend setting a shot up before you get to click the button. If you are certain that a proper studio is for you, consider hiring it out through a camera club for a discounted rate, or hiring it out with a couple of other photographers to minimise your expense. Models and TFP Models and photographers have one thing in common – they both need a portfolio of photos to proceed in their career. This is why Time For Photo shoots have become so popular. But before you jump up and down about using a free model take a second think about what is fair and ethical. At the end of the day, both you and the model should be happy with your arrangement. If someone feels short changed, you should consider modifying your approach. This is my rule of thumb. If a model approaches me to take shots for her portfolio, and I am working to her brief, she should pay me. If we have put our heads together to come up with a project and proceed on equal footing where we both use the images, then neither should pay. And if I conceive and art direct the shoot and have priority over the image rights, I should pay the model. Basically whoever comes out on top should be paying the person who is doing them a favor. Then there are test shoots, these are almost always done on a time for photos basis. These shoots are a bit like ‘warm up’ shoots for the model and photographer to see if they want to work together properly. They are also a chance to test new ideas or equipment. Often the images taken in test shoots are less than great, and if they do turn out, they are most commonly shared equally between all parties. If you are requesting a model release form because you intend to profit from the images, in my opinion, the model should be paid or you should have an arrangement to split any profits. My plan of attack is to put out a call for models. Then I will do a test shoot with the model who has contacted me and we either have equal rights to the shots or split them down the middle. If the test shoot goes well we may arrange to work together again. This might mean doing an even split of “her ideas” and “my ideas” for no payment, or it may be paid work if I am contracted to produce shots for a commercial job. Photographers – What are you paying for? (Part One).
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People Set Here’s someone’s work that you shouldn’t miss! Karen! /
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Jess, studio fashion, 2008. The title refers to the model …
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Location fashion, c. 2005 Please see my other work in this series: Black Magic I.
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People Set Lensbaby original with Canon 20D
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People Set Lensbaby original with Canon 20D
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we’re all so multi talented. why not put it on a t-shirt. this one may be more universal without the nanny bit, but that’s ME right now…so if it’s nearly you, it could be altered! It MUST be someone besides me though, because, surprize surprize, someone bought it!!!! made my day. week. month! year…
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another portfolio shoot!
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Emily, studio fashion, 2007.
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A backstage shot from my first attempt at event photography. The show was so dynamic and energetic that I wasn’t suprised to find the lead singer bent over catching his breath in the green room. I’m starting to appreciate candid photography more and more. There really is something special about capturing a moment that would otherwise be lost in time. See more photos from this event here www.joobrien.com.au
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Bea, candid studio, 2008.
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YOUR VOTES PLEASE.. I NEED YOUR OPINION TO HELP ME CHOSE THE TALENT FOR ...
by Alateiathe image that will be on the Front cover of a hard cover landscape sized book that i am producing to showcase the photographers that hav…
the image that will be on the Front cover of a hard cover landscape sized book that i am producing to showcase the photographers that have shot at the photo shoots staged by Art House Productions! see images HERE The books cover needs an image that has SUPER HIGH VISUAL IMPACT! / THESE IMAGES ARE SAMPLES CREATED TO DEMONSTRATE THE ABILITIES OF THE VISUAL ARTISTS FOR THIS SELECTION PROCESS ONLY. Chosing one over another is very difficult, so i am asking for your help in finding the talent that you believe has what it takes to make people want to pick the book up and want to view the images of our very cool shooters! the information on the front cover to accompany the image is ART HOUSE PRODUCTIONS / presents / Melbournes’ emerging talent / 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 / 10 / 11 / 12 / 13 / 14 / 15 / 16 / 17 / 18
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©2007 BeeTour Photography
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