Mixedmedia
306 creative works found
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digital abstract mixed media / (flame fractal and photographic textures) / / About a possible future day when we remember all what machines could do for us, till they ceased to exist and became rusted memories. / / CREDIT : / Many thanks to Cameron Gray for providing his free textures on his Parable Visions website. / / / DATE OF CREATION : 2007.10.12th / / DETAILS / Click a thumbnail for a real-size detail from the original~ / / / / / © 2007 Nodakami
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Original size 150×125 cm Details /
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/ My artwork is based on personal childhood experience, exploring the concept of divorce and separation. It depicts the emotions associated with divorce and separation and the negative impact it has on a child. My technique of layering of washes and colleges adds to the idea of the gamut of emotions. I have used oil sticks, charcoal, progresso and chalks, working heavily with them in areas of my work. Where as I have left other areas open and unfinished to emphasize the rawness of emotions. I have been strongly influenced by Cherry Hood and this reflects in areas of my art making practice.
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PEN AND INK WATERCOLOR :)
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Abstract rockscapes-and-fractals mixed media / This is a collaborative work with Kathie Nichols, who provided one of her photographs. / / / DATE OF CREATION : 2008.01.25th / / / © 2008 Kathie Nichols & Nodakami
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This is a digital abstract piece using a flame fractal and photographic textures. / / Sister piece to Machines could do the work / / CREDIT : / Many thanks to Cameron Gray for providing his free textures on his Parable Visions website. / / / DATE OF CREATION : 2007.10.12th / / / © 2007 Nodakami
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Mixed Media collage. Acrylic paint, vintage newspaper, vintage book paper. This is a scan of an actual painting, not digital art.
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Abstract digital mixed-media / of flame fractals and photography / / / DATE OF CREATION : 2007.12.2nd / / / © 2007 Nodakami
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medium: acrylic paint and collage on 300gsm paper. Hundreds of tiny pieces of paper torn from magazines was used in her back. I used beautiful Japanese Washi paper for her glove and hair. size: 42cm x 59cm (A2) currently listening to: Trippin’ by Mark Morrison
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Original size 140×110 cm Details /
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‘Separation Anxiety No. 1’ placed 1st in The Fine Arts The Fine Art Of Emotion Challenge ‘Separation Anxiety No. 1’ placed 8th in Voices of the Dark and the Deep’s the deep lost heart challenge ‘Separation Anxiety No. 1’ placed 3rd in the Multiracial Beauty group’s Emotion Challenge My artwork is based on personal childhood experience, exploring the concept of divorce and separation. It depicts the emotions associated with divorce and separation and the negative impact it has on a child. My technique of layering of washes and colleges adds to the idea of the gamut of emotions. I have used oil sticks, charcoal, progresso and chalks, working heavily with them in areas of my work. Where as I have left other areas open and unfinished to emphasize the rawness of emotions. I have been strongly influenced by Cherry Hood and this reflects in areas of my art making practice.
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In the study of feng shui, Earth is the knowledge element. Acrylic on 12” x 16” gallery wrapped canvas. (original hues are more yellow than orange) “This planet is not terra firma. / It is a delicate flower and it must be cared for. / It’s lonely. / It’s small. / It’s isolated, and there is no resupply. / And we are mistreating it.” / - Scott Carpenter, astronaut
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Abstract rockscapes-and-fractals mixed media / This is a collaborative work with Kathie Nichols, who kindly provided one of her photographs. / This is my second rendition of the first picture of hers we worked with, so, though very different, it is a sister piece to Stream of Consciousness / / / DATE OF CREATION : 2008.01.25th / / / © 2008 Kathie Nichols & Nodakami
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“Triangle” by Lyuda 2008. / Ink on paper, colorized in photoshop. / lavrentyeva.com / Watching too many French movies lately, and this is what came out of my pen.
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Goldfish swimming around together.
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Handmade by artist fabric paper, paper ephemera, machine stitched to a watercolor paper backing. 4” x 6”
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mixed media – photograph, ink, pencil, semen, urine, acrylic, boiled newspaper
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If we had no winter, the spring would not be so pleasant. / -Anne Dudley Bradstreet This 6” x 12” mixed media piece in a variety of greens with a dryad emerging from a tree is “Sidhe Draoi”. The name refers to the Irish tree faery of Druid lore who lived among the trees in the sacred grove. From my goddess series, this one sold at a local gallery exhibition.
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Apophysis to photoshop. Guardian of the tumbs the warriors walk
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www.illyphotography.com
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Oil pastels portrait with digital effects on background and head scarf
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/ My artwork is based on personal childhood experience, exploring the concept of divorce and separation. It depicts the emotions associated with divorce and separation and the negative impact it has on a child. My technique of layering of washes and colleges adds to the idea of the gamut of emotions. I have used oil sticks, charcoal, progresso and chalks, working heavily with them in areas of my work. Where as I have left other areas open and unfinished to emphasize the rawness of emotions. I have been strongly influenced by Cherry Hood and this reflects in areas of my art making practice. “Separation Anxiety No. 2” placed 3rd in Acrylic Painting group’s Acrylic Painting Challenge: Child Portrait
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ORIGINAL FOR SALE I did this with water colours, graphite and acrylics on fragments of Cartridge paper on canvas after Age,Maturity,Dotage I really enjoyed the technique and think it emphasizes their age and fragility. I used the same materials as Age,Maturity,Dotage but without the text and a more sketchy drawing style. “Yesterdays Face” Won the New Avatar For 2009 challenge in the Paintings From Beginners group / “Yesterday’s Face” Was featured in the group Painters In Modern Times (December 08) /
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Digital Art Photography. / The Earth Goddess shadow over the prairie. / Giving rain. / Photo manipulation.Mixed media, painting,color pencil, acrylic. / By Gina Signore. / Dahlia House Studios.
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