Mexico
1614 creative works found
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We saw these jumping dolphins (and about a thousand others!) on our whale watching trip to Baja California. Dolphins are a great animal to photograph when they are doing this, but you have to be quick! (San Jose Channel – Baja California –Mexico) / / / / / / / / / / / / / / / /
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Had to redo this one to fit stylistically with the rest of the calendar. Photo: Deborah “Mom” Shelton. / Modeling and imaging: Me.
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We saw this jumping dolphin (and about a thousand others!) on our whale watching trip to Baja. Dolphins are a great animal to photograph when they are doing this, but you have to be quick! / / (San Jose Channel – Baja California – Mexico) / >< / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /
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Cat Nap by Karin Taylor from the Friends and Beach Series / a mixed media production in ink pastel charcoal and acyrlics on canvas textured paper….. this mixes and matches with another design of mine called Wall Flowers:
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Islamorada, Florida USA Mother Nature was feeling quite feisty and was adorned in blue and pink – she danced across the ocean until the sun set. Leaving behind nothing more than her memory captured. / _____ / / / ___ / All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Sky Fox 2008. Using this image for any purpose and in any way, without prior permission, will lead to legal action.
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Wall Flowers is a mixed media production on canvas textured paper using ink, charcoal, acrylic and pastel. Just a nice bright happy painting, which I’ve made available as a card, laminated print, mounted print, canvas print or framed print in sizes small and medium
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This photo is taken in a wonderful hotel in Mexico. The ruins of a house has became a swimmingpool. It was fun swimming from one room too another.
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Taken from our balcony (8 floors up) in Cancun. This is overlooking the Caribbean.
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Image by photographer Glennis Siverson, www.glennisphotos.com. Reflection of St. Catherine’s Cathedral in Santa Fe, New Mexico.
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Sedition 2005 (Part 4 of 6), Jamin, 2005, Enamel and Acrylic on MDF, 120cm x 120cm This is one panel of a painting that is comprised of 6 panels. The countries mentioned in the piece are most of the countries that were experiencing civil, social or military unrest in the year 2005.
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Portrait of Georgia O’Keeffe. Oil on Canvas / American Artist. Georgia O’Keeffe was raised in Wisconsin, educated in Chicago and Virginia, taught, painted, and lived on the east coast until her early sixties when she moved to Abiquiu, & Santa Fe, New Mexico. Close to one hundred when she died in 1986, living alone and painting in scenery that inspired her famous flowers in closeup with strong sexuality, voluptuous lilies and poppies, stark desert landscapes and animal skeletons. She worked in charcoal, water color, and finally oils, and worked large. I’m not sure her story is known well outside the states. She was photographed, courted, and married (1924) by famed 1920’s photographer Alfred Stieglitz who adored her, left his wife and family for her, and made her more famous than he was. She too, was madly in love with him. His black and white photographs of O’Keeffe filled Stieglitz’s famed “291” gallery in New York and caused a sensation with portraits focused on her beautiful bone structure and striking looks, and spectacular nudity. He took over 300 portraits of her from 1918 to 1937. Stieglitz may have been in love, but smart enough of a businessman to cause O’Keeffe’s work to skyrocket in price, averaging $100,000 a painting, monumental for a living artist and a woman in that time. What he did for her career lasted, interest waned some but revived and her work is priceless now. Every girl painter can use a Stieglitz, few get one. Stieglitz died in 1946 and she moved permanently to New Mexico three years later after cataloguing his work and papers. She was 59, began a new life in a landscape she claimed as her own. “God said I may have that mountain,” she’d written, “if I paint it enough.” So she did. / I painted this from one of Alfred Stieglitz’s famous photographs of Georgia O’Keeffe. / When you do portraits, you start to hear conversations from that time, get a sense of the thinking of the subject, smells and impressions wander through you or assault you inescapably. It’s a fascinating and somewhat dangerous occupation because when you put down the brush and turn away you wonder where the hell you’ve been and question your sanity. I’ve come to accept it as just what happens and there it is. One cannot help but see Stieglitz’s fascination with O’Keeffe’s profound physical symmetry. It bothered me. I thought it annoyed Georgia, too, that he was making more of it than in truth was there. Certainly a thoughtfully bright, introspective & solid woman. But he did not capture the O’Keeffe who stood in the desert in thunderstorms alone in the middle of the night to draw the electricity in the air into her being, which she was notorious for doing. Or the O’Keeffe who lived alone on her Ghost Ranch, and drove in her Model A Ford recklessly to plateaus and mountains of New Mexico to soak in the wilderness. DH Lawrence, Ansel Adams, the Lindberghs were visitors. / It’s not the last portrait I’ll do of her, but I wanted to see more in her than Stieglitz’s precision, no matter how beautiful that is to see. / I think he was incredibly kind and thoughtful about this woman’s life, and helped her reach a financial independence undreamt of for an artist of her time and sex. Stieglitz said of the first drawings of Georgia O’Keeffe that he saw: “Finally, a woman on paper!” He admired her, and he loved her. I can’t blame him for thinking her perfect. I’m just not so sure he saw the savage in Georgia. Other US photographers who did some earlier radical work in b/w, nature, and nudes you might want to visit: Ansel Adams. Brett, Edward, and Cole Weston. Edna St Vincent Millay wrote: “My candle burns at both ends; / It will not last the night; / But ah, my foes, and oh, my friends— / It gives a lovely light!” / Which, published in 1918 became an anthem to end constraints on overwatched Victorian girls. A wild, free life… edged with death. / The Hawks Perch
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Islamorada, Florida USA. Large View, Please! Taken from my boat in the Gulf of Mexico nearing the Straits of Florida. / _________ / / / _____ / All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © 2008. Using this image for any purpose and in any way, without prior permission, will lead to legal action.
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My version of Diego Rivera’s Nude With Calla Lilies ! / A very pale comparison to his original. / My original is Acrylic on canvas / 1 metre X 1 metre / ~ / More of my Works /
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Bit of stairs and walls in a Oaxaca City, Mexico hotel. ~ May 2008
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mexico 2007
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Colorful boats at Nanciyaga on Laguna de Catemaco, Mexico.
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The remaining ruins at Chichen Itza in the Yucatan Peninsula of Mexico, are a tribute to the complexity and advancement of the Maya empire. The grounds hold multiple ruins that are now considered the 7th wonder of the world. Truly worth the trip to this area, these ruins are an experience of a life time.
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This has just been one of those “right time, right place” moments. The White Deer must have heard me and looked up from feeding, while licking its nose. / Hope you enjoy it!
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Pile of oranges in Xochimilco, Mexico. ~ May 2008
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Acrylic on canvas. / A young Frida Kahlo flying free over her beloved homeland Mexico.
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HDR / There were some pretty big waves coming in on the beach, in Cabo San Lucas, Mexico… I had to get a closer look… notice the parasailer in the distance. / / Images copyright ©Kimberly Palmer– 2008. / Copying, displaying, manipulating or redistribution of any image from this portfolio without permission from the artist is strictly prohibited
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You could’ve bowed out gracefully / But you didn’t / You knew enough to know / To leave well enough alone / But you wouldn’t / I drive myself crazy / Tryin’ to stay out of my own way / The messes that I make / But my secrets are so safe / The only one who gets me / Yeah, you get me / It’s amazing to me How every day / Every day, every day / You save my life I come around all broken down and / crowded out / And you’re comfort / Sometimes the place I go / Is so deep and dark and desperate / I don’t know, I don’t know Sometimes I swear, I don’t know if / I’m comin’ or goin’ / But you always say something / without even knowin’ / That I’m hangin’ on to your words / With all of my might and it’s alright / Yeah, I’m alright for one more night- / every day / Every day, every day, every day / Every day, every day / You save me, you save me, oh, oh, oh / Every day / Every, every, every day- Every day you save my life / Recorded by: Rascall Flatts Thank you….......... Enough Said…................ / ©2008 BMoore Photography & Design…................................... / www.bamagirl38.com All Rights Reserved….......... My work is my work exclusively and DOES NOT belong to the public domain. Please do not take my work in whole or in part without first obtaining my written consent. Thanks !
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