Methods
1 member found
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Method
United Kingdom
71 creative works found
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Selective colouring - The cheat method :)
by Julie LangfordI have been asked by many how to do selective colouring on images, so here is a quick method for doing it. / / The method I use is a simp…
I have been asked by many how to do selective colouring on images, so here is a quick method for doing it. / / The method I use is a simple two step process / / Open the image and turn it greyscale – click the word Image [up the top menu] then – mode then greyscale / / Click ok to the message that pops up asking to discard colour channels [Those are the red, green and blue channels that make your image colour] Now – you have a mono image with all the colour discarded – You cannot select colour if its all been discarded – so we need to put it back. / / Go back to image [up top] – mode and hit RGB – the image will stay mono, but is actually a colour image [with no colour] / / Hit the history brush in the toolbar in the left and paint back where you want the colour. Adjust the size of your brush as required. / / For more subtle effects, turn the brush opacity down – but remember when using low opacity – you must paint in one stroke, without releasing the mouse. / / thats it – yep – really simple eh / / A variation on this is for example, where you want to use this method on a forest scene – impossible to paint back in or select to colour by different methods. So after making the image greyscale, turning it back to RGB and selectiing your history brush – set the brush to a very large size with a zero hardness setting. Find a place on the image where you would like to see colour and click the brush there once. The result is a really nice graduated colour effect at the point where you wanted it to appear – awesome. / / Good luck all – have fun with it, and let me know how you get on – perhaps link your images here. / / Jul
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Error 405. Method not allowed.
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Logo designed for a friend’s band The Rhythm Method.
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Logo for a friend’s band The Rhythm Method.
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On the corner of Rue Descartes and Rue de la Montagne Ste Genevieve, Quartier Latin, Paris. The cafe below the apartment I often stay in.
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Logo designed for a friend’s band The Rhythm Method.
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Based on a logo design for a friend’s band The Rhythm Method.
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Logo for a friend’s band The Rhythm Method.
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Location: Reagan Beach, CA (Lake Tahoe) / Date: Feb. 21, 2009
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The Suzuki Method
by peterEvery now and then one stumbles across a captivating idea. I had that experience yesterday. I picked up a book on the Suzuki method – s…
Every now and then one stumbles across a captivating idea. I had that experience yesterday. I picked up a book on the Suzuki method – something I had previously heard about but never really understood. It’s a winner. The inventor of the Suzuki method, Shin’ichi Suzuki, looked at something incredibly complicated that we all take for granted: Language. Suzuki questioned why we all manage to learn our native tongue – but so many of us struggle to master other areas of knowledge: Maths, music and painting for example. I had previously accepted the notion that brains were hardwired – some people had a maths brain, others a drawing brain et cetera. But is this true? We all manage to master our native tongue – irrespective of whether we have a ‘maths brain’ or a ‘language brain’. Perhaps, in the right environment, we could all be competent mathematicians or musicians. Just as we all manage to be competent speakers of our native tongue. What are the secrets to the Suzuki method? Nurturing, immersion, encouragement, small steps and an unforced timetable. Think about how a child learns a language. We’re patient, supportive, encouraging. We participate in their learning. Why do we turn this off when they go to school? We don’t grade our children as they learn how to speak – why do we do this at school? We don’t make them feel bad for making a mistake – why do we do this at school? I think we’ve got it really really wrong. And perhaps we can carve out our own little slice of the Suzuki method here on RedBubble. We can provide an environment that’s encouraging, nurturing, supportive with no forced timetable. Perhaps we need to discover our artistic voice in much the same way as we learned our native tongue … For more on the Suzuki method try here.
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Ducks meet at sunset in the swamp is done in the now popular ink pouring method some Chinese artists are using. authors note: Mixing pots of water colors in advance, masking the ducks in fluid. Then simply pour on your colors on either wet or dry watercolor paper and let them mingle, you can use a straw to direct the runs or a hairdryer to pre- stretched paper. Allow to dry, remove your masking fluid and paint your objects and that’s it
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Logo for a friend’s band The Rhythm Method.
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Logo design for a friend’s band The Rhythm Method.
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Rant: Throw enough mud and some of it will stick
by Jo O'BrienThrow enough mud and some of it will stick. A mantra of sorts that I live by. My art is not for everyone, or even for most people. Someti…
Throw enough mud and some of it will stick. A mantra of sorts that I live by. My art is not for everyone, or even for most people. Sometimes it offends, shocks, upsets, arouses, inspires or invades the senses. I don’t consider that a flaw. I consider that an achievement. And I’ll put it all out there and see what happens. It sounds tacky but if it reaches only one person in a hundred, I’ve succeeded. I don’t care what the other ninety-nine people think about it. I just don’t. My concentration is fixed squarely on the person who ‘gets it.’ I’m happy to keep making art for that one person if it means I get to create the ideas and images in my head. To do anything else would be to sell myself short. If you are offended. Good.
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and so twas written in the book of quorn.
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Saint Lunaire, Bretagne, September 14th, 2008. / - In Saint Lunaire Eric Rohmer filmed “Conte d’été” - It’s a “clin d’oeil” for DainnV / ;-) / I must photography it !!! :) I flay often the English language. Too often. Especially when I try to get into phrases and thoughts in English. The online translator isn’t my thoughts nor my words. And this is gibberish. / Some people were desperate by my disaster of language … and my grammar has not really progressed… When I saw this advertising I immediatly photographied it.
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Regatta 2005 / Boston Harbor
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The corridors here are wonderful and the echoes just awesome…
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Twisted Method concert. October 2003. Derek on Bass
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Twisted Method concert – October, 2003. Andy on guitar.
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A folly of a ruined castle built in 1754 as a summerhouse, and site of the birthplace of Primitive Methodism.
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VIEW LARGE PLEASE WHEN READY / How to do it / Why crossed eyes? / When overlapping stereo pairs without special glasses, you can get the 3D effect by crossing your eyes or diverging your eyes. I prefer the crossed eye method. I find it easier to control, and it is possible to view larger 3D images than with the diverging technique. * Sit square in front of your monitor, with the image directly in front of you, at about arm’s length * Sitting further back makes it easier – you don’t need to cross your eyes as much – but makes the image look smaller * While keeping the stereo pair of images in the centre of your vision, slowly cross your eyes * The stereo pair will go out of focus and you will seem to see four images, as shown in the animation above * If you find it hard to cross your eyes, it can help to hold a pen in front of you and look at the tip with the stereo pair in the background * Gradually cross your eyes more and more – if using a pen to assist, start it close to the monitor and move it towards your nose * Continue crossing your eyes more, untill the centre two of the four images overlap and you see three blurry images, as in the animation above * Try and hold the centre image together – it is possible to “lock” it in place and see it as one image * The “locked” centre image should appear in 3D! * Now the tricky part, focus – while holding the 3D image in place, relax your eyes – drop the pen from your field of view if you are using it * If you can keep the 3D image locked and relax your eyes, it should eventually pop into focus, as in the last frame of the animation above What you are doing here is causing your eyes to look at a space between you and the monitor, but focusing the lenses on the monitor. Our eyes never naturally need to do this, so it can be tricky to do at first. Try it!
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So that’s how he delivers all those gifts?
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