Metal watering
538 creative works found
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An image captured at sunset on Phillip Island and enhnaced in Photoshop!
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Free Hi Resolution Textures
by Cameron GrayIf you’re an artist or designer looking for some free hi res textures to use in you work, I am now giving away my personal textures for o…
If you’re an artist or designer looking for some free hi res textures to use in you work, I am now giving away my personal textures for others to use in their work. These textures are completely free and can be used for commercial and non-commercial work. / If you could help spread the word about these free textures, I would be very grateful. / I’m also giving away free copies of my book to certain people who are of particular help in promoting these textures & my website. / Textures are available from: / http://www.ParableVisions.com Enjoy, - Cameron Gray
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The second last sunrise of the year. December 30, 2007. Hvalstrand, Norway. 80 seconds. f/10, ISO100, 21 mm. / Canon EOS 5D with Canon EF 17-40L / Hoya ND400, Cokin Z-Pro ND8 grad
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View more of my landscapes by going to: / Landscape
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The idea of ‘the butterfly effect’ comes from the science of chaos theory. It suggests that everything is connected, to the extent that the beating of a butterfly’s wings in one part of the world may ultimately contribute to a tornado happening in another part of the world. It strikes most of us as a fanciful notion – but it is more true than we realise, particularly when it comes to the environmemt A part of us dies if butterfly dies .
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Experiment with metallic blue paper and using my flash…
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Gather what you will from this.. but yes, I did intend for this to look like magical sperm. Haha, it just sort of happened when I was staring at a light bulb and noticed the little spring inside… so I knew I had to do something with that. :D
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Just prior to sunrise over Corio Bay, on what was promising to be a rather wet and stormy day, at Griffin’s Gully, Geelong. These promising signs were spoken of by Jesus in the Gospel of Matthew, in the Bible, centuries ago. Matthew 16:1-3 The Pharisees and Sadducees Seek a Sign 1 Then the Pharisees and Sadducees came, and testing Him asked that He would show them a sign from heaven. 2 He answered and said to them, “When it is evening you say, ‘It will be fair weather, for the sky is red’; 3 and in the morning, ‘It will be foul weather today, for the sky is red and threatening.’ Hypocrites! You know how to discern the face of the sky, but you cannot discern the signs of the times. /
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My watercolour painting from a 1906 photo of the Mauretania. Luxury liner (the fastest in the world until 1929). She’s being towed by steam tugs, out of the mouth of the river Tyne, and into the North Sea. Watercolour and gouache, 12” 8” / Poundworld 90lb watecolour paper /
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An experiment with water droplets, glitter, a CD, wrapping paper and light. I had some metallic paper reflecting in the CD and the flash from my camera made it very interesting with all the glitter. This is the kind of thing I do when it’s too cold to go outside…. haha. Enjoy!
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NIKON D80 / 1/100 : F13 : ISO 100 :50mm Featured in / “Just Lines” / “Shapes & Patterns” Already add to / Light and reflection / Reflectivity
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About My new love affair with the SS Dicky continues! Check out – http://knol.google.com/k/garry-schlatter/a-photographers-guide-to-ss-dicky/32dti7s4ly9jr/2 - ISO 100, f22, 1/2sec, 20mm / - Sigma 10 – 20mm / - Cokin P121 (Graduated 8 filter) Processing HDR (-2, 0, +2) 1) Import into Lightroom as RAW / 2) Dropped RAWs into Photomatix / a) Tweaked until happy. / 2) Into Photoshop / b) Soft Light Layer with Curves to lighten / c) Some layer masking to fix blending issues / d) Noise Ninja Noise Reduction / 3) Back into Lightroom / e) Crop and straighten
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If you couldn’t tell I like bubbles and water… I was playing around with fizzy water the other day in a tiny cup and I got this weird effect with the water. The little portion in the corner blurred mysteriously or exploded. I thought it looked cool though. I placed blue metallic paper under the glass and used my sigma 105mm macro lens and flash. Enjoy!
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TWO PICS….one taken at the same place as Headland on a foggy morning and a pic of some painting peeling off from metal piece…. for fun… :))) / /
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Third in the series… three drops.. nothing too special. I shall explain the crazy set-up for this one… I had the tiny green spring (which was strung with seed beads) resting on a CD with a shiny gift bow as the background. I used a syringe to place the water drops and used my flash as well. Haha, it makes sense to me! Enjoy!
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Just experimenting with a photo I took today (14 June 09) of a drinking fountain in Melbourne..This is another sign of boredom! / Nikon D200 / 18-200mm lens / Processed in RAW.
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Webb Bridge @docklands, Melbourne… / Model- Sarah B.
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Tap water, with my red flask in the background. / Shot with Canon EOS 350D with Canon EFS 60mm macro lens and MT-24EX twin lite flash. / As is.
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When I seen this Photo I just had to put something in it. My eyes seen this in the openings. So I bmailed Marc in China and he sent me the photo…..I did two pieces just a bit different in color detail so we could both put them into our Profile. / Please view large Many ThanksMarc…... / Marc / Origional Photo / MUSIC / / Featured in Abstract Digital Arts & Writing Group / Featured in Shapes and Patterns / Featured Inside Solo magazine, vol. 8! ! / SOLO / Featured inVisual Collaborations and Placed in the Top ten Avatar challenge! My Additions /
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Dandelion / Shot with Canon EOS 350D with Canon EFS 60mm macro lens. / As is
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featured in Globes,Spheres&Curves 10-28-2009 / featured in SOLO-EXHIBITION 10-19-2009 An exquisite flower opens, in I Belong to You by Desirée Glanville, to reveal a / huge silvery perl– certainly a priceless treasure. Its antithesis, a gazing ball, / popular in Victorian and modern gardens, is suspended above it. Perhaps / hinting at the subliminal message, the gazing ball mirrors a very real world with tree, water, and sky; / rather than the ideal fantasy that we see before us. / Tiny remnants of petals float in the blue, luminous atmosphere. Desirée has repeated their skeletal / veins in the lower petals of the central flower; so that we know the air is filled with petals pulled from / the larger one. Was this a “He Loves me, he loves me not” scenario—a child’s game with Daisies that / gets replayed in various intonations when we are adults? The video accompanying the piece is a track, “I Belong to You”, from British alternative rock band, / Muse, from their album, The Resistance, released in Europe mid September 2009. / Remembering that the ultimate key to unlock the mystery of Glanville’s art is in the paired music, / it’s of importance that the song and lyrics regard one who travels half the world to tell their muse “I / Belong to You”. / Mid-song, from this British band, are French verses, sung with such emotion to melt the soul. / They are borrowed from Camille Saint-Saëns’ opera, “Samson and Delilah”. / Delilah sings these verses to seduce Samson, in a famous aria in Act II, “Mon coeur s’ouvre ta / voix” (“My heart opens itself to your voice”, or commonly “Softly awakes my heart”). / Ah! réponds à ma tendresse! / Verse-moi, verse-moi l’ivresse! / translated: / Ah! respond to my tenderness! / Fill me with ecstasy! / It’s uncertain, here, whether Desirée is presenting the side of the muse as a reaction to the / overtures, or the perspective of the one presenting overtures of tenderness to their heart’s desire. / It could be either or both, probably determined by the perspective of the viewer. / This is where fine art brings the viewer in as co-artist, to complete the work. Desirée seems to me / to have accomplished that spiritual merger here. / Either way, Desirée has input in the matter. Remember the gazing ball in the garden. It never lies. / Despite our fantasy and what we want things to be, there is also reality to deal with. * featured in* SOLO EXHIBITION 19-25 Oct 2009 / featured in I Got the Music in Me 10-12-2009 / featured in Abstract Digital Art&Writing 10-05-2009 / featured in The World as We See it 10-04-2009 When these pillars get pulled down, / It will be you who wears the crown, / And I’ll owe everything to you How much pain has cracked your soul? / How much love could make you whole? / You’re my guiding lightning strike I can’t find the words to say, / But they’re overdue, / I’ve travelled half the world to say, / I belong to you Then she attacks me like a Leo, / When my heart is split like Rio, / But, I assure you my debts are real I can’t find the words to say, / When I’m confused, / I’ve travelled half the world to say, / You are my mu- (Ah! Réponds à ma tendresse, / Verse-moi, verse-moi l’ivresse, / Réponds à ma tendresse, / Réponds à ma tendresse, / Ah! Verse-moi l’ivresse, / Verse-moi, verse-moi l’ivresse, / Réponds à ma tendresse, / Réponds à ma tendresse, / Ah! Verse-moi l’ivresse, / I belong, / I belong to you alone) -use, / I can’t find the words to say, / But they’re overdue, / I’ve travelled half the world to say, / I belong to you Incendia, Apophysis, Photography &PSP
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Shot with Canon EOS 350D with Canon EFS 60mm macro lens. / As is.
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Details: / Camera: Canon EOS 5D Mk II / Lens: Canon EF 24-70mm f/2.8L USM / Exposure: 3 exposures (-2,0,+2 EV) / Aperture: f/18 / Focal Length: 38mm / ISO Speed: 100 / Accessories: Manfrotto 190XB Tripod, Manfrotto 322RC2 Heavy Duty Grip Ball Head, Canon RC1 Wireless Remote / Date and Time: 26 September 2009 05.42am Post Processing: / Imported into Lightroom / Exported 3 exposures to Photomatix / Tonemap generated HDR using detail enhancer option / Re-imported back into Lightroom / Spot removal in Lightroom / Contrast adjustment in Lightroom / Sharpening in Lightroom / Added keyword metadata / Exported as JPEG
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