Masonite
13 creative works found
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A long time ago, when I joined forces with my band called Sweet Jelly, I wrote lyrics to a tune called “Bathtub Mary”. I never understood why people kept Mary, Jesus’s mother outside under a bathtub outside in their yard in sanctuary and decided to write about it. Thus the inspiration to the painting. Enjoy.
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A piece I did for my BFA show coming up this Spring. This illustrates my character, Norman, and I on the grandest day … really a combination of all grand days. All colour pencil on masonite.
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Self portrait, oil on masonite
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quaaack oil on masonite
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Oil on masonite board
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From a series I created in brazil during the mid 90’s, 36 inch square on masonite with acrylics and oils…... My main website will lead you to all my other online gallery’s and stores: / Arteology
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from a collection I painted in my brazilian studio in the mid 90’s, acrylic and oil on a 36 inch square piece of masonite. The original is in a private collection. My main website will lead you to all my other online gallery’s and stores: / Arteology
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A continuation of my brazilian series, acylic oil on 36 inch square masonite. My main website will lead you to all my other online gallery’s and stores: / Arteology
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Acrylic painting on masonite. This painting was inspired by a beautiful photograph of a waterlily taken by Mikrin (Mike). I want to thank him for kindly allowing me to use his image as a basis for this painting.
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A portrait of an old friend of mine, who I haven’t seen in quite a while now….. Oil painting on masonite – 18 inches x 18 inches
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Medium: Acrylic on Masonite / Dimensions: 12×20” / Date completed: Summer 2008
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Medium: Mixed Media / Dimensions: 18×24” / Date completed: September 2008 This was my very first piece for my concentration, Phobias.
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I painted this while in Jamaica in 1966. I used latex interior house paint, since someone ‘took my magic tube paints (oils). The original is painted on a 16” x 32” piece of masonite or hardboard, on the ruf side. / The painting started with the drawing of the woman in lavender. This color was achieved by my having acquired the ‘mixing colorants’ used by the paint company to mix up all their variety of colors. I kept experimenting with these colorants for several years. / I remember being pleased with the lavender lady and kind of ‘projecting’ “an ideal woman” on to her. The abstracted male, “the jolly green giant” I knew even then was my own unformed sense of self and masculinity. / I was painting on the veranda of Stacey’s Montego Bay Guest House. Stacey, friends and guests could all get into the act of discussing anything artistic, my painting in particular. Stacey latched onto her choice of title “Number ONE”. Then she latched onto the painting itself, hung it in the place of honor in her salon and told me it’d help compensate her for my room and board, which I had no money to pay for. The arrangement worked for me. / She returned this painting to me many years later. It usually hangs somewhere around our house, but right now it’s in the closet with a broken frame.
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