Masked white
483 creative works found
-
al·ter /ˈɔltər/ [awl-ter] / –verb (used without object) to change; become different or modified. / [Origin: 1350–1400; ME < OF alterer < LL alter�?re to change, worsen, deriv. of L alter other] / —Synonyms 1. See adjust, change. (Further detail about this work in my blog & journal)
-
As promised – the new illustration on t-shirt. Works nicely don’t you think? Wear it with pride and spread the word of environmental awareness – or just pretend you are a bad-ass with a penchant for skulls…
-
Potfolio : abstract / bw / landscape / portrait / graphic design / plant / flower / mixed media / china
-
Mask
by Scott WhiteAn older photoshopped pic I did of a really good friend of mine. I don’t know why I like to mess with people’s eyes in pictures, but it sure does look cool!
-
“All the charm of all the Muses… / often flowering in a lonely word.” Alfred, Lord Tennyson Face: SD-stock http://sd-stock.deviantart.com/art/Spring-Wall-Hanging-63930447 / Textures: Hibbary http://hibbary.deviantart.com/art/paper-textures-75974801 / Brushes: Merrym http://merrym.deviantart.com / Swirls: http://www.sxc.hu/photo/941243 / Smoke: http://www.sxc.hu/photo/704194 / All else: My own photo stock ©2007-2008 Aimee Stewart, Foxfires / All of my artwork and photographs are © All Rights Reserved Worldwide. / My artwork and photos do not belong to the public domain.
-
Model: Sara / Canon EOS20D DSLR / Editing in CS3 / Behind The Mask www.daviezimages.com
-
Wandering about looking for a way / Seeking the reasons for its existence / Why am I so empty it wonders / Why don’t I feel like the others around / Passing day by day with no idea why / Please give me something to hold / Something to make it feel again / The emptiness is so lonely / Hiding in the shadows it wanders about / Seeking that something it has never felt Fractalius Filter used for effect (Redfield Plugin) /
-
Height & Weight: 6’0” – 225 lbs / Trained by: unknown / Debut: October 29 2008 / Finishing Move: the flying arrow. / Little is know about this mysterious orphan but he seems to know where he’s going. /
-
©2007-2008 Aimee Stewart, Foxfires – please see my CC Terms of Use before considering using this image for any personal or commercial use http://foxfires.deviantart.com/journal/15905899/ / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—- There are so many familiar sayings out there about ‘Time’ as we know it. Time heals all wounds. Time flies when you’re having fun. Time stands still. Time waits for no one. If I could turn back the hands of Time. Frozen in Time. Timeless…. you get the idea. Well, I wanted to create a series that perhaps captured the essence of these things, in relation to human emotion. And so my Time series was born. I know in my heart what each of them means, but I did not name them anything specific, so that the viewer could make up their own mind as to the meaning of each piece. I think that is something unique to every individual. So…my heartfelt thanks for continuing to watch and support my artistic endeavors. It feeds the fire that burns and inspires. / Aimee
-
self portrait
-
Vecona, corset and masks. Always with the number 7. I was wanting the popular cabbage roses of the Victorian, but went with something more stylized. One pen was harmed in the making of this piece. ha ha Is that wrong to say? I do not care. ;) My piece for the Victoriandustrial groups challenge for the Masquerade. 8×10.5 / Ink. Vecona.de Used with permission. Featured in: / Behind the Mask: May 2009
-
I love Venetian masks so the idea for this black & white painting comes from within …....... Acrylic painting on heavy watercolour paper, size 42 cm / 60 cm. Artwork is for sale , signed and protected by copyright. Many thanks for stopping by !
-
Feel the game!
-
Mocking Bird Girl Creation Date:: 4.2.09 / A Collaboration with: Photographer: Michael Andrews roperookie.deviantart.com / www.myprivateplanet.net Model Anick / Designer: vile-sindustry Resources: doko-stock / battle-stock / stock-cmoura / amptone-stock / Fairiegoodmother / cozycomfycouchStock Ash Sivils © 2007-2009 No Derivative Works — You may not alter, transform, or / build upon this work in any shape way or form unless you / gain a waiver from me, not a representative. You may not / import, export, print, redistribute or claim as your personal / work. You may not sell this art or assign right to others, all / images are copyrighted please respect those rights.
-
He just likes pretty things, / he’s really quite friendly, / honest.
-
pencil on paper (Stonehenge) drawing – 22×22” – ORIGINAL SOLD / Signed and numbered limited-edition prints in two sizes are available at cynthia’s store There are so many stories to tell about this piece – wild coincidences, terrible tragedy and ultimate redemption. / I still don’t know if I can tell them all here now, but if there is one take-away to be had, it’s of the power of vulnerability and trust in oneself in the face of daunting odds… / I’ve included a not so great shot of me with the original. I had it framed so it was floating on suede. Here it is after receiving a Best of Show honor along with “Ennead”. detailed version of Event at RedBubble Please check out the numerous T’s with this drawing featured in my clothing section. /
-
Masking - It's more than black and white - Photoshop Tutorial
by Alison JohnstonWe all know about masking – White Reveals, Black Conceals or Hide All (Black) Reveal All (White). So what about the other 253 shades/ton…
We all know about masking – White Reveals, Black Conceals or Hide All (Black) Reveal All (White). So what about the other 253 shades/tones inbetween, have we forgotten about them, and how can they benefit us. We can use masks to precisely perform an adjustment/filter/effect on an image, but also use it to give varying degrees of the adjustment to certain parts of an image. Think of it in terms of 255=white 100% revealed 128=grey 50% revealed or 50% hidden, whichever way to want to look at it .. and 0=black 100% concealed. It’s all those different shades inbetween that can add an extra dimension to an image – or as Chris Orwig likes to say “Subtle, yet Significant” You can borrow my image to practise on if you like, copyright is mine etc., Open the image and duplicate the b/ground layer by pressing Ctrl + J on the keyboard or dragging the layer to the create new layer icon at the bottom of the layers palette. Take a few moments to look at the image (your image, if you have one of yours open) and really think what you want to do with it and where you want the viewers attention to be focused. In my image I’d like to hit some of the b/ground with a Gaussian Blur to increase the shallow Depth of field. I’d also like to do something with the green stem sitting right in front of the flower. Cloning it out might be a pain in the bum, so using some of the Gaussian Blur on that might be a good idea. I’d also like to take the back petals a bit more out of focus, but not a great deal. You can do all that on one mask using different greys as well as the standard black & white that we associate with masking. Go to Filter>Blur>Gaussian Blur and I’m going to hit this with a 10 px blur – you might want to choose something lower or higher. Hold down the Alt key and then click on the Add Layer Mask icon at the bottom of the layers palette, you will be presented with a black mask (hide all). Make sure the f/ground colour is set to white and choose a soft edged brush and start painting over the b/ground area. Zoom in and out as necessary Ctrl + the plus key to zoom in – Ctrl + the minus key to zoom out. Hold down the spacebar to temporarily get the hand to move around the image. If you make any mistakes while doing this, simply hit the X key on the keyboard to get black (provided your b/ground colour is black) and paint over to fix. You may end up with something like the image below. You can also check on your painting abilities by holding down the Alt Key and clicking on the layer mask. See image below. Hold down the Alt key and click on the layer mask to go back to the normal view. You can paint directly on the mask to make sure you have everything selected. Lets have a look at that two petals at the back of the flower. I don’t want them to be waaay out of focus like the b/ground, so I’m going to try a 50% neutral grey i.e. 128, 128, 128. Bring up the Colour Picker and in the RGB section use 128 for each of them. Paint over the two petals behind the flower. Your layer mask will now look something like the image below Okay, now lets deal with the leaf thing. I don’t want the blur effect completely revealed like the b/ground and I don’t want it as subtle as the petals, so lets try a darker grey. Bring up the colour picker again and in the RGB boxes try 200 and paint over the stem/leaf thing. Your mask might be looking similar to the image below. We really need to do something about the bright green. Click on the little ying yang symbol at the bottom of the layers palette and choose Hue/Saturation from the menu. Choose greens from the drop down menu at the top of the dialogue box. Use the eyedropper tool to select one of the greens, then use the eyedropper with a + sign next to it to add some various shades. Take the saturation slider all the way down to -100. Click OK to accept that change and then click on the white layer mask and press Ctrl + i to invert it (black – hide all) Open the colour Picker (by clicking on the f/ground colour) and pick 64-64-64 for the RGB colours – paint over the stem/leaf. Change the f/ground to a neutral grey 128-128-128 and paint over the b/ground area. Your layer mask might look something like the one below. Create a new Hue/Saturation adjustment layer, and this time just increase the Saturation by +15 on the Master. Click on the white layer mask and then use Ctrl + i to invert it. I used a white brush to paint over the main flower petals and then took the layer opacity down to 50%. You can carry on doing this to your hearts content, at the end of the day you will probably want to sharpen selective areas as well. You’re going to do a Stamp Visible (you may want to phone a friend to help with this keyboard shortcut) Make sure the topmost layer is selected, then Ctrl + Shift + Alt + E will place all the layers below in to one single layer, whilst still retaining the layers below. If you adjust the layers below, the adjustment will not be visible on the Stamped layer. Once you’ve done that, duplicate the layer and change the blend mode to Overlay. Go to Filter>Other>High Pass and choose a radius of 3 pixels. Hold down the Alt key and click on the Add Layer Mask icon at the bottom of the layers palette. The mask will be Black (Hide All) Go about the business of selecting various shades of grey – white etc., to bring some areas into sharper focus than others. Just to finish off this image you may want to create a new selective colour adjustment layer and choose whites from the drop down menu – make sure Absolute is checked at the bottom of the dialogue box. Move the Yellow slider to about +10, click OK and then click on the layer mask and press Ctrl + i to invert it. Use a white brush to take out some of the glaring white areas and then take the layer down to 75%. And there you have it. You will probably take much more care than I have. Have fun!
-
For a challenge Andy set me. Self-portrait. The mask is makeup. / Canon 450D, edited on PS CS3 / Massive experiment with lighting techniques, post-editing techniques.. etc. Believe it or not. Featured in: / The Human Condition / Makeup Creations / Redbubble Featured Art & Photography (YAY!) / The Woman Photographer / Studio Lighting / Artrageous RB Artistis / Behind the Mask x2 / Model Beginnings / Moody, Dark and Evocative / Young Enthusiasts x2 / Photographers Self-Portrait / Make-up Creations / Challenge Weekly A collaboration with the incredible erika15, this is her poem Puzzle, and it’s amazing. SO GO COMMENT. Puzzle / many faces / many masks / throughout the day I wear / all fragments and pieces of me / like puzzle pieces / always moving around- a Rubik’s Cube / and I feel like a carnival in Venice / Mardi Gras in New Orleans / a Cirque du Soleil / a costume party on all Hallow’s Eve / a master of disguise / as I arrange and rearrange / to try to connect and make a whole but my puzzle is never completed / throughout the day / I just keep moving different pieces around / wearing different faces / like the moon’s phases / fragmented / divided / I always am then I sit / and retreat / to my inner place / where I gather my pieces / like flowers plucked from a meadow / and slowly one by one / they all move into place / the paint of runs off my skin / I shed the mask of the day- / the wild circus of the day / and my puzzle is complete / I am me / dreaming, thinking, creating and I find that only one knows all of me / very few know me well / but it seems that with you / I always exposed half of me / the other half -I hid away and I still do / my secret side / you wouldn’t understand / my words would be lost / in translation like Egyptian hieroglyphs / or a Morse Code / as I try to explain myself to you / and you would see me in a different light / so I’d rather keep things this way / where you only know the simple side / and my complex world / remains buried inside
-
Lucha Libre Mascaras! Lots of them. Available on all colour T’s in all sizes! I hope you like them! You may also like Detail
-
Done in Apophysis and then finished in photoshop with wacom pen and pad. The Nature of the Spirit / Bold yet so Tender / Dancing yet standing still. MUSIC Featured in CORE / Featured in Digital Brushstrokes / Featured in THE SISTERHOOD / Featured in ABSTRACT DIGITAL ART AND WRITING / Featured in True Potential / Featured in Color Me a Rainbow / Featured in Paintings Modern and Beyond-PiMT / Featured in Sisters in Arms / Featured in EMI Illistrated
-
Painting by Dorina Costras / Acrylic on canvas / 54/58 cm / Original for sale __________ “The leaves grown dark / By the autumn wind fall / Cover the ground, / Cover your body, / The wrapping of your being / That hides your true ego. / The warm dew of your eyes flows, / Nothing is there to wait for her, / It gets lost in the void, / Nothing needs their torpor. / Glitter in the sun / That passes through your body / And immerses it in candid dazzle, / The night is coming, the Orient is dancing, / Whirling in his veils, voluptuous dance / Wraps the world. / .And the wood that contains you, / Oh my goddess. And all is mystery, / Possible enigma, incomprehensible fear.” Gothica – The Pure Nymph lyrics
-
An update of an old work. I’ve refreshed it just in time for Steamcon, in Seattle at the end of the month! To see the original version, and find resource credits – look HERE “Temperance is simply a disposition of the mind which binds the passions..” Aquinas / —-—-—-—-——-
RedBubble is a great place to find art, design, photos and writing from over 80,000 talented people.
You can buy their stuff
On stunning greeting cards, awesome t-shirts or beautiful prints to hang on your walls.
Risk Free Returns
It’s really simple. If you’re not happy with your purchase for any reason, we’ll fix it.
About RedBubble
Since February 2007 we’ve shipped over 331,500 items to more than 70 countries around the world.
Join In
Sign up for your free account, upload your work, join some groups and share your creative genius with the world.