Marshall
44 members found (show all)
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ian marshall
United Kingdom
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Matt Marshall
Australia
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Tim Marshall
234 creative works found
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This is my grandpa when he was a city marshal in New Mexico
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by Rob PassmoreBit grungey this. Bedroom jammin’, small and very hot.
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Colin leaning aginst Marshall stacks, always good to have something / solid behind you.
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In this picture taken in Old Town Albuquerque New Mexico in the early eighties the wild west town Marshall is facing some cattle driving cowboys before they get too drunk to keep from acting like outlaws. In this scenario, naturally, the Marshall isn’t successful in keeping peace that way. In the end he has to act just like a county judge on his own and kill them strangers in a wild gunfight.
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This is the beginning of a scenario played by the Gunfighters in Old Town Albuquerque New Mexico. Inthis one the Marchall has to face several cattle herding cowboys as they come into town to get drunk and have some out landish fun.
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Grampians. 2008. Victoria. Australia
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FDNY Fire Marshal’s Helmet
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Art Interpretations - My response to "No Love No Hate" Mike Marshall
by jenny meehanHaving recently been to see a lovely exhibition “No Love No Hate” by Mike Marshall at the Stanley Picker Gallery in Kingston, it set me t…
Having recently been to see a lovely exhibition “No Love No Hate” by Mike Marshall at the Stanley Picker Gallery in Kingston, it set me thinking, and inspired me to chitter chatter for a while. I do enjoy hearing an artist talk about their work, as it does offer insights into different ways of interpreting and understanding the piece which is presented to a recipient in a gallery setting. Sometimes it can add, sometimes take away, sometimes enhance and sometimes ruin…but it always brings something previously unthought of, for consideration. The photographic image “Flood Plain” shows some pot plants standing on an expanse of cracked earth. Though differing from the blurb, and most probably from the artist’s own purpose, in this, I saw not a vain attempt to bring life into an environment which offered no hope of survival, but a sweet, symbolic act. Who is to say that the plants in pots would be left unattended to die? Despite the apparently endless situation, they were, after all, in their pots. Isolated from their original context of a garden centre, and radiating colour and intricate plant forms at the centre of the image, it was, to me, an image of strength and success – their placement there in no way gave a sense of them being overcome or weaker in some way than their surroundings. How different from the blurb “With no expectation of survival they will wilt, die and eventually be swept away in an inevitable flood”. Does this difference matter? No, not at all. For the beauty of visual art, more so even than poetry, is the vastness of possiblilities open to anyone who LETS themselves respond in their own particular way. Does an artist seek to impress their own purposes onto others, or are they happy for what they do to be received in whatever way? Most, I would hope, grant their fellow mortals release from their creative intentions however interesting and valid they may be. I enjoyed the exhibition very much. In “Volume and Frequency” I particularly enjoyed the visual relationship between the two sections involving interplays of light and air on the leaves of trees and the sparkles of light from the movement of waves. Differences in movement, point of view, and subject matter, and just the simple links which ones mind automatically seeks to make when presented with two different visions made it most stimulating. I would have preferred to watch it in silence, and I could have also had much longer timespans for each part, but it opened my eyes to a type of art form I have not previously had much interest in at all, which is why I decided to go to the exhibition in the first place. “No Love No Hate” really grew on me, and I think I could watch it for at least half a day! Won’t go on about that, but definately worth going to see! Drat….I wish I had asked about the title of that piece. Cannot link it in any way to the work. Never mind. It’s not just a mind thing anyway. Thankfully.
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magpie watching action at Lakeside, Brisbane
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The Debate over Obama's Birth Certificate is Journalism's Death Certificate
by JoelStraleyAlmost all journalism today can now be considered nothing more than yellow journalism.
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This is the courthouse in Marshall, TX which is located in East Texas.
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New Maine & New Brunswick Lighthouse Calendar
by Alana RanneyI have add a new Calendar of my favorite Lighthouses images along the Maine coast and New Brunswick, Canada. It includes: / East Quoddy …
I have add a new Calendar of my favorite Lighthouses images along the Maine coast and New Brunswick, Canada. It includes: / East Quoddy Head / West Quoddy Head / Owls Head / Cape Neddick / Prospect Harbor / Mulholand Light / Marshal Point / Machias Seal Island / Pemaquid Point
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Barnett College was the institution in New York City where Professor Dr. Indiana Jones taught archaeology from 1937 onward, during his tenure at Marshall College.
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Jackie Marshall at the Nymagee Outback Music Festival 2009 on 31st October 2009
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Nymagee Outback Music Festival 2009
by TimChuma31st October 2009 / with Coral, Andrew Hull, the FUGS, Tonchi McIntosh, The Lonely Horse Band, Liz Stringer, Leah Flanagan, Gibbo, The Jun…
31st October 2009 / with Coral, Andrew Hull, the FUGS, Tonchi McIntosh, The Lonely Horse Band, Liz Stringer, Leah Flanagan, Gibbo, The Junes, Neil Murray, Jackie Marshall, Den Hanrahan, The Re-mains, The Australian Beefweek Show / Special guest appearances by Jimmy Dangles & Continental Robert Photos here: / http://photos.timchuma.com/Nymagee2009/index.html
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A design tribute to a classic film I love
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Shot with an xTI. / Cleveland’s war memorial titled “Phoenix Arising from the Ashes of War”. it is situated on the Mall plan designed by Daniel Burnham.
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Taken with Canon 5D Mark 11, F3.5, 1/50 ISO 1600
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The Bob Marshall Wilderness Area straddles the Continental Divide in western Montana. Created as a wilderness area in 1964, the Bob, as locals call it, covers over 1 million acres. This view of the Bob looks east across the Seeley Lake valley. For more on the Bob Marshall go to: http://www.wilderness.net/index.cfm?fuse=NWPS&sec=wildView&wname=Bob%20Marshall%20Wilderness Taken 12/27/09 using a Nikon D80 DSLR fitted with a Nikkor 16-85 mm tele/zoom lens set at 85mm. This is a true HDR image with an ISO 125, f /13.0, and three consecutive exposures of 1/45, 1/90 and 1/180 second. Hand held.
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The Bob Marshall Wilderness Area straddles the Continental Divide in western Montana. Created as a wilderness area in 1964, the Bob, as locals call it, covers over 1 million acres. This view of the Bob looks east across the Seeley Lake valley. For more on the Bob Marshall go to: http://www.wilderness.net/index.cfm?fuse=NWPS&sec=wildView&wname=Bob%20Marshall%20Wilderness Taken 12/27/09 using a Nikon D80 DSLR fitted with a Nikkor 16-85 mm tele/zoom lens set at 85mm. This is a true HDR image processed in Photoshop CS4 with an ISO 125, f /16.0, and three consecutive exposures of 1/60, 1/250 and 1/1000 second. Camera was mounted on a tripod.
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