Mark
150 members found (show all)
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Mark German
Australia
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Mark Peterson
United States
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Mark Hayward
Australia
1179 creative works found
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Above and Below / Left or Right / Real and Reflected / / Make your choice… / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / / / Writings (or ramblings) / Come, Dark / Chandelier Brain / Eat Me / The 10th / You’re Strange, Rick / Ever-Queen / Sleeping / Beauty / The Black, White & Grey / / / / / / / / / / / / / / / / / / / / / / / / !
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In the Moment /// Overall Visual Art Winner / I found myself in Geneva for a week for work last year. The only other time I had been to Switzerland was Zurich for 2 nights in the middle of winter, so I was kind of surprised by the beautiful (and hot!) summer weather I experienced on this visit. / The Lake at Geneva is where everyone goes to cool off and I was mesmerised watching all these crazy dudes doing amazing things off a high-dive on the edge of the lake. I took a few shots and managed to capture this moment among them. / I entered this work into the 2007 Linden Gallery Post Card Show in St.Kilda, and was absolutely stoked to have been awarded one of the six entries to be reproduced as postcards and sold through the gallery.
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Composite: / Original (single) shot of tower & sky (myself) / 4 shots of a high-flying eagle (myself) / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / You may find it easier to use the links below to take you to a specific genre, or see my personal favourite selection. / / My Own, Personal Favourites / Abstracts & Other Weird Stuff / Architecture, Buildings & Cityscapes / Candids & Street / Weird compilations, Collaborations, & Constructions / Emotive & Inspirational / Industrial & Other Dirty Things / Landscapes, Nature & General Vistas / Portraits & People / Urban, Suburban & Sub-suburban / / Calendar / (contact me to purchase, or request a custom-selected set) / / Writings (or ramblings) / Come, Dark / Chandelier Brain / Eat Me / The 10th / You’re Strange, Rick / Ever-Queen / Sleeping / Beauty / The Black, White & Grey / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /
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/ We were meant for higher things… / Dedicated to Axel Moore / / / / / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / Writings (or ramblings) / Come, Dark / Chandelier Brain / Eat Me / The 10th / You’re Strange, Rick / Ever-Queen / Sleeping / Beauty / The Black, White & Grey / / / / Hope / / / One / / / Reap what you Sow / / / Trust / / / Directions / / / Unconditional Love / / / The Long Road / / / Silence Lane
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This guy was pretty cool, sitting there minding his own business, and I just had to get the shot. But as I lifted the camera and looked through the lens he just broke into this mean stare into the lens like he was gonna hurt me. I saw it and quickly pressed the shutter. Later I complimented him on his tattoos and showed him the shot and it was then that his frown turned into a broad grin…phew!
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Drip / Canon 70-200mm @ f/2.8 / / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / You may find it easier to use the links below to take you to a specific genre, or see my personal favourite selection. My Own, Personal Favourites / Abstracts & Other Weird Stuff / Architecture, Buildings & Cityscapes / Candids & Street / Weird Compilations, Collaborations, & Constructions / Emotive & Inspirational / Industrial & Other Dirty Things / Landscapes & Other Vistas / Portraits & People / Urban, Suburban & Sub-suburban / Trees & Florals / Animals & Wildlife / / Calendar / (contact me to purchase) / / / Writings (or ramblings) / Weaver / High-Flyer / The 10th / The In-Between Place / The Haggard Crone / Come, Dark / Chandelier Brain / Eat Me / You’re Strange, Rick / Ever-Queen / Sleeping / Beauty / The Black, White & Grey / /
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Silence Lane / I love cemeteries. / For some people, cemeteries are places of dread. For me, they are places of wonderful quiet and peace. A place of resting, whatever your religion, if any. Memories wrapped in stone and tree shadows. A place to reflect, and wonder about life. Perhaps our lives are just perfect – loved ones all around, financial independence; maybe fame and fortune. / In the end, we all wind up here. / / One life, one chance to feel good about it. / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / / / Writings (or ramblings) / Come, Dark / Chandelier Brain / Eat Me / The 10th / You’re Strange, Rick / Ever-Queen / Sleeping / Beauty / The Black, White & Grey / / / / Hope / / / One / / / Reap what you Sow / / / Trust / / / Directions / / / Unconditional Love / / / The Long Road / / / Silence Lane
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Exposure - for beginners/ intermediate photographers.
by Mark GermanI just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions….
I just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions. So here goes: General rule-of-thumb: expose to the right. What that means, is – use your histogram and get your exposure to the right half without hitting the far right edge. Anything clipped (blown, over-exposed) will be data lost for good. The same goes for black clipping (under-exposed). The reason exposing to the right is better then to the left, is that recovering data/detail from dark areas creates noise – whereas the reverse does not. A little rule that may help you with exposure: / Sunny 16 Basically what this catchy-named rule means, is this: / Given a bright and sunny day outdoors, correct exposure for any scene will be f/16, 1/125 SS, ISO100 (also known as ASA) Working up and down with this (and your histogram displays 8 stops of light) you can adjust to suit. For example – a slightly overcast day: / f/11, 1/125, ISO100 (1-stop wider aperture) / or / f/16, 1/60, ISO100 (1-stop slower SS) / or / f/16, 1/125, ISO200 (1-stop more sensitive film/sensor) If you have a specific requirement with SS (stop motion, blur, etc), adjust the other parameters to compensate. To stop your hand motion blur, use the reciprocal of your focal length. Example: 100mm needs at least 1/100th SS. Crop bodies need to be multiplied by the crop. (ask if confused) / If your subject is moving, double SS. If you are also moving, triple it. / Of course using a tripod (and you should whenever feasible) changes this. With photography, each numerical value doubles. / ISO: 100/200/400/800/1600/3200 / SS: 25/60/125/250/500/1000/2000/4000/8000 Aperture can be remembered by using this system: / Use two numbers (f/1 & f/1.4) and double them as you go. f/1, f/2,f/4,f/8,f/16,f/32 / f/1.4,f/2.8,f/5.6,f/11,f/22 Now put them together and you have your full range of full-stop apertures :) Some cameras will list 1/2 or even 1/3 stops. Aperture effects Depth of Field (DoF), which is the distance between the closest area in acceptable focus, and the furthest. Choose your aperture to suit your subject/scene. Adjust the other two parameters accordingly. If you ever come up to a situation that has a very high dynamic range (DR) and can’t wait for better light – bracket your shots. That is, expose +/- from the above settings. You can then either decide what you like best, or even combine exposures. (ask how). Of course – if you are a street/candid/journalistic/wildlife style photographer, then you may only get one chance. Which is more the reason to learn the above. Using additional lighting such as flash is a different matter, and other rules apply. The above is a basic guide to correct exposure for everyday and natural conditions. Hope this helps some people. Feel comfortable in asking anything, or contributing.
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Another World / Do you still remember your childhood? / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / / / / Writings (or ramblings) / Weaver / High-Flyer / The 10th / The In-Between Place / The Haggard Crone / Come, Dark / Chandelier Brain / Eat Me / You’re Strange, Rick / Ever-Queen / Sleeping / Beauty / The Black, White & Grey / /
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My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / / Writings (or ramblings) / Weaver / High-Flyer / The 10th / The In-Between Place / The Haggard Crone / Come, Dark / Chandelier Brain / Eat Me / You’re Strange, Rick / Ever-Queen / Sleeping / Beauty / The Black, White & Grey / /
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Photographer for Hire – All Occasions – Mail Me :) / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / / / / Writings (or ramblings) / The 3rd / The 10th / Weaver / High-Flyer / The In-Between Place / The Haggard Crone / Come, Dark / Chandelier Brain / Eat Me / You’re Strange, Rick / Ever-Queen / Sleeping / The Black, White & Grey / / / / / / / / / / / / / / / / / / / / /
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After too many millennia without Her, She is finally rising into our consciousness again… I borrowed this wonderful image from Mark Peterson and added some Apophysis layers to it. If you like what you see here please go and check out the rest of his great work. http://www.redbubble.com/people/tron
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Every Cloud / When feeling depressed, insignificant, alone – remember that it is transient. All things must pass / / / / This is one of the winning entries in my competition Select-a-Shot. For those interested, it was #27 / / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / / Writings (or ramblings)* / High-Flyer / The 10th / The In-Between Place / “The Haggard Crone”:http://www.redbubble.com/people/deckham/writing/515155-the-haggard-crone / Come, Dark / Chandelier Brain / Eat Me / You’re Strange, Rick / Ever-Queen / Sleeping / Beauty / The Black, White & Grey / /
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After too many millennia without Her, She is finally rising into our consciousness again… I borrowed this wonderful image from Mark Peterson and added a photo and an Apophysis layer to it. If you like what you see here please go and check out the rest of his great work. http://www.redbubble.com/people/tron
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My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / You may find it easier to use the links below to take you to a specific genre, or see my personal favourite selection. My Own, Personal Favourites / Abstracts & Other Weird Stuff / Architecture, Buildings & Cityscapes / Candids & Street / Weird Compilations, Collaborations, & Constructions / Emotive & Inspirational / Industrial & Other Dirty Things / Landscapes & Other Vistas / Portraits & People / Urban, Suburban & Sub-suburban / Trees & Florals / Animals & Wildlife / / Calendar / (contact me to purchase) / / / Writings (or ramblings) / Weaver / High-Flyer / The 10th / The In-Between Place / The Haggard Crone / Come, Dark / Chandelier Brain / Eat Me / You’re Strange, Rick / Ever-Queen / Sleeping / Beauty / The Black, White & Grey / /
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After too many millennia without Her, She is finally rising into our consciousness again… I borrowed this wonderful image from Mark Peterson and added some Apophysis layers to it. If you like what you see here please go and check out the rest of his great work. http://www.redbubble.com/people/tron
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After too many millennia without Her, She is finally rising into our consciousness again… I borrowed this wonderful image from Mark Peterson and added some Apophysis layers to it. If you like what you see here please go and check out the rest of his great work. http://www.redbubble.com/people/tron Happy holidays to all my bubble friends! :o)
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For me summer holiday memories are all about bare feet, the sea, the smell of aerogard and barbeques, and long days and warm nights often spent in a caravan park by the ocean. This piece is about all of that, but I also wanted to infuse it with a bit of darkness and mystery …Holiday villages are so full of life and colourful characters by day, but at night when all have gone to bed and secured their temporary little homes, they can be quite strange and creepy…
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Candid/Street photography - a few tips.
by Mark GermanToday I was asked by someone for a few tips on shooting street/candids. Many people like this genre, but it is not the easiest to perform…
Today I was asked by someone for a few tips on shooting street/candids. Many people like this genre, but it is not the easiest to perform successfully for many reasons, and often shots come out like – erm… snap shots. Since I took the time to write these brief pointers up for my friend, I thought I may as well share. Feel free to add, contest, debate, or send me lots of money. That last bit was a joke. Street/Candid / A few pointers: - A mid-zoom lens is ideal for candids. I use a 70-200mm on a crop body, and that would be fine for a full frame, also. If you do not have access to something in this range and/or can’t afford it, then concentrate on wider street scenes instead, and work within your equipment limitations. You do not need to have very expensive gear to do street. - 80% of people will be flattered you are taking their photo. Don’t try and hide it too much – and smile a lot. Walk up to people afterwards, and show them what you took (if digital). Without a long lens, you will more then likely be noticed most of the time. My rule is smile – and they smile back :) / (a hefty monopod can come in handy if things get out of hand) - 15% of people will not like their photo taken and either try and hide or cover their face or something. If you notice this – let them go – easy :) Respect people and their wishes. Many other opportunities around. - 5% of people are born assholes – or intensely dislike being photographed for their own private reasons. When you encounter this, just call out that you are deleting the image, and walk away. A few days ago, I was shooting a laughing session out in a city square. I laughed along with them. Someone asked me to join in, and I said that I was laughing on the inside ;) Then this guy rode up, and walked up to me. He asked me why I was shooting and I told him because it was a nice, fun thing to shoot. I asked him if he were going to join in and he said “no, not with a photographer around”. He said this as if I were a murderer. I said “easy fixed, mate. I promise not to take a photo of you”. And he walked off. Some people are just surly. NEVER hand your camera over to anyone. Even in the US, it is your right to take photos of anyone providing you are in a publicly owned area. This includes law-enforcement officers. Of course if they demand it, you must hand over your gear. But they are in the wrong, and it can usually be contested successfully. - A good way to take candids, is to visit fairs, fetes, etc – and face the crowd. Go to the side of the stage area and walk around, getting people used to you. Then start scanning the crowd through your lens. Make some jokes, take interest in the proceedings, become one with the crowd. Eventually people ignore you and you become a hunter/predator hahaha!!! / Look for emotions – listen to what is happening around you and time your shots to get the best emotive reactions. Position yourself so that light is to the left or right behind you, so that you can get reflections (catch lights) in the eyes. Always consider your backgrounds while shooting. Nothing worse then spending hours cloning out a light pole from behind someone’s head ;) / And frame your shots to allow for movement, as well as giving space to the direction someone is looking. - Wider street shots live and die by the ‘story’. This takes a little bit of keen observation and patience. A good system, is to position yourself in a people-traffic’ed (yes, I made that one up) location where you have visually composed an interesting scene. It may be a poignant billboard, or a large puddle in the street – maybe a pool of soft light spilling from an overhead lamp. And then wait like a spider :) A car will rush by as someone is walking, splashing them with muddy water – you time your shot to capture their indignation and water spray like an upturned umbrella. A mother and child walk through the lamplight, and as the mother moves back into darkness, the child, holding her hand, is illuminated. Your billboard espousing ‘have a happy day’ becomes a backdrop to a crying girl – or an arguing couple. Observe/setup/plan/wait/timing….a tripod is useful… Learn your camera so that settings are intrinsic. The less you need to think about technicalities, the more you can free your mind to focus on art. Hope that helps a little. Above all – try and relax and enjoy yourself. If you are uptight, it is contagious. If you smile, and interact with people, you will be automatically accepted.
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Industrial Light & Magic This photo was taken using a combination of hand held soft filters – homemade, actually. It has not been colourised with image-editing software. What you see, is what I took. Undoubtedly, I will receive the usual ‘great photo-shopping effects’ comments… / / Photographer for Hire – All Occasions – Mail Me :) / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / / Writings (or ramblings) / Another World / Time & Tears / The 3rd / The 10th / Weaver / High-Flyer / The In-Between Place / The Haggard Crone / Come, Dark / Chandelier Brain / Eat Me / You’re Strange, Rick / Ever-Queen / Sleeping / The Black, White & Grey
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After too many millennia without Her, She is finally rising into our consciousness again… I borrowed this wonderful image from Mark Peterson and added some Apophysis layers to it. If you like what you see here please go and check out the rest of his great work. http://www.redbubble.com/people/tron
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After too many millennia without Her, She is finally rising into our consciousness again… I borrowed this wonderful image from Mark Peterson and added a photo and an Apophysis layer to it. If you like what you see here please go and check out the rest of his great work. http://www.redbubble.com/people/tron
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Have managed this summer to get out there and surf a bit. Lately just me, my board and my camera down the coast, tenting it and basically taking time out for myself. After a few hours in the water you get this kind of fuzzy peaceful feeling inside, equal parts exhaustion and elation. I love that headspace of daydreaming, and find it a really inspirational state for visual ideas to come to the surface.
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A five second exposure of saltburn pier from beneath the boardwalk. The tide lapping at my feet and the “under the pier lighting” causing the surf to be rendered as an eerie sort of mist
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