Mann 

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103 creative works found

  • These are the two monumental and amazing sculptures representing a mother and child. The 30-ft welded sculptures made from recycled metal objects, including horseshoes, herons (and even a kitchen sink :) will remain located at the entrance of the newly opened Pier 14 for another 3 months. Dan Das Mann and Karen Cusolito created the sculptures for the Burning Man 2005.

  • The Mann River near Jackadgery, New South Wales, Australia.

  • rainbows loving

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  • Bacchus – von Michelangelo Caravaggio Merisi Der Bacchus ist ein Computer Painting, verändert in seiner Farbe und Struktur. / Die alten Meister haben ihre Motive immer bis zum Bildrand gemalt, meist wurden die Motive sogar am Bildrand beschnitten. So auch der Bacchus. Ich habe den Bacchus mehr Raum verschafft, ohne Anschnitte der Gegenstände. Dieses Bild hat eine Struktur wie Reptilienhaut. Es bekommt dadurch einen dezenten 3D-Effekt und und zeichnet sich durch seine Eigenart aus. / Leider kann dieser Effekt hier nicht sichtbar gemacht werden. Ich werde in Kürze einen Link zur Detailansicht in Originalgröße einfügen. Wer das Gemälde auf Leinwand bis zu 160 cm Größe haben möchte, sendet mir bitte eine Nachricht. www.liona-toussaint.de _ Bacchus – Michelangelo Merisi Caravaggio The Bacchus is a computer painting, changed its color and texture. / The old masters have their motives always up to the edge of the picture painted, the motives were mostly even on the screen curtailed. Thus, the Bacchus. I have the Bacchus gives more room without incisions of the items. This image has a structure like reptile skin. It therefore has a subtle effect and 3D and is characterized by its uniqueness from. / Unfortunately, this effect can not be made visible. I will soon detail a link to view full-size insert. Who the painting on canvas up to 160 cm size wants to send me a message. www.liona-toussaint.de

  • Blossom’s_Photo_Gallery Country Road on way to Mann River Nature Reserve Nestled amongst magnificent mountain scenery east of the Great Dividing Range in the north of New South Wales, is a lovely and little-known part of the Mann River. It is an area of great interest to naturalists, bushwalkers and photographers. The park is located 48 km east of Glen Innes, 129 km west of Grafton. Turn off the Gwydir Highway onto the old Glen Innes-Grafton road. Take this road between the park and Grafton for a scenic alternative, however it includes 120 km of unsealed road not suitable for caravans. Old Grafton Road, Rural New South Wales, Australia.

  • - taken on the beach of Vera Playa, Andalusia, Spain – view more of my work on http://www.flickr.com/photos/79055297@N00/

  • This work was featured in the groups 1 on 1: The Fine Art of Portraiture and Out of the Past. Grace # 2 of 3 , Charcoal on Mylar film, 30×20” from the “Black Butterfly: The Muse” series. The 3 Graces: Aglaia (radiance) Euphrosyne (joy) Thalia (flowering) It was the poet Hesiod who named the Graces in his Theogony: “Then Eurynome, Ocean’s fair daughter, bore to Zeus the three Graces, all fair-cheeked, Aglaia, Euphrosyne, and shapely Thalia; their alluring eyes glance from under their brows, and from their eyelids drips desire that unstrings the limbs.” From a reference photo by Rolling Stone magazine photographer Baron Wolman, groupie Sally Mann, San Francisco, Nov. 1968. (No relation to the photographer of the same name) Sally married Jefferson Airplane’s Spencer Dryden in 1970. Here is a quote from Baron about the groupies: “As concert promoter Bill Graham has given me all access to any of the concerts he produced, I spent quite a bit of time backstage with the bands, their roadies and their women. What fascinated me were the lengths to which the women, the groupies, went to prepare themselves for their backstage appearances. Because I also wanted an excuse to photograph them, I suggested to Jann they might make an interesting story. He agreed and Rolling Stone Magazine No. 27 became known as “the groupie issue.” It was widely promoted, read and commented upon, even turned into a book.” -Baron Wolman I saw these photos in an old book picked up at a resale shop. I fell in love with the groupies, and Baron was so gracious to allow me to use them for the drawings. The feminine effect of the references are enhanced with the flowers and butterflies. In this case, I decided to draw Sally holding the lilies, as she married soon after the photo was taken. It’s also about peace & love & hippie-ness, baby. :) While the rest of the models I’ve used in the series are in the arts themselves, I was intrigued with the idea of groupies – and their intrigue with rock & roll artists of the late 1960’s. It seems to me they were using their own bodies and persona as an art form to attract their artistic “muses.” I guess you could consider some of the works in my Black Butterfly series “Cover Tunes.” I believe the borrowed references are vital to the series to relate the idea of inspiration, and its relation to talent and celebrity. These “tunes” well deserve a stylish, honorable replay. Many thanks to the talented people who have loaned their vision of the muse to aid me in illustrating my ideas.

  • Hmm – maybe the innocuous Manfred Mann title isn’t entirely appropriate. This puts me more in mind of “The Clown” of Eire Apparent’s distinctly unsettingly 60s psych classic! A real recipe for Coulrophobia if ever I heard it. Before extreme mutation this was a harmless photo of Radio City Music Hall by night – so perhaps the emerging image is strangely apt! The original looked like this: Photoshop Elements and Paint Shop Pro provided the plethora of distortion effects.

  • The extensive building in Liverpool continues. / / Liverpool One is nearing completion now, and redevelopments around the docks and Mann Island (not really an island) where the new ferry terminal are moving on apace. / / This just really cried out to be B & W. / © photogenique (dave peddie): using this images for any purpose and in any way, without prior permission, may lead to legal action. /

  • Quite close to Liverpool One and adjacent to the redevelopments around the docks, there is moored a redundant lightship, the Mersey Bar Light Vessel (MBLV) ‘Planet’. / / It served as a guide to vessels entering and leaving the River Mersey from 1961 until 1972 when she was replaced with an automatic light. She was then used on Channel station from 1979 to 1989. She was the last manned lightship. / / It has been there quite a while and is something of a fixture, but there is a possibility that the owner will be forced to move it. I hope it stays there. / / The Early morning winter sun produced this lovely silhouette. / / © photogenique (dave peddie): using this images for any purpose and in any way, without prior permission, may lead to legal action. /

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