Man orang
323 creative works found
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/ MCN: C60E8-E070F-A2D45 / / © Imber 2007. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Imber. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved. / /
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Hope you like it !! WARNING / ©2008 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright. . /
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Strange things happen in the middle of the night. Image copyright © 2007, Robert Knapman. Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited. I’d like to dedicate this to Christina who has been an exciting, courageous and real presence on RB. Christina you’ve been an inspiration and light on this sight for me xx
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The original painting is also available: / Painted 2008 / Acrylic on cotton canvas stretched on a wooden frame / 24 X 36 inches / 60 X 90 cm / / / MCN: C09E9-B9937-80E2A / / © Imber 2008. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Imber. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved. / /
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This is an actual place 1 hour out of Brussels called The Atomium, (great name!) which is a replica of an atom magnified 165 billion times it stands 334.6 ft. high and was built for the 1958 World Expo… it consists of 9 spheres linked with these massive elevator shafts you can physically climb into… I was totally fascinated by the massive scale and although built in 1958, has this tremendous futuristic appeal… wonder if we will all be living in spherical metallic pods in the future… I know I want to!
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Gallery 1 / Gallery 2 / Gallery 3 / Gallery 4 / Gallery 5 / Gallery 6 ============================== / Best viewed in large view for details Traveling on his way, the Fool first encounters a Magician. Skillful, self-confident, a powerful magus with the infinite as a halo floating above his head, the Magician mesmerizes the Fool. When asked, the Fool gives over his bundled pack and stick to the Magician. Raising his wand to heaven, pointing his finger to Earth, the Magician calls on all powers; magically, the cloth of the pack unfolds upon the table, revealing its contents. And to the Fool’s eyes it is as if the Magician has created the future with a word. There are all the possibilities laid out, all the directions he can take. The cool, airy Sword of intellect and communication, the fiery Wand of spirituality and ambition, the overflowing Chalice of Love and emotions, the solid Pentacle of work, possessions and body. With these tools, the Fool can create anything, make anything of his life. But here’s the question, did the Magician create the tools, or were they already in the pack? Only the Magician knows – and on this mystery, our eloquent mage refuses to say a word. At #1, the Magician is the male power of creation, creation by willpower and desire. In that ancient sense, it is the ability to make things so just by speaking them aloud (“And God said ‘Let there be Light!’ and there was Light”). / —-—-—-—-—-—-—-—-—- / To read more go to this site
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/ MCN:C7B12-080A7-B8FA9 / / © Imber 2007. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Imber. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved. / / Many thanks to Geir Floede who nominated this image to Pay It Forward group; this is what Geir had to say about the image: “She make so beautiful art and with a basic about meaning of life. She turned the persphective born-death around and created a genious kind of art. / This is an extrordinary and very powerful art and its moving me much” / / / /
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/ this is the restaurant featured in the hitchcock film the man who knew too much…...exquisite food and great entertainment…. i would recommend to anyone visiting marrakech…..
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Or maybe just show off!! This is my hubby ‘trying’ his best to do a hand stand at the beach a few days ago! Probably not one of my ‘artistic best’ but nevertheless fun! Enjoy :o)
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An image taken at the Mont De Lancey Blacksmithing Convention in 2006. Smudge painted in photoshop Bonnie Doon series Geelong series Hastings series Warneet series Portsea series Carrum series Flora series Digital series Blacksmith Series
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Sunrise through one of the shelter windows at Manly beach Sydney
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scarborough boat harbour
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Freedom of the Sea, cruise ship to Jamaica 2007, self timer.
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Gallery 1 / Gallery 2 / Gallery 3 / Gallery 4 / Gallery 5 / Gallery 6 ============================== / Best viewed in large view for details i Created this art when i was 17 .. the day i went London to study art this is what i took with me , and they loved it , and got me a place in uni … one of my old work that i still keep close. —-—-—-—-—-—-—-—— Lina / came up with this story to tell , please visit her pages for more great poems . / Thank you Lina . / —-—-—-—-—-—-— / My King I was with him in the desert, / I was 12 / He was ageless / Me and my mother traveled with him / We were fighting once again, / The tribes fought for many things, / This time it was water.. / Holy Holy Water He was our King in the desert, / We went with him everywhere / And inside my soul / Out there, / Burning the tears off with / The heat of 1,000 years I fell in love I was 12 and I could not be caught / Looking at him as if I were worthy / My mother was a widow / And our kind took care of each other / In the desert / In the heat that cleansed / Our Hearts and our Minds / Praise be to Allah, / Praise be to Allah, / Al ham dulAllah.. He took each of us in with his eyes / His men fought hard and we hurt very few, / He said we would only take / What Allah would give us, And he was right, / His fighting / Clean and Pure / He was our King in the desert, / Our Prince of survival I was 12 then.. And I loved him….
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Face like tree in the woods, autumn time 2007
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This photo was taken in 2007 at Karnak temple (Egypt. Africa). The Karnak temple complex, universally known only as Karnak, describes a vast conglomeration of ruined temples, chapels, pylons and other buildings. It is located near Luxor in Egypt. This was ancient Egyptian Ipet-isut (“The Most Selected of Places”), the main place of worship of the Theban Triad with Amun as its head, in the monumental city of Thebes. The complex retrieves its current name from the nearby and partly surrounding modern village of el-Karnak, some 2.5km north of Luxor. / The complex is a vast open-air museum and the largest ancient religious site in the world. It is probably the second most visited historical site in Egypt, second only to the Giza Pyramids near Cairo. It consists of four main parts (precincts) of which only one is accessible for tourists and the general public. This is the Precinct of Amun-Re, and this it is also the main part of the complex and by far the largest part. The term Karnak is often understood as being the Precinct of Amun-Re only, as this is the only part most visitors normally see. The three other parts, the Precinct of Montu, the Precinct of Mut and the Temple of Amenhotep IV (dismantled), are closed to the public. There also are a few smaller temples and sanctuaries located outside the enclosing walls of the four main parts, as well as several avenues of human and ram-headed sphinxes connecting the Precinct of Mut, the Precinct of Amon-Re, and Luxor Temple. / The key difference between Karnak and most of the other temples and sites in Egypt is the length of time over which it was developed and used. Construction work began in the 16th century BC. Approximately thirty pharaohs contributed to the buildings, enabling it to reach a size, complexity, and diversity not seen elsewhere. Few of the individual features of Karnak are unique, but the size and number of features are overwhelming. Browse Palinchak Mikhail art by categories Art Nudes · Fractal Art · Egypt · Landscapes · Conceptual / / / /
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My husband and son taking in the view…
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Models – Josh (my brother) and Stephen
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/ MCN: CE233-1391C-65B8D / / © Imber 2008. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Imber. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved. / /
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/ / © Imber 2008. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Imber. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved.
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Practicing and getting used to Chalk Pastels. This is a bad, blurry, photo of it but its an image i found in one of my photography books. freehand on textured board with chalk pastels.
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Taken in my homeland, Salento, Puglia, south of Italy.. / I usually spend my summer holiday to my parents place, / I just love observing people fishing, gives me a sense of tranquility.. the sunset was so nice and I grabbed the opportunity to take this picture. / This is exactly the way it looked. / / . /
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Pastel drawing from Anatomy Eyes Series.
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