3rd installment of kooky rabbit collaboration =P Check out all previous versions here or shortcuts here: 1. Lookout!: Search 2. Lookout!: Mystery 3. Lookout!: Reach 4. Lookout!: Evil Emerges 5. Lookout!: Battlefield 6. Lookout!: Not Over Yet 7. Lookout!: Beyond the Gate 8. Lookout!: Is the battle over? 9. Lookout!: Greetings! Friend or foe 10. Lookout!: Currently peaceful, will it last? 11. Lookout!: Fallen Flight 12. Lookout!: Taken
Whippee!!! 5th stage of the pingpong colab with FireRabbit . Check out all previous versions here or shortcuts here: 1. Lookout!: Search 2. Lookout!: Mystery 3. Lookout!: Reach 4. Lookout!: Evil Emerges 5. Lookout!: Battlefield 6. Lookout!: Not Over Yet 7. Lookout!: Beyond the Gate 8. Lookout!: Is the battle over? 9. Lookout!: Greetings! Friend or foe 10. Lookout!: Currently peaceful, will it last? 11. Lookout!: Fallen Flight 12. Lookout!: Taken
7th installment of the pingpong collab. Check out all previous versions here or shortcuts here: 1. Lookout!: Search 2. Lookout!: Mystery 3. Lookout!: Reach 4. Lookout!: Evil Emerges 5. Lookout!: Battlefield 6. Lookout!: Not Over Yet 7. Lookout!: Beyond the Gate 8. Lookout!: Is the battle over? 9. Lookout!: Greetings! Friend or foe 10. Lookout!: Currently peaceful, will it last? 11. Lookout!: Fallen Flight 12. Lookout!: Taken
YAY!! finally finished the 9th installment of LookOut from pingpong. / Now I can pass it on to FireRabbit. Phew. Just a seemingly calm and peacefull scene in this one =) Check out the rest of LookOut series here . or shortcuts here: 1. Lookout!: Search 2. Lookout!: Mystery 3. Lookout!: Reach 4. Lookout!: Evil Emerges 5. Lookout!: Battlefield 6. Lookout!: Not Over Yet 7. Lookout!: Beyond the Gate 8. Lookout!: Is the battle over? 9. Lookout!: Greetings! Friend or foe 10. Lookout!: Currently peaceful, will it last? 11. Lookout!: Fallen Flight 12. Lookout!: Taken
Taken with an Olympus OM-10 with 55mm 1.2 on APX 400.
11th installment of the pingpong colab. / Aaaahhh…. finally finished it. Its ridiculous how much time I’ve spent doing this, probably the longest of all Lookout series. Feel like something fishy (been eating a lot of fish and chips lately) Check out all previous versions here or shortcuts here: 1. Lookout!: Search 2. Lookout!: Mystery 3. Lookout!: Reach 4. Lookout!: Evil Emerges 5. Lookout!: Battlefield 6. Lookout!: Not Over Yet 7. Lookout!: Beyond the Gate 8. Lookout!: Is the battle over? 9. Lookout!: Greetings! Friend or foe 10. Lookout!: Currently peaceful, will it last? 11. Lookout!: Fallen Flight 12. Lookout!: Taken
just the frame and contents: here / stock credits can be found in the DA description
Looking out to the nearby industrial plant from a derelict office building
60×100cm oil on canvas
before sleep I simply had to get this idea out.
Other Categories / Animals / Apes / Architecture / Baby Animals / Bears / Birds / Big Cats / Elephants / Fish / Insects / Macro / Nature / Reptiles
The evening light catching the sails and (if you look closely ) a little figure on the yardarm as this tallship the Jantje glides out of Cherbourg harbour at dusk. Taken with a compact nikon coolpix 4800 / f/4.4 / 1/129 sec / ISO50 / / / cheers… ding / ;))))
abstract image straight from camera. only work done is a slight crop.
Original oil painting on canvas.
California’s Big Sur coast. Taken with Toyo 4×5 view camera and Provia 100 film. Approx 3 minute exposure. The 4×5 inch green box of Fuji Provia slide film contains ten unrecorded personal perspectives waiting to be shared with the world. In darkness, I load each precious sheet into individual film holders, feeling the film reference marks to ensure that the emulsion faces outward. The holder will be inserted into my Toyo A2 4×5 large format view camera on location in my garden, at a nearby lake or perhaps the Eastern Sierra Mountains. Nearly a year has past since my friend Gary encouraged me to pursue large format photography. Gary brokered a deal to purchase a camera from another friend, Sam. Along with the Toyo, Sam included 150 mm, 210 mm and 300 mm lenses. It would take some training and practice to learn to use the new camera but I was enthusiastic to learn a new way of studying the world. Held to the light, the details of a sharply focused 4×5 inch slide image capture my attention and even offer the possibility of crafting a mural-sized print. The view camera’s tilt and shift movements enhance creativity. But, there is another reason that I put my 35 mm camera on the shelf and focused on the view camera. The view camera forces me to slow down, to dedicate each shoot to a single image, or possibly two, to tell a story in a special way. My 35 mm camera and zoom lenses provide the ability to move quickly and capture many perspectives of the landscape, maybe too many perspectives. The Toyo’s workflow allows me to interject more thought into a single perspective, to try to tell a story in a special way. I focus on the big picture, the quality of light and color on the land. I find landscape details during hikes and often return to favorite locations. I arrive with the Toyo and merely have a feeling about a spot, trying to prevent preconceptions from tainting my composition. On location, I am ready to shoot. A composition is isolated, my tripod leveled, camera mounted and lens attached. I study the upside down inverted image on the ground glass and focus the bellows mounted lens. Tilts and shift are used to capture desired depth of field. Then I stop down the lens, set the shutter speed, close and cock the shutter and insert the film holder. Finally, I open the sleeve of the film holder and release the shutter to capture the cool blue light of predawn. I capture the moment as I gaze upon a window-like portal in a rock formation along California’s Big Sur coastline. It is not this photographic process that is important for me. Actually it is not even the final image that drives me to photograph with the Toyo. The Toyo simply allows me to interact with the simple details of nature, to imagine and create in a personal and rewarding way by slowing down and enjoying the beauty before me.
Copyright © by Aleksandar Djordjevic
taken this from my apt ,in prague city a couple of years ago / over looking the river in prague around 8am near charles bridge watching leaves fall /
FEATURED in the Textures Unlimited group September 2009 THIRD in the Textures Unlimited group challenge Textures Unlimited Challenge September 2009 TOP TEN in Art By Bubble Hosts group challenge Textures and Layers July 2009 FEATURED in the Out of the Past group June 2009 Looking for a Way Out by Uncle Tupelo when you find you can’t somehow / make it like all the rest / you won’t need to scrounge around for someone else / torn between the unknown / and the place that you call home / and the life you want but have never known there was a time / you could put it out of your mind / leave it all behind / there was a time / that time is gone Model: April-Bella / Location: South Coast New South Wales
Bit of an experiment. Reworking of an old image from my folio, which was a fisherman looking out to sea at sunset. Also added a moon shot as a layer and many texture layers to create the night time foggy look. / My kids always thought he looked more like a killer from a scary movie than a fisherman so I thought I’d go down that path. / Camera – Panasonic Lumix FZ30 Really struggled with whether to upload this one, so feedback would be great :))
German Shepherd Dog Portrait – Forrest Featured in Dimensions – September 24, 2009 / Featured in # 1 ARTISTS OF REDBUBBLE – September 25, 2009
Best on Full Size Wandering around my cousin’s farm in Davidsonville, Maryland, I fell in love with so many images. This was taken from the inside of an old tobacco barn which we calculate to be well over a hundred years old. This image is a compilation of two shots, both my own. The barn image, RAW, taken on my Manfrotto tripod, was shot on a disappointingly gray and overcast October 29, 2009 with the Nikon D300. Shutter 1/500, aperture 5/11.0, exp 0.00, iso 1600. Sky image, a hand held jpeg, was taken August 29, 2009 with the Nikon D300, shutter 1/640, aperture f/13, exp -.67, iso 400. Lens was 18-200mm vr Nikon in both cases. After the image was combined, I created an hdr in Photomatix by duplicating the jpeg to evals of +1 and -2 in Photoshop. Lots of Photoshop tweaking including addition of 2 textures. Also available without texture: /
.....BECAUSE HERE I COME ! / THIS WAS TAKEN AT BURLEIGH HEADLAND ON THE GOLD COAST AUSTRALIA. I TRIED TO CATCH THIS GUY DOING SOME 360 DEGREE SPINS. HE WAS GOING WILD DESPITE THE SMALL WAVES ON OFFER /
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