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The Last Look
United Kingdom
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Look
United Kingdom
12099 creative works found
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Van Vieng, Laos ? -Canon EOS Rebel XT
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A must have for the future…designer gasmasks! Thanks AnitaInverarity for uploading this pic of your son wearing my design!! /
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...if only they grew on trees… Winner in Challenge 20 at the Challenge Cafe :) I was so flattered this week to have Stacey Yount send me a Bubblemail telling me that this artwork had inspired her to write a poem for a husband. She even bought my artwork as a card and is going to write the poem inside and give it to her husband!!! LOVE IT! I think it matches the image perfectly and she has kindly given me permission to display it here. It is so exciting to collaborate with someone so talented (and she is a lovely person too). Read her beautiful words here: I once happened upon a heart tree / And had to pick the perfect / bloom for me I knew as soon as I saw that heart, / oh yes it is he / It called out I am yours, if you will choose it to be So, I danced my way to it / and reached up to pluck / it from the tree / No doubt, no worry / I knew that heart was meant for me I was right because that heart / was yours, you see / And now I am blessed with your love and oh how I love thee Stacey :) Stock Photo Credit: / Girl / Tree & Landscape
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This was taken on a foggy day in the Toolangi State Park in Victoria with a wide angle lens. The position I was in gave an almost symmetrical view following the trunks into the canopy. ~ / Browse Images by Category : Snow Landscape Nature
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I finally got to paint this from my digital manipulation, Don’t Give Up Searching . I’m so pleased with the result. I used a few different textures and oil paint and made the eye brown rather then blue so that the image was unified in pallet to suit a college project so that I could paint this particular piece without abandoning duty.
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Here are my boys and hubby checking out the clouds before a storm.
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At this particular spot the morning-light show on that July morning a few days ago here in the forests near Hilversum/The Netherlands was at its best, when the sunbeams were chasing the morning ghosts. After which trees were they hiding? – I was ever so lucky to find this place in time, as this show was a fleeting appearance. Proposed for “Pay if forward” (http://www.redbubble.com/groups/pay-it-forward) / by Byron. Near Laage Vuursche, 24th July 2008, 7,15 am / Nikon D80, Nikkor 18-200 mm at 48 mm / F 10, 1/30, ISO 200
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A cheeky, young Cambodian boy looks down through a floor. The house was on stilts and I had to lie down on the ground and shoot upwards to get this picture.
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This piece is the part of Calendar :
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YAY!! finally finished the 9th installment of LookOut from pingpong. / Now I can pass it on to FireRabbit. Phew. Just a seemingly calm and peacefull scene in this one =) Check out the rest of LookOut series here . or shortcuts here: 1. Lookout!: Search 2. Lookout!: Mystery 3. Lookout!: Reach 4. Lookout!: Evil Emerges 5. Lookout!: Battlefield 6. Lookout!: Not Over Yet 7. Lookout!: Beyond the Gate 8. Lookout!: Is the battle over? 9. Lookout!: Greetings! Friend or foe 10. Lookout!: Currently peaceful, will it last? 11. Lookout!: Fallen Flight 12. Lookout!: Taken
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We found a pink girly bike on the side of that road on the way to this shoot so naturally it was added to the already huge pile of random stuff in the boot. I jumped in the pool with these crazy musicians and kept handing them props and directing them to complete various acts of underwater stupidity. James managed to stay dry by offering to operate the camera through a viewing window. I also shot some film with an underwater camera but I’ve been really slack and haven’t developed it yet. If I’m lucky, being in the hot car for this long will have screwed it up a bit and I’ll get magical surprises when I finally make some prints. models: Jase and Tom www.joobrien.com
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This piece is the part of Calendar :
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THIS WAS TAKEN IN A SMALL COURTYARD HIDDEN AWAY FROM THE MAIN STREET IN MADRID. JUST A ROUND COURTYARD WITH THE WALLS FORMING A HEXAGON SHAPE. IT WAS ONLY WHEN I LOOKED UP THAT I NOTICD THERE WAS NO ROOF BUT ALL THE WALLS CAME TOGETHER TO FORM THIS GREAT EYE CONFUSING PERSPECTIVE VIEW /
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Click to visit my animal photography & art blog! / Email me at durberville@optushome.com.au Subscribe by Email to Natalie Manuel Photography Find me at Flickr Join my facebook group More of my work on Redbubble* /
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Double layer of Angelica ,my grandaughter ,who’s going to be 7 years old in august and a macro of stone .
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This is a Barbary Lion, of which there are none left in the wild as they were hunted to almost extinction. Barbary Prides are now found only in wildlife parks. Lion Cub at Paradise Valley Springs, Rotorua. We got to cuddle the cub :)
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This is the unframed version without a quote attached. There have been requests for this version. Captive “The youth, intoxicated with his admiration of a hero, fails to see, that it is only a projection of his own soul, which he admires.” Ralph Waldo Emerson Who is you’re hero? / / Name: Panthera tigris sumatrae (Sumatran Tiger) Description: The Sumatran tiger has the darkest coat of all tigers. Its broad, black stripes are closely spaced and often doubled. Unlike the Siberian tiger, it has striped forelegs. Sumatran tigers are the smallest tiger subspecies. Males average 2.4 meters (8 feet) in length from head to tail and weigh about 120 kilograms (264 pounds). Females measure approximately 2.2 meters (7 feet) in length and weigh about 90 kilograms (198 pounds). Distribution: The Sumatran tiger is found only on the Indonesian island of Sumatra in habitat that ranges from lowland forest to submontain and montain forest with some peat-moss forest. Biology: The Sumatran tiger eats wild pig, big deer (called rusa), and small deer (called muntjak or barking deer). The specific range size of this tiger is not know, however the population density is approximately 4–5 adult tigers/100 km 2 (39 mile 2) in optimal lowland rainforest. As elevation increases through submontain and montain forests, the number of tigers in any given area decreases because there is less prey available. Status in the wild: 400-500 wild Sumatran tigers were believed to exist in 1998, primarily in the island’s national park areas, but no island-wide census or monitoring system has been possible. Tiger numbers have continued to decline because of poaching of tigers to supply the illegal trade in tiger parts. The last remnants of lowland forest are being eliminated to establish oil palm plantations and for shifting agriculture by recent settlers from other areas of Sumatra and Indonesia. Ongoing road development makes many formerly inaccessible mountain areas accessible to illegal logging even on the steepest slopes, and many mountainous areas are being converted into plantations for coffee and other products for international markets. Tigers are legally protected but are not highly valued. Captive breeding: For three years, the Indonesian Zoological Parks’ Association (PKBSI) has been working with the Tiger Global Conservation Strategy to develop a conservation program for Sumatran tigers. In addition to the 65 Sumatran tigers living in Indonesian zoos, there are 55 tigers managed by North American zoos, 100 in European zoos, and 12 in Australasian zoos. This captive population is descended from 37 wild-caught founders. The Indonesian Sumatran Tiger Masterplan now has the potential to function as the heart of the Sumatran tiger population worldwide. It is designed to preserve sufficient genetic diversity to reinforce both captive and wild populations, thus fulfilling its goal to ensure that the in situ tiger program comprises verifiable founders permanently identified and registered in the Indonesian Sumatran Tiger Studbook. It also extends the capabilities of Indonesian zoo staff to professionally manage their tiger programs in Indonesia, and at the same time serves as a model for other range country tiger management programs in Southeast Asia.
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11th installment of the pingpong colab. / Aaaahhh…. finally finished it. Its ridiculous how much time I’ve spent doing this, probably the longest of all Lookout series. Feel like something fishy (been eating a lot of fish and chips lately) Check out all previous versions here or shortcuts here: 1. Lookout!: Search 2. Lookout!: Mystery 3. Lookout!: Reach 4. Lookout!: Evil Emerges 5. Lookout!: Battlefield 6. Lookout!: Not Over Yet 7. Lookout!: Beyond the Gate 8. Lookout!: Is the battle over? 9. Lookout!: Greetings! Friend or foe 10. Lookout!: Currently peaceful, will it last? 11. Lookout!: Fallen Flight 12. Lookout!: Taken
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Influenced by the writtings of Noel Fielding and Julian Barratt. / . / “You fail to take in to account my mirrorballs! Look at them shine! Look at them shine! Look at them shinnin’ !” / . / MORE DESIGNS / . / / / / / / / /
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California’s Big Sur coast. Taken with Toyo 4×5 view camera and Provia 100 film. Approx 3 minute exposure. The 4×5 inch green box of Fuji Provia slide film contains ten unrecorded personal perspectives waiting to be shared with the world. In darkness, I load each precious sheet into individual film holders, feeling the film reference marks to ensure that the emulsion faces outward. The holder will be inserted into my Toyo A2 4×5 large format view camera on location in my garden, at a nearby lake or perhaps the Eastern Sierra Mountains. Nearly a year has past since my friend Gary encouraged me to pursue large format photography. Gary brokered a deal to purchase a camera from another friend, Sam. Along with the Toyo, Sam included 150 mm, 210 mm and 300 mm lenses. It would take some training and practice to learn to use the new camera but I was enthusiastic to learn a new way of studying the world. Held to the light, the details of a sharply focused 4×5 inch slide image capture my attention and even offer the possibility of crafting a mural-sized print. The view camera’s tilt and shift movements enhance creativity. But, there is another reason that I put my 35 mm camera on the shelf and focused on the view camera. The view camera forces me to slow down, to dedicate each shoot to a single image, or possibly two, to tell a story in a special way. My 35 mm camera and zoom lenses provide the ability to move quickly and capture many perspectives of the landscape, maybe too many perspectives. The Toyo’s workflow allows me to interject more thought into a single perspective, to try to tell a story in a special way. I focus on the big picture, the quality of light and color on the land. I find landscape details during hikes and often return to favorite locations. I arrive with the Toyo and merely have a feeling about a spot, trying to prevent preconceptions from tainting my composition. On location, I am ready to shoot. A composition is isolated, my tripod leveled, camera mounted and lens attached. I study the upside down inverted image on the ground glass and focus the bellows mounted lens. Tilts and shift are used to capture desired depth of field. Then I stop down the lens, set the shutter speed, close and cock the shutter and insert the film holder. Finally, I open the sleeve of the film holder and release the shutter to capture the cool blue light of predawn. I capture the moment as I gaze upon a window-like portal in a rock formation along California’s Big Sur coastline. It is not this photographic process that is important for me. Actually it is not even the final image that drives me to photograph with the Toyo. The Toyo simply allows me to interact with the simple details of nature, to imagine and create in a personal and rewarding way by slowing down and enjoying the beauty before me.
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before sleep I simply had to get this idea out.
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