Longing night
2056 creative works found
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long exposure taken at silverstone race circuit of a car
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Midway upon the journey of our life / I found myself within a forest dark, / For the straightforward pathway had been lost. Dante, Hell.
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A five second exposure of saltburn pier from beneath the boardwalk. The tide lapping at my feet and the “under the pier lighting” causing the surf to be rendered as an eerie sort of mist
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Nighttime in Norwich, UK / I particularly like the bicycle light trail in the centre of the image :)
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Two famous Australian icons: the Sydney Opera House and Sydney Harbour Bridge. This was a 30 second exposure shot from down near Mrs Macquarie’s Point. Shot at 40mm; f/10; 30sec; ISO100
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“Under the bridge downtown, Is where I drew some blood / Under the bridge downtown, I could not get enough / Under the bridge downtown, Forgot about my love / Under the bridge downtown, I gave my life away…” / Red Hot Chili Peppers – Under the Bridge Exif Info: / • Place: Lisbon, Portugal – Bridge Vasco da Gama / • Date: 24.11.2007 / • Camera: Canon EOS 30D / • Lens: Canon EF-S 10-22mm f/3,5-4.5 USM / • Shutter Speed: 20/1 second / • F Number: F/9.0 / • Focal Length: 10 mm / • ISO Speed: 100 Product Preview: / / / / Featured: / • February 09 – Lisbon and Surroundings / • March 09 – Nirvana / • March 09 – Portugal / • March 09 – DSLR Users Only Contests: / • th Place in Hometown Pride promoted by TPW / • 7th Place in Bridges promoted by All Water in Motion Sold: / • 4 Cards to a RB member / • 1 Laminated Print to a RB member All artwork is Copyright © Nuno Pires. All rights reserved. My work may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my written permission. My work does not belong to the public domain.
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Riverside Free-way, Brisbane @ 8pm on a Thursday night.
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Some light grafitti action at a burnt out house in Enoggera, Brisbane. / Approx 2 minute exposure to allow time to draw the ghosts.
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Hosier Lane in Melbourne, Australia. A result of 9 images (3 HDR’s) done in Photomatix. Merged the HDR’s in photoshop using automate > Photomerge. Took the photos quick as it was around midnight in a dark alley… Sales 1 Greeting Card 1 Framed Print 2 Canvas Prints 1 Greeting Card 1 Mounted Print 1 Laminated Print 1 Poster This work has had over 6000 views :) Click here for my other images of laneways and graffiti Click here for my other images of Melbourne !
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Full view please :) ..::Stock Photo Credit::.. / Model / City / Background / Lantern If you like this, please check out: / / /
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Exif Info: / • Place: Santa Cruz, Portugal / • Date: 28.08.2007 / • Camera: Canon EOS 400D Digital / • Lens: Canon EF-S 17-85mm F/4-5.6 IS USM / • Shutter Speed: 30/1 second / • F Number: F/9.0 / • Focal Length: 17 mm / • ISO Speed: 400 Product Preview: / / / / Featured: / • October 08 – Seachanges / • March 09 – Day Hikes / • March 09 – Canon DSLR / • March 09 – Portugal / • March 09 – In Another World / • March 09 – TPW / • August 09 – Lisbon and Surroundings Contests: / • 10th Place in Favorite Meditation Spot promoted by Peace, Love & Tranquility Sold: / • 3 Cards to a RB member All artwork is Copyright © Nuno Pires. All rights reserved. My work may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my written permission. My work does not belong to the public domain.
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A long exposure taken after sunset at Blairgowrie. shutter speed – 2 min / aperture – F8 / ISO – 400 Lit by an almost full moon.
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Featured in Out of the Blue Group / ©Angi Baker / /
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Location: / Canterbury, Kent, England Map: / Google Maps Date and Time: / 2 January 2009, 7.23 p.m. to 7.43 p.m. Camera details: / ISO 400 : f/5.6 : 36×30 seconds : 18mm : Nikon D40 : Nikon 18-55mm lens Shot narrative: / This is a combination of 36×30 second images (before the onset of clouds obscured all the stars) all shot in RAW and then individually tweaked before assembling together in Paint Shop Pro through layers.
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The close of a warm Summer’s day at Fairy Dell, Clifton Springs with the remains of The Long Jetty stretching toward the horizon. Pentax istDS Camera. Three exposures bracketed to create an HDR image.
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Taken with a Canon Digital Rebel XSI…... In Amherst County Virginia…... Some Orton effect used…...Elements 7 Original /
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the crop in the foreground was illuminated by a setting cresent moon, i thought i had found a dark part of oxfordshire but there is still tons of light pollution. This was shot at around midnight. 1024sec, f3.5, iso 100, 10mm, canon 50d
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Black is in darkness / where secrets will hide / a passionate grief / an immeasurable sigh / we forget, we forget / and it takes by surprise White is in light / where truth will be told / stumbling past younger days / until we’re too old / we remember, we remember / and it breaks at the soul A mystery deepens / where we’re fooled by the sight / of no light in pure dark / and no dark in pure light / yet they mix, yet they mix / come the falling of night —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- Location: Broughty Ferry, Tayside, Scotland © Donald Cameron 2009 / Monophotography.co.uk
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A taste of smalltown America : The county fair ,Here is a little ride at the fair called the hurricane / The most Popular Picture in my gallery is The Hurricane well I shot it a couple more times that night and here the ride painted a totally different design with its lights I hope you enjoy it as much as you did the 1st / Taken at the Cayuga county fair in Weedsport NY with the nikon D-80 and the 18-135mm lens The Hurricane II” was featured in A Beautiful Blur / was featured in Night Photography / was featured in Rural Around The Globe
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Landscape Photography: Long exposure photograph of a fun fair on Worthing seafront
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I was taking some long exposure shots and a plane flew past. / Help make this shot more interesting. Canon 50d / Sigma 18-200 lens #
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Port Noarlunga Jetty. / South Australia. A combination of all my favourite techniques: / Wide angle, long exospure, HDR and night photography. Canon 50D. / 10-20mm (at 10mm) HDR – 3 Bracketed Exposures (up to 30 seconds) blended manually in CS3. The longest exposure (2 stops overexposed) brought out the unusual streaks from the jetty lights. Click for larger preview. See also: /
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Paringa Bridge. / Renmark / Paringa – South Australia. Thanks to Steve Chapple / Everytime we shoot together I learn something new. Canon 50D. / Sigma 10-20mm. Mirrored Symmetry. Click image for larger preview.
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featured in Globes,Spheres&Curves 10-28-2009 / featured in SOLO-EXHIBITION 10-19-2009 An exquisite flower opens, in I Belong to You by Desirée Glanville, to reveal a / huge silvery perl– certainly a priceless treasure. Its antithesis, a gazing ball, / popular in Victorian and modern gardens, is suspended above it. Perhaps / hinting at the subliminal message, the gazing ball mirrors a very real world with tree, water, and sky; / rather than the ideal fantasy that we see before us. / Tiny remnants of petals float in the blue, luminous atmosphere. Desirée has repeated their skeletal / veins in the lower petals of the central flower; so that we know the air is filled with petals pulled from / the larger one. Was this a “He Loves me, he loves me not” scenario—a child’s game with Daisies that / gets replayed in various intonations when we are adults? The video accompanying the piece is a track, “I Belong to You”, from British alternative rock band, / Muse, from their album, The Resistance, released in Europe mid September 2009. / Remembering that the ultimate key to unlock the mystery of Glanville’s art is in the paired music, / it’s of importance that the song and lyrics regard one who travels half the world to tell their muse “I / Belong to You”. / Mid-song, from this British band, are French verses, sung with such emotion to melt the soul. / They are borrowed from Camille Saint-Saëns’ opera, “Samson and Delilah”. / Delilah sings these verses to seduce Samson, in a famous aria in Act II, “Mon coeur s’ouvre ta / voix” (“My heart opens itself to your voice”, or commonly “Softly awakes my heart”). / Ah! réponds à ma tendresse! / Verse-moi, verse-moi l’ivresse! / translated: / Ah! respond to my tenderness! / Fill me with ecstasy! / It’s uncertain, here, whether Desirée is presenting the side of the muse as a reaction to the / overtures, or the perspective of the one presenting overtures of tenderness to their heart’s desire. / It could be either or both, probably determined by the perspective of the viewer. / This is where fine art brings the viewer in as co-artist, to complete the work. Desirée seems to me / to have accomplished that spiritual merger here. / Either way, Desirée has input in the matter. Remember the gazing ball in the garden. It never lies. / Despite our fantasy and what we want things to be, there is also reality to deal with. * featured in* SOLO EXHIBITION 19-25 Oct 2009 / featured in I Got the Music in Me 10-12-2009 / featured in Abstract Digital Art&Writing 10-05-2009 / featured in The World as We See it 10-04-2009 When these pillars get pulled down, / It will be you who wears the crown, / And I’ll owe everything to you How much pain has cracked your soul? / How much love could make you whole? / You’re my guiding lightning strike I can’t find the words to say, / But they’re overdue, / I’ve travelled half the world to say, / I belong to you Then she attacks me like a Leo, / When my heart is split like Rio, / But, I assure you my debts are real I can’t find the words to say, / When I’m confused, / I’ve travelled half the world to say, / You are my mu- (Ah! Réponds à ma tendresse, / Verse-moi, verse-moi l’ivresse, / Réponds à ma tendresse, / Réponds à ma tendresse, / Ah! Verse-moi l’ivresse, / Verse-moi, verse-moi l’ivresse, / Réponds à ma tendresse, / Réponds à ma tendresse, / Ah! Verse-moi l’ivresse, / I belong, / I belong to you alone) -use, / I can’t find the words to say, / But they’re overdue, / I’ve travelled half the world to say, / I belong to you Incendia, Apophysis, Photography &PSP
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