Long water
1851 creative works found
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Red Lionfish Sold as a laminated print to an unknown RB buyer, thank you!
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Long tail boat Koh Phra Nang – Krabi Province – Thailand “As Is” Challenge winner “Seasonal Scapes” Challenge Winner Featured on the Redbubble Home Page Featured in the Exotic Thailand Group
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Just downstream from where the Franklin River joins the Gordon RIver in Tasmania’s South-West World Heritage Area. Despite its remote, pristine appearance, this spot recieves thousands of visitors per year from nearby Strahan. After rafting the Franklin River, it’s a bit of a shock to arrive here amidst a throng of tourists, a float plane, and a large tourist ferry… Limited to cards on RedBubble, this image is available as a limited edition print from my website © Doug Thost 2005 Tech details: Canon EOS1n with 20-35mm lens, 30sec exposure on Fuji Provia 100
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Long exposure by a local pier. Jevnaker, Norway. October 2007.
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Berkeley, CA Approx 20s exposure / 22mm@f10
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Exif Info: / • Place: Santa Cruz, Portugal / • Date: 28.08.2007 / • Camera: Canon EOS 400D Digital / • Lens: Canon EF-S 17-85mm F/4-5.6 IS USM / • Shutter Speed: 30/1 second / • F Number: F/9.0 / • Focal Length: 17 mm / • ISO Speed: 400 Product Preview: / / / / Featured: / • October 08 – Seachanges / • March 09 – Day Hikes / • March 09 – Canon DSLR / • March 09 – Portugal / • March 09 – In Another World / • March 09 – TPW / • August 09 – Lisbon and Surroundings Contests: / • 10th Place in Favorite Meditation Spot promoted by Peace, Love & Tranquility Sold: / • 3 Cards to a RB member All artwork is Copyright © Nuno Pires. All rights reserved. My work may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my written permission. My work does not belong to the public domain.
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The waves in Diamond Bay, on the Sorrento back beach, VIC are so fierce and unrelenting. Canon 40D w/ EF-S 10-22mm / Focal length @ 10mm / Aperture: f/22 / Shutter: 1.6 sec / ISO: 100 / Shot taken 15mins before sunset
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Location: Beirut, Lebanon
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Terrigal NSW Australia Equipment used: / Canon EOS 400D / Lens:10-20 Ultra wide Sigma / Hoya Circ Polariser / Cokin NDX8 / Shutter Speed:10 sec / Fstop:f/22 / ISO:100 / Focal Length:10mm
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It was blowing a gale while taking these photos, there was lighting strikes to the far right of the picture, but I wasn’ able to capture any. I didn’t think any of these would turn out any good considering the conditions, so it was a nice suprise to come away with some nice shots. not long after this was taken it started to rain and the people fishing and myself made a mad dash for our cars. all in all a fun afternoon.
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The close of a warm Summer’s day at Fairy Dell, Clifton Springs with the remains of The Long Jetty stretching toward the horizon. Pentax istDS Camera. Three exposures bracketed to create an HDR image.
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This little gem can be found just around the corner from Loch Ard Gorge near Port Campbell off Victoria’s Great Ocean Road, Australia. I came here the afternoon before and there were snap happy tourists everywhere but decided to come back the next morning and there wasn’t a soul in sight, just the crashing ocean to keep me company… Unfortunately as of early June 2009 this archway has collapsed leaving two apostles next to eachother. For information read this story on the collapse / Settings Canon 40D, 10-22mm EF-S. FL: 18 mm 30 seconds @ f11, ISO 100 Polarising Filter and ND8 Graduated Filter Adobe Lightroom 2 & Adobe Photoshop CS4 Sales 1 Large Laminated Print 1 Large Framed Print / Features Featured in the SEA Group on the 13th of May 2009 #Winner of Nature’s Beauty Challenge in the You’re Accepted Group on 3rd of June 2009 Click here for my other seascapes Click here for my other shots taken off the Great Ocean Road
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For this one I took a 75 sec bulb exposure @ f16 with nd8 grad. / I also painted some light on the sign with a flashlight. / Taken pre-dawn at Redcliffe, Queensland. /
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Black is in darkness / where secrets will hide / a passionate grief / an immeasurable sigh / we forget, we forget / and it takes by surprise White is in light / where truth will be told / stumbling past younger days / until we’re too old / we remember, we remember / and it breaks at the soul A mystery deepens / where we’re fooled by the sight / of no light in pure dark / and no dark in pure light / yet they mix, yet they mix / come the falling of night —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- Location: Broughty Ferry, Tayside, Scotland © Donald Cameron 2009 / Monophotography.co.uk
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Rowardennan, Loch Lomond in the Loch Lomond and Trossachs National Park. Long-exposure using NDx1000 filter; Canon EOS 450D + Sigma 10-20mm zoom; Featured in the following groups: / Dawn and Dusk Light / Your Magic Place / Color and Light / For the Love of Canon / Sensational Sun / Lakes and Inland Waterways
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Rowardennan, Loch Lomond. 3exp HDR, processed in Photomatix; subsequent tidying up with Photoshop CS4; Canon EOS 450D + 17-85mm zoom; Featured in the following groups: / Color and Light / Your Magic Place / For the Love of Canon / Dimensions / Lakes and Inland Waterways / Unlimited Quality
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Looking out to sea at Llandulas at Colwyn Bay , North Wales.
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BEST VIEWED LARGE / / Lake Louise, in Banff National Park, Canada / / I just got back from holidays and this is the first image I had a chance to upload. My dad said the drift wood reminded him of dino bones… so this one is for you dad :)) / / Another long exposure shot. / / Settings & Gear Used / / Manual Exposure / Shutter Speed: 183 seconds / Apeture: 13 / ISO: 100 / Focal Length: 10mm / / Canon 400D / Canon 10-22 lens / Manfrotto 055XProB Tripod / Manfrotto 222 Joystick / Cable Release / B+W ND110 Filter (10 stops) / / Visit my website On The Rock Photography / / MORE FROM MY ROCKY MOUNTAIN SERIES / / / / / / / / / / / / / /
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Surely one of the most treasured spots to sit and watch as a new day breaks. Lake Louise, Banff National Park, Alberta, Canada / July, 2009 Lake Louise, set in the Banff National Park in Canada is perhaps known as the Diamond of the Rockies for no other reason than its sheer beauty alone. Having arrived in Canada on the previous afternoon after a long trans-Atlantic flight, the idea to beat the effects of jet lag were adopted with a 3am alarm call and the chance to shoot Lake Louise in all its splendour at dawn. Following a 45 mins drive from Banff accompanied along the way with storms over the mountains lighting the otherwise black night sky, we arrived at Lake Louise in good time for sunrise. Some may know the lake as a bustling tourist spot with coaches coming and going throughout the day. Dropping off their cargo at the water’s edge to take in the majesty of Louise before whisking them off to a further destination all to the sound of clicking shutters and the gentle whir of digital handy-cams. For Claire and I the experience was to sit alone in silence; the only guests at Natures matinee performance… The dedication to early starts could not be better rewarded.
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Port Noarlunga Jetty. / South Australia. A combination of all my favourite techniques: / Wide angle, long exospure, HDR and night photography. Canon 50D. / 10-20mm (at 10mm) HDR – 3 Bracketed Exposures (up to 30 seconds) blended manually in CS3. The longest exposure (2 stops overexposed) brought out the unusual streaks from the jetty lights. Click for larger preview. See also: /
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Late afternoon, sun-setting at Port Willunga South Australia. Nice gentle flowing waves in front of the remains of the old jetty. Best viewed LARGE. Canon 400D 17-85 lens.
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featured in Globes,Spheres&Curves 10-28-2009 / featured in SOLO-EXHIBITION 10-19-2009 An exquisite flower opens, in I Belong to You by Desirée Glanville, to reveal a / huge silvery perl– certainly a priceless treasure. Its antithesis, a gazing ball, / popular in Victorian and modern gardens, is suspended above it. Perhaps / hinting at the subliminal message, the gazing ball mirrors a very real world with tree, water, and sky; / rather than the ideal fantasy that we see before us. / Tiny remnants of petals float in the blue, luminous atmosphere. Desirée has repeated their skeletal / veins in the lower petals of the central flower; so that we know the air is filled with petals pulled from / the larger one. Was this a “He Loves me, he loves me not” scenario—a child’s game with Daisies that / gets replayed in various intonations when we are adults? The video accompanying the piece is a track, “I Belong to You”, from British alternative rock band, / Muse, from their album, The Resistance, released in Europe mid September 2009. / Remembering that the ultimate key to unlock the mystery of Glanville’s art is in the paired music, / it’s of importance that the song and lyrics regard one who travels half the world to tell their muse “I / Belong to You”. / Mid-song, from this British band, are French verses, sung with such emotion to melt the soul. / They are borrowed from Camille Saint-Saëns’ opera, “Samson and Delilah”. / Delilah sings these verses to seduce Samson, in a famous aria in Act II, “Mon coeur s’ouvre ta / voix” (“My heart opens itself to your voice”, or commonly “Softly awakes my heart”). / Ah! réponds à ma tendresse! / Verse-moi, verse-moi l’ivresse! / translated: / Ah! respond to my tenderness! / Fill me with ecstasy! / It’s uncertain, here, whether Desirée is presenting the side of the muse as a reaction to the / overtures, or the perspective of the one presenting overtures of tenderness to their heart’s desire. / It could be either or both, probably determined by the perspective of the viewer. / This is where fine art brings the viewer in as co-artist, to complete the work. Desirée seems to me / to have accomplished that spiritual merger here. / Either way, Desirée has input in the matter. Remember the gazing ball in the garden. It never lies. / Despite our fantasy and what we want things to be, there is also reality to deal with. * featured in* SOLO EXHIBITION 19-25 Oct 2009 / featured in I Got the Music in Me 10-12-2009 / featured in Abstract Digital Art&Writing 10-05-2009 / featured in The World as We See it 10-04-2009 When these pillars get pulled down, / It will be you who wears the crown, / And I’ll owe everything to you How much pain has cracked your soul? / How much love could make you whole? / You’re my guiding lightning strike I can’t find the words to say, / But they’re overdue, / I’ve travelled half the world to say, / I belong to you Then she attacks me like a Leo, / When my heart is split like Rio, / But, I assure you my debts are real I can’t find the words to say, / When I’m confused, / I’ve travelled half the world to say, / You are my mu- (Ah! Réponds à ma tendresse, / Verse-moi, verse-moi l’ivresse, / Réponds à ma tendresse, / Réponds à ma tendresse, / Ah! Verse-moi l’ivresse, / Verse-moi, verse-moi l’ivresse, / Réponds à ma tendresse, / Réponds à ma tendresse, / Ah! Verse-moi l’ivresse, / I belong, / I belong to you alone) -use, / I can’t find the words to say, / But they’re overdue, / I’ve travelled half the world to say, / I belong to you Incendia, Apophysis, Photography &PSP
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/ —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / / Location: Cambo Sands, Fife, Scotland / / © Donald Cameron 2009 / Monophotography.co.uk
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