Long sea
1171 creative works found
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This small rock pool is found in Cabbage Tree Bay, along the pathway between Manly and Shelly Beach on Sydney’s northern beaches. The sculpture/statue is known as The Oceanids. This image was a 30 second exposure nearly an hour before sunrise with the pool wall and sculpture lit up by a nearby street light. This image has also won a photo of the week at photographer Steve Parish’s Photograph Australia website.
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Sydney, Long Reef is a protected marine reserve with rock shelves that extend out about 200m into the sea. We were lucky to have a beautiful cloud and still water reflecting of it. Shot with Cokin Z-Pro Tobacco Filter to give it a mood. The normal image tho looks good are just to wash out and unattractive, so i strap a filter on. Gum Boots is essential for early Sydney Sea Side shoot – unless you want wan mild frostbite at the end of the morning…eiei. Mind you i usually go shoe less in Summer…ahhaha…feel the water. 0.04 sec (1/25) | f/6.3 | 10 mm | ISO: 100 | Bias: 1 +EV | Shade WB / www.hangingpixels.com
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Invoking the the waters from the sea to rise…
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Sea Nettles Jellyfish (Chrysaora fuscescens) Monterey Bay Aquarium California USA —-—-—-—-—-—-—-—-—-—-—-—-- / —-—-—-—-—-—-—-—-—-—-—-—-- Consider these photos as companions. :-) /
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I got really wet for this one. I really should wait for warmer weather to do these sort of shots!
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Taken At Point Peron, Safety Bay, Western Australia. Canon EOS 40D. Featured In: Bubblettes, Canon DSLR, Perth, Sunrise, Sunset, WA Red Bubbles Mk II, Western Australia.
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I liked the colour in this one. Taken on the Sony A200 again. Too much sea spray to take out the Canon.
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Shelly Beach,Central Coast NSW Canon 400D / Sigma 10-20mm lens
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An ambition of mine / Held for quite some time / Was to learn the lines / To Auld Lang Syne Now admittedly I’ve struggled / For the dialect’s dutch-double / Like missing pieces from a puzzle / That the dog’s just guzzled But I’m understanding some / And the rest will come along / With practice I’ll perform / This great poem with aplomb Along the cliffs and crackled shore / The words of Burns come to the fore / But seas between us braid hae roar’d / And will echo here forevermore And when past days are long but gone / It’ll do you good to keep friendships strong / Should auld acquaintance be forgot? / For if you don’t have that then you’ve not a lot At least that’s what Rabbie Burns would say / If he were still alive today / And every New Year arms will sway / To sing the song in his memory 250 years since the day of his birth / I thought long and hard and considered it worth / Marking the occasion, a tribute of sorts / To the genius Scot, the greatest poet on earth Thus I dedicate this / To the master of verse / Though my memory’s getting worse / So best get back and rehearse —-—-—-—-—-—-—-—-—-—-—-—- Location: Lunan Bay, near Arbroath, Angus, Scotland © Donald Cameron 2009 / Monophotography.co.uk
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An acrylic painting on canvas 40cm x 30cm. It was a beautiful day when we were there at tropical Long Island, Australia, which this painting is based on. The memory lingers on….. Sun on your face, a song in your heart / Spirits are lifted at nature’s art / All is quiet not even a sound / Only then you realise Sanctuary is found. What a magic and fabulous place to visit. FEATUED IN: / 12 GREAT FEATURES
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ND400 + ND4 filters / f/20 / 30sec / ISO100 / 11:27am
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Tonight’s sunset at Merewether Beach. Canon EOS450D / ND400 filter / ISO100 / f/8 / 50sec Processing: / Add a gradient filter to bring out some detail in the sky. Then / Duplicate Layer, set blend mode to Overlay and go Filter>Other>High Pass and use a radius of approx 20 pixels. Click OK to accept. Hold down the Alt key and add a new vector mask at the bottom of the layers palette to assign a black (hide all) mask to the layer. Then its a matter of selecting the paintbrush and painting back in the detail on selected parts of the image. I chose the sand/rock in the foreground and the clouds. Finally add a Vibrance layer to pump up the colours a tad and finish with some noise reduction if necessary. ;0)
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Taken on a beach at Durras, South Coast, NSW on the drive home from Jervis Bay. There was some lightning offshore that I was hoping would come closer, but didn’t, so instead I thought I’d try a long night exposure. It was about 8.30pm and very dark, so much so I couldn’t quite tell what the composition would look like. It was the night of the last full moon, although the moon was behind the clouds so it was pitch black on the beach. I just watched the moon during the exposure hoping it wouldn’t poke it’s head out and ruin my shot. Sony A350 / Sony 18-55mm lens at 18mm / ISO 100 / f8 / 5 minute exposure
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Once upon a tide / at the milkiest point of the planet / lay the underwater city of Seafield / under statues of dullest gray granite / though the timing could never be certain / it all points to a good while ago / some say it’s myth and some say it’s truth / but time’s passed and we’ll never quite know There’s talk of a fisherman named Old Penny Brown / a man of contradictions and many few words / who kept himself to himself / and fed his fish to the birds / he sailed the high seas for days and days and days / searching for a place he knew couldn’t be found / and when he never returned / folk assumed he had drowned But what really occurred / before you start feeling pity / was his little boat crashed / into this great long lost city / oh heck! oh hell! / as he mopped up his brow / where on earth am I? / and what will I do now? He stepped out of his craft / trying to deal with the strain / and watched disbelieving / as water started to drain / quickly scrambling for safety / he started to pray / scratching his skull / whilst the sea fled away There were palaces and castles / sunken ships and treasure / fairgrounds, casinos / unimaginable pleasures / I’m sure i’ve not seen such a place in my life! / he marvelled and wondered how there could come to be / such a magical wonder / hidden under the sea Every ounce of his good sense / implored him to leave / it’s risky! it’s danger! / run! hide! retreat! / but the sea soon returned / and left him no choice / he became their new leader / it became his new voice Of course it all took its toll / and the city soon crumbled / Old Penny passed on / and the buildings all tumbled / yet if you look closely / and keep your eyes peeled / you might glimpse what remains / of the long lost Seafield —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- Location: Seafield, Kirkaldy, Fife, Scotland © Donald Cameron 2009 / Monophotography.co.uk
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Taken just after dawn at Shornecliffe in Qld. / I waded out into the water with my tripod & took a 60 sec (approx) exposure at f13, ISO 200 with ND400 & ND8 grad filters. / Cropped & converted to mono with the channel mixer in PS.
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conforming lines and scribbles / graffiti the shifting sky / as avalanches of calm descend / on the common day a traveller awaits / entry to the balloting portal / holding ballet dance poses / on most eager tiptoes as lab tests and case studies / spill from well travelled pockets / and withered surroundings are pierced / with fierce note jotting eyes now uniformed bodies are wrapping / themselves in creaky old tin foil / and surging to the deadline / past broken sound barriers what lessons were learned / from the curious race / remain locked in the thoughts / of this soon to depart traveller but as the portal splits open / they will do well to conclude / that this black and white world / was meant for you and me —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- Location: Auchmithie, Angus, Scotland © Donald Cameron 2009 / Monophotography.co.uk
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After a rare day of good weather, the jetty was busy with plenty of people. / The long exposure has helped minimise the human distraction and create the smooth water effect. Glenelg Jetty / Glenelg, South Australia / 20-09-2009 Canon 400D / 24-105MM F4L (at 24mm) / Cokin ND8 + Red Grad Filters. / F7,30 Second Exposure (over exposed by one stop) Featured in: / -Adelaide/ South Australia
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Bournemouth beach. Sold Aug 2009 – Framed Print (medium). Thank you!
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Jackson Bay, West Coast, South Island, New Zealand. / I spent four days out on the coast, waiting for a sunset. It rained the whole time, untill the last day and there was a small gap in the clouds. / Nikon D200 /
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At one of my favourite haunts Shorncliffe, you can see Shorncliffe pier in the distance. I’ve been waiting a while for a really low tide to get this shot, and it’s probably my last trip there for a while. / 60 sec at f18, ND8 grad & ND8 filters. /
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a blast of shadows / feast on towers of immovable ink / watch them, watch them / fill their bilious stomachs with / the rhythm of black watch gun salutes white dove prowls restless beneath / waiting for word / on the whereabouts of bright day / last seen served on platters / to aforementioned suspects call in for backup / pulse gone, voice gone / save the stacked mass of ages / from the unsettled moment / and a face of scars curse you, the darkest of times —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- Location: Downpatrick Head, Co. Mayo, Ireland © Donald Cameron 2009 / Monophotography.co.uk
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Witness / / Maybe we’re nothing, / just bodies and voices, / specks on the cosmic expanse. / Passengers of light years, spinning ’til dust, / another tick on the bloodspill chart. / / From a gutter, / amongst shadows and sea, / you can almost witness the dying. / This is what they call, / visionary. / / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / / Location: Dunottar, by Stonehaven, Scotland / / © Donald Cameron 2009 / Monophotography.co.uk
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