Thailand
Australia
Taken in London EC3 COLOUR PORTFOLIO IN THE MOMENT – PHOTOJOURNALISM URBAN DECOR ARCHITECTURAL MOTHER NATURE SUBLIME GRIME PORTRAITURE
He is the sort of dentist no one wants…as he is blind, armless and a creature of hell. One my early water colour paintings that many people (people with odd issues) tell me they like the most. Completed in 2006. Original Does Not Exist Contact me at lloydharvey[at]shrunkenheaddesign.co.uk / www.shrunkenheaddesign.co.uk
The Lloyd’s building, London.
just off colour in this one, one of my mates
Medium: Acrylic and Watercolour Paint on Paper / Size: A4 / Description: About an octopus who has developed a suit so that he may walk with the humans. A piece to fulfill my curiosity with octopuses and old looking diving helmets. The character’s odd infatuation with the human race mirrors my own with his species. Completed in 2008. Original For Sale Contact me at lloydharvey@shrunkenheaddesign.co.uk / www.shrunkenheaddesign.co.uk
Absolutely fascinating building at 1 Lime Street which sadly is often overlooked in favour of The Gherkin (30 St Mary Axe) (bah!) nearby. Designed by Richard Rogers and completed in 1986, like the Pompidou Centre in Paris a lot of the items usually found inside buildings (stairs, elevators) are actually on the outside. Pentax istDS with Sigma 10-20mm lens.
also available as a card and poster
The spirits of the shadows are a playful lot, responsible for moving your keys or anything you put down. This is a digital oil painting and was created in Artrage. Completed 2008. Contact me at lloydharvey[at]shrunkenheaddesign.co.uk / www.shrunkenheaddesign.co.uk
Look up and see what your missing.
Medium: Digital / Size: 17” x 9” / Description: A digital painting created entirely in digitally whilst watching Batman Begins, Princess Mononokee and Fight Club. 2008. Original Does Not Exist Contact me at lloydharvey@shrunkenheaddesign.co.uk / www.shrunkenheaddesign.co.uk
Great for fans of 80’s movies !
Medium: Acrylic Paint on Board / Size: 10” x 14” / Description: One of my paintings from my Sick, Sad Little World Series. Completed in 2008. Original Not For Sale Contact me at lloydharvey@shrunkenheaddesign.co.uk / www.shrunkenheaddesign.co.uk
Model:- Andy Lloyd
model Mr Andrew Lloyd
My friend Andrew Lloyd in a different style
The Lloyds building, Lime street. In the city,London.
Copyright 2009.
Medium: Acrylic Paint on Acrylic Paper / Size: 12” x 16” / Description: Based on the first song from the Tool album 10,000 Days, Vicarious was completed in early 2009 and was an attempt at a more surrealistic style. I don’t watch a great deal of television anymore. In recent times I have noticed that there are a lot of people who do nothing but work then go home and stare at the box. This is fine in some respects, I’m not here judging those. But one thing that stands out to me is society’s obsession with the misery of others, violence and strange. It bares a stark likeness to the Victorian fascination with the side shows in carnivals. People who never miss and episode of a soap opera or even delight (subconsciously) at watching grim events on the news, are tapping into vicarious voyeuristic behavior. In my piece, the mountains of televisions represent portals in which we, as humans, stare through into strange worlds. Contact me at lloydharvey[at]shrunkenheaddesign.co.uk / www.shrunkenheaddesign.co.uk
Medium: Acrylic Paint on Acrylic Paper / Size: 12” x 16” / Description: Based on the fifth song from the Tool album 10,000 Days, The Pot was completed in 2009 and was an attempt at a more surrealistic style. In this painting, I wanted to infuse a sense of wonder and mystery to a surrealistic style. I also wanted to capture that magical element that is so apparent in Tool’s music. I didn’t base my painting on the band’s meaning of the song as I had portrayed it (inadvertently) in another piece. Set in a desert, a man encounters a giant pot that has no explanation as to why it is there. Suddenly, a fleshy eye opens and stares intently at the man. The man stares back. The Pot doesn’t blink. The man forgets to drink water. The Pot is indefatigable. The man soon dies. The Pot closes it’s large eye and continues to hide it’s mysteries. Contact me at lloydharvey[at]shrunkenheaddesign.co.uk / www.shrunkenheaddesign.co.uk
Medium: Digital / Size: 5” x 7” / Description: Created in a trail version of Photoshop, June 2009, this piece started out as an acrylic painting on textured canvas paper. I felt I had painted myself into a corner with this piece, so I transferred it to the computer to finish it. The Witch King came about, not from Tolkien’s creation of the same name, but more on the idea of a Burrow Wrights, Liches and Psychopomps. Whilst researching another painting, I found numerous articles on these types of ghostly beings and decided to create a character based loosely around these archetypes of the fantasy genre. Ghosts, to me, represent a manifestation of the fear of the unknown, the almost unexplainable. Although I don’t personally believe in the existence of such entities, my non-belief doesn’t stop me from illustrating them. Original Does Not Exist Contact me at lloydharvey@shrunkenheaddesign.co.uk / www.shrunkenheaddesign.co.uk
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