Linear
1 member found
308 creative works found
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Digital collage of scanned sketch and textures.
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Digital image
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Digital image
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Digital image
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Digital image
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Digital image.
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Digital image.
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Digital image.
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Original, digital abstract by Tracy Bollinger.
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Photoshop and drawing manipulation of digital photos.
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Digital image.
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Woodblock Print / April 2008 / Printed on Japanese Awa paper / Size of original print: 20cms x 30 cms This is a reduction print, which was taken further than this stage, but I wasn’t as happy with the next stage as I am with this one. Only one print remains of this stage. I am planning to attempt something completely different with what is left of the plate after it was carved out further.
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Medium: Multi/mixed-media – charcoal, pastel, gesso, watercolour, acrylic, oil, collage, leaves, fabric, papers – himalayan rice paper, cartridge, Arches 300 gsm rag paper. / Triptych: H.122 x W.170 / This work is from the curated group exhibition ‘Remnants of Presence’ Exhibition. Innisfail, Far North Queensland. / One of the conceptual challenges for each artist was to approach a work with subject matter in-two-parts to show recent practice/new work development and be shown together. Visible Traces represents renewal, journey of experiences and time passage. Part A – Of recent practice (the two outer side panels) makes reference to the initial inspirations from: the natural environment, the human figure, various motifs including banana fibre made receptacles/vessels, lino prints and evolved symbology. Part B – The new work (centre) Prior artwork imagery & object ‘remnants’ were used for the initial stimuli and also represents my ‘presence’. All is fused into an abstract multi-layered composition. It is a collective tribute to the tropical shapes, forms, patterns, and textures etc that were the initial inspirations, the visible signage. Organic, gestural and spontaneous in feel (energy), with collage and mixed media processes mingled with personal symbolism. The work provides the viewer with facets and moments. Although ambiguous, there are sufficient visual markers to draw them in to discover further information and help them to intuitively and conceptually complete what they may perceive in the work and to sense the presence of the artist (spirit).
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Mixed media – archival black ink, acrylic, collage – paper painted, mono & screen-printed, drawing, photo; screen-printed cotton fabric, carpet material; on canvas. Work exhibited in the Visual Arts Association Group Exhibition ‘Four Seasons’, held Cairns Regional Gallery, Qld. / Theme – ‘The Four Seasons’ by Vivaldi Background: I had working individually on art compositions relative to my passion to interpret music, rhythm/movement and energy through the use of formal visual art elements ie. line, colour, tone, shape, texture and art media. The interpretation requires one’s senses to hear and feel, absorb sound and energies, to internalize and contemplate, as apposed to recording information seen/perceived through the eyes from the physical ‘outer’ world. One has to create and interpret a visionary abstract, from a pure transitional and spiritual sensual state, from one’s own internal environment, of knowledge, understanding and experience. I jumped at the chance when this exhibition theme came up. Also I am much inspired by Kandinsky and his work, a long time favourite art philosopher and mentor. ....................................... /
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Medium Pencil drawing on A1 size Kent cartridge paper. Art & Design theme Extension of the Senses of Man (Woman) / Always had a passion for direct observational drawing/painting from life/nature, especially to observe and study the human figure/form/anatomy. / The skin is our largest sensory organ and requires the extension of clothing for its protection against the environmental elements. Thinly draped clothing veiled over the human form provides ample study of soft falling movements along body lines, flowing shapes & patterns etc. I wanted to explore the human form/skin/clothing outdoors in the natural environment as apposed to life models posing in a protective drawing room set-up that I had been so far exposed to. / / Process: / Stage 1) Exploring the extension of the senses by exposing the human form/skin/clothing to the natural physical elements of water, air and earth/sand at a public beach landscape and documenting this through the photographic medium. Two fellow art students modelled for me in loose light negligee clothing. Stage 2) From there I developed a B&W photographic series learning several darkroom manipulation techniques in the process. Stage 3) From the resultant photographic imagery (on the human structure, female shapes and forms, skin & cloth exposured to the natural elements of water, wind/air, earth/sand/rock in the landscape) I further explore and study the inherent structure and ‘dynamics’ of several images and produce several drawings. / / I think my two fellow art student models totally enjoyed the creative photographic documentation experience, even though they got cold, wet and buried in sand, and I, the photographer stayed dry!
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Linear abstract created in Photoshop.
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Digital.
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Photographed near Tower Bridge, London. What’s not to love about this study of light and angles? Buy this image if you appreciate photographs that are stripped back to the bare minimum. Canon EOS 10D / 1/40 sec f3.5<br />ISO 200<br />Sigma 15 - 30mm 15mm Desaturated in Lightroom / Colour adjusted in Photoshop
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squares that permeate from one side across the other
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