Lightpainting
3 members found
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lightpainting
Australia
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Lightpainter
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LightPaint
140 creative works found
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Looking through the bus window on the way home, I see this playful movement of light and dark shades, between leaves and branches. It is a moment to be captured. Real image with no additional painting… The light painted it on my camera’s ccd sensor! I have set the camera on manual zoom, manual speed and aperture, so that the motion can be capture on shutter release. Behind the glass window of a moving bus, I hunt for the right angle of sun and the right tree, and follow throught the target like taking an image of a sport player. All about timing and a bit of luck! Love to see critiques and comments. All welcome. Panasonic DMC-LC1 / 1/2 sec / F/11 / ISO 100 / 2006-05-22 4:58pm All rights reserved © :hinting Please see the rest of my portfolio. /
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Tacking Point Lighthouse, Port Macquarie, NSW, Australia. / Time exposure with a hand held pocket torch, under a full moon. / Canon Pro1 / 28mm / f3.5 / ASA 50 / 15seconds / Set on incandescent WB for blue effect / Slik mini tripod
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More light painting from last night… was a request. I will also happily take any requests from anyone here; I’m trying to improve my skills at this. This photo is unedited, aside from a crop.
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More light painting… this one was more difficult than the others to make, but I’m happy enough with it at the moment… may upload a better one if I make one later. Comments/critiques always welcome. I’d rather get honest feedback than positive comments, although they can be one in the same =)
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One of the many slightly abstract pieces that came out of my light painting adventures.
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A person alone on an empty beach after the sun has set
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Lightpainting
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No, I don’t have a clue what the title is about. The more times I tried to attach a light source to a snail, the less interesting it became. It could have been that the LED got too hot and created ‘baked escargot in-the-whole-shell’ but I wasn’t too interested in opening one up to see if it was ‘done’ yet. Failing that, I did what I usually do for light paintings: hold a flashlight or some other electric light source and dance around naked with the D80 set for BULB on a tripod and the camera’s remote control in my other hand. That said, you can forget about seeing me in the reflected light; I edited all the shots with increased contrast, some also with less light, and a few with film grain and Gaussian blur using PhotoShop Elements. :-D
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An experiment with light painting. / The title comes from this song Group avatar for Back In Black 26/10/08 Nikon D80 / Kit lens / Manual mode / 30 sec exp / F 4.5 / WB auto / EXP – 1.0 / ISO 100 / Tripod / Torch / RAW Rendered with CS 2 & Picasa 3
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Boat sheds at Winterton. 120 seconds, f6.3, ISO100. Light courtesy of Petzl l.e.d. headtorch.
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Painting with light
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Painting with light
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Painted with light. Exif: / Camera: Nikon D2Xs / Lens: Tamron 17-35mm / Shutter: 1/127s
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Inspired by The Manual of the Warrior of Light by Paulo Coelho From a series where I work to express the deepest emotions, both positive and “negative”. Armed with my Nikon D300 and a flashlight. I try to keep the Photoshop-work to a minimum to not loose the ethereal energy the method some times captures.
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What is love? It is perhaps one of the most difficult word to define universally because of its complex and abstract nature. But whenever people talked about it, no matter what they’re feel, they always had a slight smile on their faces. That, perhaps, may be my answer.
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Traditional lightpainting of the beautiful and rustic Chapel of the Transfiguration in Grand Teton National Park (near Moose, Wyoming). Canon 10D, f 6.7, exposure time 30sec. Used very strong flashlights or light canons, and the delayed shutter release so that I could get off to one side to do the light painting. Having a way to charge the light sources during different shots is important since they can run out of battery power quickly; car chargers work well.
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I don’t get my hopes up too high when I find a “new” abandonment to explore but this blew me away! Pentax K20D / 18mm / f10 / 2.6 sec I used my trusty 4D Maglite to illuminate the keys and added a bit of texture in PS
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kinetic lightpainting
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Light painted with small LED Pentax K20D / 45mm / f/18 / 5 sec / ISO 100
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A long exposure of streetlights from my bedroom window. The camera was attached to a tripod, which was rotated, pivoted and pitched during the exposure. The turtle shape is just a happy accident =D
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As Ernesto, one half of Ernesto vs. Bastian, pumps out the brilliant tunes, the people and surrounds of Rise bring the place to a sense of completeness. / Rise, Perth
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Hello my friends. A composite of two of my pictures. / The first a nature macro. The second a “light-painted” work. Thank you for spending time here. Inspired by Genesis The Carpet crawlers Lyrics / ¤¤¤¤¤¤¤ There is lambswool under my naked feet. / The wool is soft and warm, / - gives off some kind of heat. / A salamander scurries into flame to be destroyed. / Imaginary creatures are trapped in birth on celluloid. / The fleas cling to the golden fleece, / Hoping theyll find peace. / Each thought and gesture are caught in celluloid. / Theres no hiding in my memory. / Theres no room to avoid. The walls are painted in red ochre and are marked by strange insignia, some looking like a bulls-eye, others of birds and boats. further down the corridor, he can see some people; all kneeling. / Broken sighs and murmurs they struggle, in their slow motion to move towards a wooden door at the end. having seen only the inanimate bodies in the grand parade of lifeless packaging, rael rushe / Talk to them. The crawlers cover the floor in the red ochre corridor. / For my second sight of people, theyve more lifeblood than before. / Theyre moving in time to a heavy wooden door, / Where the needles eye is winking, closing in on the poor. / The carpet crawlers heed their callers: / Weve got to get in to get out / Weve got to get in to get out / Weve got to get in to get out. Whats going on? he cries to a muttering monk, who conceals a yawn and replies its a long time yet before the dawn. a sphinx-like crawler calls his name saying don / K him, the monk is drunk. each one of us is trying to reach the top of the stairs, a way out will await us there. not asking how he can move freely, our hero goes boldly through the door. / D a table loaded with food, is a spiral staircase going up into the ceiling. Theres only one direction in the faces that I see; / Its upward to the ceiling, where the chambers said to be. / Like the forest fight for sunlight, that takes root in every tree. / They are pulled up by the magnet, believing theyre free. / The carpet crawlers heed their callers: / Weve got to get in to get out / Weve got to get in to get out / Weve got to get in to get out. Mild mannered supermen are held in kryptonite, / And the wise and foolish virgins giggle with their bodies glowing / Bright. / Through a door a harvest feast is lit by candlelight; / Its the bottom of a staircase that spirals out of sight. / The carpet crawlers heed their callers: / Weve got to get in to get out / Weve got to get in to get out / Weve got to get in to get out. The porcelain mannikin with shattered skin fears attack. / The eager pack lift up their pitchers – they carry all they lack. / The liquid has congealed, which has seeped out through the crack, / And the tickler takes his stickleback. / The carpet crawlers heed their callers: / Weve got to get in to get out / Weve got to get in to get out / Weve got to get in to get out.
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This is the old salmon bothy at Clachtoll, Sutherland. 30 second exposure, lighting courtesy of me and a headtorch.
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