Lifeform 

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68 creative works found

  • As the intensely volcanic period of early Earth has ended, the air is clearing of toxins and the seas are cooling. Mother Nature has now drawn her plans for the future of this new world in the sands of the vocanic beachead…organic life has been mapped out here by the Great Mother.

  • One in a series of digital photograms / from my “Lifeform”project

  • Part of my Lifeform collection of digital photograms

  • A lifeform being chased by there Fear / 1. To pursue in order to seize, overtake, etc. / 2. To pursue with intent to capture or kill, as game; hunt. / 3. To follow or devote one’s attention to with the hope of attracting, winning. / 4. To drive or expel by force, threat, or harassment

  • If we are 97% genetically all the same whats it all about ?. / Why is it so hard for all of us to get ALONG ?. / ” ARE WE REALLY THAT DUMMMMM “

  • If we are 97% genetically all the same whats it all about ?. / Why is it so hard for all of us to get ALONG ?. / ” ARE WE REALLY THAT DUMMMMM “ / As I was growing as a kid my mother allways said there is no god / only me I am GOD you will lision to ME sounded go to me & I could / see her write there in front me with endless love no tests of fath / no book to read & when I need her shes there no waiting for / years on end & STILL NOTHING. / ” HOW LONG WILL THEY WAIT “ / MY GOD COMES WHEN I CALL HOME / MY GOD COMES EVEN BEFORE I NO / If he is really up I,m shaw he siting in big chair with he feet up THINKING “FORGET ABOUT ME & STOP FUCKING UP THE PLANET YOU MORONS” / / ANYWAY I need HELP with figuring out who belongs to what region / Again with only 3% its hard to no..

  • The surface of this sea urchin test looks like the bizarre landscape of an alien planet—“Planet Urchin” :o) Odd but beautiful and very intricate patterns become very visible under the “eye” of the macro lens.

  • A strange lifeform that grew outside my apatment last summer.

  • This is a sequel to You Tell Me The Story / where I asked for interpretations of the art. From the feedback that I got I created this story. Thank you so much all who contributed, it was fun and enlightening! The Brightening Within the bowls of the earth, in a dark abyss, could be heard sorrowful sounds, likened to a pipe organ playing dirges so dark they could be felt as well as heard, and to those with special gifts, could even be seen! Therein resided a dark and sinister sorcerer, arms reaching upward, casting spells of evil, darkening the whole land. / Through golden streams, a veil as it were, between dimensions, the benevolent yet powerful angelic being, likened to a golden eagle, emerged and took possession of the evil one, melding and morphing him into a grand, and wise, and benevolent wizard of light! / The sound of the pipe organ began changing from dirges of the dark, to songs of praise and adulation and light that not only could be felt and heard and seen, but reached deep into the soul of all that it touched! The great wizard raised his arms toward the heavens, and with encantations only known by the most wise, commanded change! The darkness began turning to light, the fire and brimstone into flowing gold. The brightness eminated to the farthest and darkest regions of the earth, even to meet with the brightest light of all from above, the creator of the universe, and beyond! Hallelujah!

  • Digital capture taken when mixing 2 vhs video’s with the Korg audio visual Kaoss Pad. / This shot is a mix of Powerpuff Girls and Cow & Chicken [ i think ]...

  • One in a series of digital photograms / from my “Lifeform”project

  • One in a series of digital photograms / from my “Lifeform”project.

  • One in a series of digital photograms / from my “Lifeform”project.

  • One in a series of experimental digital dadaist pop-art photograms from my “Lifeform”project.

  • One in a series of digital photograms / from my “Lifeform”project.

  • A low altitude fly-over provided a view of a very primitive planet, with primal life forms as we had never seen before, floating above the surface.

  • A mixture of acrylic paint and coloured inks on watercolour paper.

  • A rather wily character encountered on an expedition to one of the galaxies some years ago. A traveller from one of the planets in that quadrant. This one proved to be most unreliable. But she could steer a way through an asteroid belt at warp speed without so much as a scratch. Don’t know whatever became of her. Someone thought she ended up being a mercenary in the Eleventh System but who knows. / A photograph given the full Photoshop treatment of multilayering, mainly in Lighten mode. One layer in Burn mode. Layers consisting of Photoshop- generated shapes and textures that had to be distorted to fit the photo. / Some elements of some of my early images were recycled into this one. /

  • One in a series of experimental digital dadaist pop-art photograms from my “Lifeform”project.

  • a view from within the ‘Cloud Gate’ sculpture in Millenium Park, Chicago staright from the box: Niko P80 / 5mm / f/3.5 / 1/82 second / ISO 64 / ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: / Cloud Gate is British artist Anish Kapoor’s first public outdoor work installed in the United States. The 110-ton elliptical sculpture is forged of a seamless series of highly polished stainless steel plates, which reflect the city’s famous skyline and the clouds above. A 12-foot-high arch provides a “gate” to the concave chamber beneath the sculpture, inviting visitors to touch its mirror-like surface and see their image reflected back from a variety of perspectives. Inspired by liquid mercury, the sculpture is among the largest of its kind in the world, measuring 66-feet long by 33-feet high. Cloud Gate sits upon the At&T Plaza, which was made possible by a gift from AT&T. What I wanted to do in Millennium Park is make something that would engage the Chicago skyline…so that one will see the clouds kind of floating in, with those very tall buildings reflected in the work. And then, since it is in the form of a gate, the participant, the viewer, will be able to enter into this very deep chamber that does, in a way, the same thing to one’s reflection as the exterior of the piece is doing to the reflection of the city around. / -Anish Kapoor

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