Life traditional
455 creative works found
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..on the apple tree / it was my favourite place to be.. -Crowded House
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40×50 cm canvas on board, oil colours.
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40×50 cm canvas on board, oil colours. the tridimensional particularity it’s not easy to see… but it surely has one. I asure you… / and a touchable one, too. thank you for looking and comments.
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I finally got to paint this from my digital manipulation, Don’t Give Up Searching . I’m so pleased with the result. I used a few different textures and oil paint and made the eye brown rather then blue so that the image was unified in pallet to suit a college project so that I could paint this particular piece without abandoning duty. / UPDATE- / In 2008 this painting was STOLEN. / It was being displayed in Bentley Pines Restaurant with a group of other art from fellow students. toward the end of the year the restaurant went though refurbishments and stored the works in a disabled toilets :/ we were asked to collect the work but this painting had already gone before it could be collected. Ive contacted all the people in charge and been forwarded around like a telstra customer on hold and still haven’t gotten it back. :(
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Chinese Calligraphy Brush And Seal on an old Asian brocade box. Still life photograph.
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Strictly for those who want to get seduced. I dare YOU to add it to your favorites. :)
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Woodblock Print / April 2008 / Printed on Japanese Awa paper / Size of original print: 20cms x 30 cms This is a reduction print, which was taken further than this stage, but I wasn’t as happy with the next stage as I am with this one. Only one print remains of this stage. I am planning to attempt something completely different with what is left of the plate after it was carved out further.
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Id
by Shawn CossAs a once psychology major, I was intrigued by Freud’s theory on the id and ego of the human psyche. It has been many years since those classes so my words may be somewhat off. But this piece is a self representation (aren’t they all?) of myself and how the “id” and “ego” play in our life decisions. We all seek pleasure and that constant feeling of euphoria, and our “id”’s only goal is to achieve those feelings without worry or care about the consequences of such actions. It is our “ego” that keeps the “id” in line, allowing us to think before we act, and to be able to foresee what may come of this pleasure seeking. It is a constant battle that wages on beneath our skin and sometimes the “id” overcomes. Some choose to live only by the “id”s bidding and never realize the destruction they leave behind when seeking their pleasures. I have been through that lifestyle once, and as much as I enjoyed such pleasures in bountiful amounts….the aftershock of those actions can still be felt today.
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This piece is based on how much we base our decisions off of love. Not condemning it, but rather it intrigues me what those will do in the name of love. Many people have died for love, have fought for love, and have sacrificed for love. It’s a powerful feeling that enslaves us, causing us to react in ways we may not deem normal in a clear state of mind, but like they say, Love is intoxicating. 2nd traditional piece I’ve ever attempted with acrylics. It was (key word, was, because it was sold lol)a 18×24 inch stretched canvas with acrylics and india ink. I miss this piece dearly, but at least I have a wonderful jpeg of it’s remains.
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OO
by June FerrolFEATURED IN ’’Shapes & Patterns – Limit of 2 images per day’’ GROUP – JUNE 2009 FEATURED IN ’’First Things’’ GROUP – JUNE 2009 FEATURED IN ’’European Everyday Life’’ GROUP – JUNE 2009 CAORLE – NORTH ITALY
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FEATURED IN ’’Statues and Such’’ GROUP – JULY 2009 FEATURED IN ’’Who Needs Color For Beauty?’’ GROUP – MAY 2009
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“everything is mostly vast amounts of space between itself my love…...” Gallo, you told me that… and everything came clear… so clear… and even more complex now…. and then, “fluid dynamics”, you said… among all the significant words on that message, those two words brought my childhood back and my obsession for the infinite micro/macro… and you brought light into it. / You are the greatest inspiration for my creations, but this one, derived from that dream, is more than inspiration, it is a deep communion and I dedicate it to you, my soul mate. / / / i am so honored to have been featured in the EMI Magazine! Mark, that was a rabbit punch! thank you and to the EMI great crew!!! / i am thrilled to have this piece featured in Abstract Realism. this one is deeply special to me. / thank you!
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Anonymous Spanish Artist XVII century / oil on canvas 35×25 cm. / 675 views
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FEATURED in “I LOVE ITALY” Group – “ITALIAN DETAILS” Series #1 – AUGUST 2009 FEATURED IN ’’European Everyday Life’’ GROUP – JULY 2009 FEATURED IN ’’Italy and all Things Italian’’ GROUP – JULY 2009 FEATURED IN ’’Rusty, Crusty and Falling to Bits’’ GROUP – JUNE 2009
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PART OF THE “LIFE IS….” COLLECTION “LIFE IS….TRADITION” OLD LADY PULLING UP A BASKET OF GROCERIES FROM THE STREET /
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PART OF THE “LIFE IS….” COLLECTION “LIFE IS….RESPECT” THIS WAS TAKEN IN GREECE AROUND 8 AM . THE OLD LADY APPARENTLY SITS OUT THERE FOR HOURS JUST WATCHING LIFE GO BY AS SOON AS THE SUN COMES UP EVERY SINGLE MORNING. GREAT CHARACTER
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Oil Painting…I painted this quite a few years ago (maybe 1995-1996). It is based on a detail from a famous painting but unfortunately I cannot remember what the name of the painting was or who the original artist was. My version of this painting was painted on 16”x12” canvas board. I’ve decided to name it ‘Ode to an Urn’ as it reminds me of my favourite poem. Ode on a Grecian Urn by John Keats / I also love one of his other ‘Odes’ Ode to a Nightingale ...if I could only find myself a nightingale. LOL! Featured in: Fine Arts Influenced by Literature – 14th March 2009. Featured in: Impressionist Art – 30th April 2009. Featured in: Creative Cards – 13th July 2009.
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/ The latest addition to the Still Life and Textured Collections, “Still Life with Plums” like all the others is painted in a similar style, in watercolour, on pre-textured Arches Paper…..see more from both collections below…a quick trip to my earlier pages.. Apples, pears, and plates / never move or talk back.. / slow, long, arduous work / balance form with form.. / color with harmonious color / portraits absent of emotion and personality… / nothing is more than a / conventional geometric starting point, / obsessed with unfulfilled / passions.....Cezanne / / Pears, Grapes and a Single Plum / / Figs, Pears, and Nuts / / Still Life with Citrus / / Cheese with Fruit / / Homage to Cezanne / / Still Life with Melon
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Playfulness and joy for the simple things in life.
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During my solo exhibition a couple of weeks ago F.A Moore asked me what I used to paint when I first started out. Mainly influenced by Manet, this is the kind of painting that I used to do way back then. I’ve had this painting hanging in my basement since 1999 and have never offered it for sale before. Although very traditional, it’s one of my first and one of my favorites. Acrylic on masonite board 20 X 24 inches framed in two-tone black/brown.
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Detail from a Mural Sized Work as one of ‘Godwin Bradbeer’s’ infamous Drawing Marathons I attended… Charcoal on Large Canson Drawing Paper
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A boilermaker plying his trade in the traditional, manual way on an anvil, in his shop with loads of character gathered over many years (if not generations). / Damascus, Syria. / FEATURED in #1 ARTISTS OF REDBUBBLE Group 16/11/2009 / 119 views on 17/11/2009 / FEATURED in Tables and Chairs Group 19/11/2009
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