Libeskind
13 creative works found
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This building was designed by Daniel Libeskind but he forgot to put a prop under this part. Not to worry Sophia Super Girl is hear to hold it up. But for how long? I think the stain is beining to show!
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This museum is part of the redevelopment plan for Manchester Trafford area. The building was designed by Daniel Libeskind.
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This is part of the stucture of the Imperial War Museum in Manchester. The building is a constelation composed of three interlocking shards. These three shards named , Earth, Air and Water. The architecture is of Daniel Libeskind. This building along with others is part of the Trafford region urban regeneration. / It is well worth a visit with a camera even if you do not go inside the museum.
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This image again was taken at Daniel Libeskind’s Jewish Museum, Berlin, in the Garden of Exile. It is a garden created with 49 concrete pillars in which all but one have trees growing in soil from Berlin. The last symbolically contains only bare soil from Jerusalem.
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The Memory Void (Architecture by Daniel Libeskind) in the Jewish Museum Berlin…
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Winged light… inside of the Holocaust Tower in the Jewish Museum Berlin (Germany)...
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Jewish Museum, Berlin A “Void,” an empty space about 66 feet (20 m) tall, slices linearly through the entire building.Menashe Kadishman’s Shalechet (Fallen leaves) installation fills the void with 10,000 coarse iron faces. An irregular matrix of windows cuts in all orientations across the building’s facade. A thin layer of zinc coats the building’s exterior, which will oxidize and turn bluish as it weathers.
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Exterior architectural shot of the Imperial War Museum North Salford Quays Manchester.Modern architecture shiny metals and concrete, juxta-positioned contrasting shapes.
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Featured in “Architecture and Cityscapes Photography” / April 2009 / Featured in “Contemporary Architecture” / May 2009 The dramatic new wing of Toronto’s Royal Ontario Museum (ROM) designed by architect Daniel Libeskind, is dubbed the Michael Lee-Chin Crystal. The 175,000 square foot aluminum and glass clad building houses seven collection galleries on two levels, two special exhibition spaces, new retail and dining facilities and a new main entrance and lobby. Libeskind’s ‘Crystal” is comprised of five interlocking, self-supporting prismatic structures that interface with the historic buildings that embrace it. With hardly a right angle anywhere, its sloping walls create unique interior spaces with soaring volumes and such distinctive details as the “Spirit House”, a void at the heart of the building that is traversed by criss-crossing bridges. Slashing windows fill the rooms with natural light and create uniquely framed views of the cityscapes outside. The Crystal faces the city’s premier shopping street and, in a contextual gesture that’s unusual for the architect, forges a connection between this thoroughfare and the original, more austere Beaux-Arts museum. “We were looking to create a lot of transparency and engagement with the city,” explains museum director William Thorsell. “Museums are typically built like fortresses, and we wanted a new, more urban presence.” Nikon D40X with 18-135 mm lens.
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Declaraciones cojas para el más veloz de los postores. # # Pick statements for the fastest of the bidders. * One (or more) part(s) of Berlinesesberlin series.
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Daniel Libeskind’s architecture of the Jewish Museum Berlin... Daniel Libeskind, (born May 12, 1946 in Łódź, Poland) is an American architect, artist, and set designer of Polish-Jewish descent. He founded Studio Daniel Libeskind in 1989 with his wife, Nina, and is its principal design architect. His buildings include the Jewish Museum in Berlin, Germany, the extension to the Denver Art Museum in the United States, the Imperial War Museum North in Salford Quays, England, the Michael Lee-Chin Crystal at the Royal Ontario Museum in Toronto, Canada, the Felix Nussbaum Haus in Osnabrück, Germany, the Danish Jewish Museum in Copenhagen, Denmark, and the Wohl Centre at the Bar-Ilan University in Ramat-Gan, Israel. His portfolio also includes several residential projects. Libeskind’s work has been exhibited in major museums and galleries around the world, including the Museum of Modern Art, the Bauhaus Archives, the Art Institute of Chicago, and the Centre Pompidou. On February 27, 2003, Libeskind won the competition to be the master plan architect for the reconstruction of the World Trade Center site in Lower Manhattan.
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A door is a moveable barrier used to cover an opening. Doors are used widely and are found in walls or partitions of a building or space, furniture such as cupboards, cages, vehicles, and containers. A door can be opened to give access and closed more or less securely using a combination of latches and locks. Doors are nearly universal in buildings of all kinds, allowing passage between the inside and outside, and between internal rooms. When open, they admit ventilation and light. The door is used to control the physical atmosphere within a space by enclosing it, excluding air drafts, so that interiors may be more effectively heated or cooled. Doors are significant in preventing the spread of fire. They act as a barrier to noise. They are also used to screen areas of a building for aesthetic purposes, keeping formal and utility areas separate. Doors also have an aesthetic role in creating an impression of what lies beyond. Doors are often symbolically endowed with ritual purposes, and the guarding or receiving of the keys to a door, or being granted access to a door can have special significance. Similarly, doors and doorways frequently appear in metaphorical or allegorical situations, literature and the arts, often as a portent of change.
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