Leaks
131 creative works found
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Drip / Canon 70-200mm @ f/2.8 / / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / You may find it easier to use the links below to take you to a specific genre, or see my personal favourite selection. My Own, Personal Favourites / Abstracts & Other Weird Stuff / Architecture, Buildings & Cityscapes / Candids & Street / Weird Compilations, Collaborations, & Constructions / Emotive & Inspirational / Industrial & Other Dirty Things / Landscapes & Other Vistas / Portraits & People / Urban, Suburban & Sub-suburban / Trees & Florals / Animals & Wildlife / / Calendar / (contact me to purchase) / / / Writings (or ramblings) / Weaver / High-Flyer / The 10th / The In-Between Place / The Haggard Crone / Come, Dark / Chandelier Brain / Eat Me / You’re Strange, Rick / Ever-Queen / Sleeping / Beauty / The Black, White & Grey / /
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also available as a tshirt it’s a disaster waiting to happen
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Enjoy!
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Even dragons are not out of place in the imagination of children. The tail end of the dragon on the roof of the Providence Children’s Museum. Crossprocessing Velvia F slide film really oversaturated the red and increased the contrast. The Diana camera created a soft light leak on the top of the tail and some slight vignetting. No digital manipulation. This image is featured in the XPro – Cross Processed – Photography group. (c) Paul Lavallee 2007 /
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Camera – Canon 350D / Lens – EF 100mm f/2.8 Macro USM / Focal length – 100mm / Exposure – Apeture Priority / Aperture – f/2.8 / Shutter – 1/400 seconds / ISO – 100 / / © Andrew Brown / / Cards / Urban and Architecture / Panorama / Landscape / Portraiture / Macro / / / /
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The film counter window on my Holga thought the car wasn’t red enough.
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(c) Nicole Gesmondi 2009 /
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© Mark Ingram, copying and using this Image without prior permission will lead to prosecution
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Who would have believed that here in this 21st Century humanity would still be suffering turmoil and conflict! Perhaps the consequences of our acts on ‘The Blue Planet’ may be just too much for her to bear…? / Created by Photo manipulation and filter work in Photoshop. My thanks to the following contributors for their stock images and photoshop brushes:- NASA for The Blue Marble / Sirranon of Deviant Art for Scissors / Stephanie Shimerdla for Clouds and Water Brushes Shimerdla How it was made:- / I used the Flaming Pear Flexify filter to alter the shape of the planet earth – Input – Equirectangular, Output – Quasar, Glue – Pin Light. / Create reflection with FP Flood Filter. / Make a cutout of the Scissors Stock Photo using the Extract Filter, Eraser and History Brush in Photoshop – create new layer for Scissors (by dragging it onto the Earth Background Layer and then resize and position them to appropriate place. Use the eraser to remove parts where they need to be behind the ‘Pinched Earth’. / Use Layer Style to create reflective edges and shadows on the scissors themselves. / New Layer – use Water Brush – in white in correct position. Arrange Layer to go behind the scissors. Use Layer Style to give reflective appearance. Use the Smudge Tool to merge the base of the water into the reflection. / New Layer – Add Clouds with Photoshop Brush – again in white colour and then use Layer Blending and Style to get desired effect – take the opacity down to 50%. / Defringe Layers in turn with Matting Command and then Flatten Image.
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oil on canvas / 2004
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also available as a poster it’s a disaster waiting to happen
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Whatever leakes out of the pitcher is whatever inside of it was…M.J. RUMI “Untouched” Date: 27.09.2008 22:28 / World Time: UTC+2, DST:OFF / Image Quality: Jpeg Fine (8-bit) / Image Size: L (3872×2592) / / Camera / Device: Nikon D60 / Lens: 18-55mm F/3,5-5,6G / Focal Length: 38mm / Focus Mode: AF-A / AF-Area Mode: Closest Subject / Exposure / Aperture: F/4,8 / Shutter Speed: 1/2,5s / Exposure Mode: Manual / Exposure Comp.: -2,0EV / Exposure Tuning: / Metering Mode: Matrix / Sensitivity: ISO 100 / Flash - / Flash Sync Mode: - / Flash Mode: - / Flash Exposure Comp.: - / Image Settings - / White Balance: Auto, 0, 0 / Color Space: sRGB / High ISO NR: OFF / Long Exposure NR: OFF / Active D-Lighting: Auto / / / Optimize Image: Normal / Color Mode: Mode IIIa (sRGB) / Tone Comp.: Auto / Hue Adjustment: 0° / Saturation: Auto / Sharpening: Auto
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In The Thirteenhundreth, Paul used the natural vignette of his 1960’s Diana F camera to contradict the anonymity of a numbered grave. The camera’s poor optics creates out of focus darkened corners, drawing attention to the subject in the middle of the frame. The ever-present Diana light leak adds hope that the soul has escaped its anonymity. (c) Paul Lavallee 2008 /
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Just the cover to my “Spencer Takes a Leak” idea.
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Roofs coming through is the bane of an explorer’s life, as it means potentially there could be spores, it means likely problematic floors and just are generally not good. On the odd instance though you have trekked through 5 rooms of sheer darkness looking for a wee bit of light so that you might take a decent shot, only to open a door and find this great set of lockers illuminated from above as half the roof is missing above them. Its not often you are thankful for falling roofs, but once in a while they are welcome, this was one of those times. Another thing that holes in roofs usually mean is that pigeons will have taken home in the building which means there will be muck all over the place, not fun to breathe so again masks are advisable! / / / See the rest of this site walk through / /
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Flinders Crt, Melbourne.
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A mirror universe soaked into a stubborn puddle.
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An image I took at school as part of an SA water assignment. It is a montage of 5 separate photos merged and edited in Photoshop. This is a conceptual image to show the plight of water in Australia. Nikon D200 – 105mm 2.8 VR / ISO 100
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(c) Nicole Gesmondi 2009 /
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Eglise Saint-Jean-de-Montmartre, Paris, France / Lumix Leica LX3 20mm full frame In Paris, Saint Pierre de Montmartre is the lesser known of the two main churches on Montmartre, the other being the Basilica of the Sacré-Coeur. Historically, however, it has the greater claim to fame, since according to the earliest biography of Saint Ignatius Loyola, the church is the location at which the vows were taken that led to the founding of the Jesuits. Though according to its traditional history, it was founded by Saint Denis in the third century, only scattered signs of Gallo-Roman occupation have been detected at the much-disturbed site,[ where Theodore Vacquier, the first municipal archaeologist, identified remains of walling at the Temple of Mars, from which Montmartre took its name. In 1657 the antiquary and local historian Henri Sauval was shown remains in the priory garden that he associated with the templum Martis. The early church that was a stop in the ninth century for pilgrims en route for the Basilica of Saint Denis, belonged in 1096 to the comte de Melun. Louis VI purchased it in 1133, in order to establish in it a Benedictine convent, and the Merovingian church was rebuilt; it was reconsecrated by Pope Eugenius III in 1147, in a glamorous royal ceremony where Bernard of Clairvaux and Peter, Abbot of Cluny acted as acolytes. The Benedictine community moved downhill to a new priory in the 1680s. Saint Pierre de Montmartre was ruined during the French Revolution, and upon it was erected a tower for the purpose of the Chappe optical semaphore. It was rebuilt in the 19th century, and today is visited by numerous tourists who tend to notice, among other things, the pillars of Roman origin used within the nave.
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Yellow, late-autumn flowers grow through the rusty shell of a vintage vehicle in the Yukon, northern Canada. I couldn’t work out what car it was, because there was nothing identifiable left on its rusting chassis. However, if you look closely above the battered radiator, you’ll see the distinct impression of an oval, which suggests to me it could have been a Ford. Every time I see a rusting wreck, I think of how proud the original owner would have been when he or she took delivery of it when it was a shiny, brand-new luxury item. I do not crop or post-edit my work. What you see is exactly what I shoot. This was taken with a Pentax K100D, F8, 1/250 sec, ISO 200 and focal length 88mm. Shot in late August 2008. Featured in NATURE’S RECLAMATION group, June 2009.
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...send a plumber! The outlet from a Reservoir Dam near Fort William
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