Latex hits the streets. / A still from a documentary I was working on. / Copyright © 2005 William R. Bullock / All Rights Reserved
PR PORTRAIT CIRCA 1985 ENJOY…THANKS. MORE PAUL ROMANOWSKI ART… http://www.romanowskipaul.info/
There are some places you wish you’ve never been there. Copyright © Sylvain6po.
I took this shot of Darenzia in the Miracle Mile area of Los Angeles.
mixed media (oil and latex on found window) From “Who’s That Girl, Twelve Incarnations of Ruby” series. This is a revealing look at Ruby and her essence. The fragility of life and the moment of inspiration.
Candid, Folsom Street East Leather Festival, 2008, NYC. SOLD Copyright
Two friends, one bathroom, a relationship thats as personal as yours. The story unknown the situation you probably have been through. Its the anti- Valentines Day card, its the “Thank you for being my Ex (card), now get …... (card)”. Its open to interpretation and invitation to being lost in translation. All relationships end up this way. You better accept it in art form before it goes and messes you up to the point of finding yourself on the couch!
I used colaboration between photography & artwork to be an artwork.. / Looks sexy, asian woman with latex leather black boots and captain hat, wearing black gloves…
©Aiko273 2008 / Moral Rights Asserted / This work may not be reproduced without the permission of Aiko273; contact details can be found on my RB homepage.
’ Poison Ivy’ / Copyright Otilee Photography / Post: Otilee / Co-direction: Constance & Otilee / Concept / Styling / Wardrobe design: Constance / MUA: Constance / Hair: Otilee / Model: Christie ... bit of a different one for me. I don’t usually shoot where I don’t also have the creative control with the concept and wardrobe but Constance wanted to try out some crazy feather makeup action for her MUA portfolio and went nuts creating the high fashion ’ poison ivy’ concept around it. Talented minx that she is also designed and whipped up some outfits of hotness to dress our model with and I think she did a fabbbhulous job! :D
An image from a shoot for LatexDreamz clothing. Model: Hanna / MUA: Dyed Pretty / Outfit: Latexdreamz
The model is Kumi (Kumimonster) / Doug Faircloth© 2008
The model is Kumi (Kumimonster) / Doug Faircloth© 2008
From a shoot I did with Rebecca from Rebeccasrubberroom.com.
This is another of my ab-scrap series, an ongoing series of paintings and assemblages that are by-products of my sign jobs and larger paintings. View my journal entry ab-scraps which explains my process in more detail. Sam Dantone 07/18/09
Model: Lunar Star Dmain / MUA: LC Makeup / Clothes: Z-Entity
I painted this while in Jamaica in 1966. I used latex interior house paint, since someone ‘took my magic tube paints (oils). The original is painted on a 16” x 32” piece of masonite or hardboard, on the ruf side. / The painting started with the drawing of the woman in lavender. This color was achieved by my having acquired the ‘mixing colorants’ used by the paint company to mix up all their variety of colors. I kept experimenting with these colorants for several years. / I remember being pleased with the lavender lady and kind of ‘projecting’ “an ideal woman” on to her. The abstracted male, “the jolly green giant” I knew even then was my own unformed sense of self and masculinity. / I was painting on the veranda of Stacey’s Montego Bay Guest House. Stacey, friends and guests could all get into the act of discussing anything artistic, my painting in particular. Stacey latched onto her choice of title “Number ONE”. Then she latched onto the painting itself, hung it in the place of honor in her salon and told me it’d help compensate her for my room and board, which I had no money to pay for. The arrangement worked for me. / She returned this painting to me many years later. It usually hangs somewhere around our house, but right now it’s in the closet with a broken frame.
Back in 1969, after returning from Viet Nam, I returned to Jamaica to help an innovative school in the center of the island with some master plan and building projects. To qualify for a ‘work permit’ the school convinced me I’d have to have a teaching job, and the art teacher position was open. / I stayed for two years, with four hundred kids a week trucking through my art room for their hour of instruction. Did I mention there was almost no money for any supplies, and only a few boxes of well used brushes, conte crayons and bits and pieces from past art teachers. / I convinced a paint company in Kingston to donate three fifty gallon drums of interior latex house paint and about ten quarts of different hues of pure colorant for mixing. The bulk of the students were grade six through eight and a few older ‘O’ and ‘A’ levels, who I quickly convinced were to be ‘teacher aids’ (Teach what you want to learn.) / In the two years we taught mural design and accomplished putting up around the school over forty murals with an average size about six feet high by ten feet wide. / I also designed and supervised construction of a four level ‘community house’ with local workmen from the surrounding hills. I was very busy and this painting of one of the students is just one of the few I have left of my own work from that period. / It’s also painted with latex on Masonite board and is 22” x 32”. / Need I add that the whole program was a huge experiment… particularly since I had no formal training in art or teaching… and just a little in architecture and construction… Ah, what the young can accomplish when they have no idea what’s going to be involved! Ha… ;-))) / Oh yes, when I visited the school in 2002 there was no evidence left of any murals, but two building I designed were still there.
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