Landscape oil
888 creative works found
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Click on the images below for a more detailed close-up / / “Finches On Parade” is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing 16 X 60 inches / 41 X 153 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ..................................................................................
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The sound of birds early in the morning. Best music of all… Oil on Stretched Canvas – No Airbrushing 37 X 42 inches / 94 X 1107 cm Original : / $3000 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ....................................................................................
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Oil painting /
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Click on the image below to see the entire artwork / Excerpt Two is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / .........................................................................................
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I have produced hundreds of scribbles, sketches, drawings, cartoons and paintings over the years, yet when someone asks me how I come up with ideas for work I tell them I’m really not sure. A truly original idea for a piece of art is always a gift from somewhere else, and you just hope and pray it might happen again. I have thought about this subject a lot, about where inspiration or stream of consciousness comes from. The result was a large oil painting titled “Waiting for Inspiration”. It portrays a painter sitting on the floor of his studio adjacent to a large blank canvas propped up against the wall. A dirt road runs through the middle of the room, past the canvas and off into the distance. / The painter I guess is me, waiting to thumb that lift, to take that ride, to catch that inspiration.. before it passes through. / - – - – - – - – - – - – - – - – - – - – - – - – - – - – - - - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – /
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Industrial Light & Magic This photo was taken using a combination of hand held soft filters – homemade, actually. It has not been colourised with image-editing software. What you see, is what I took. Undoubtedly, I will receive the usual ‘great photo-shopping effects’ comments… / / Photographer for Hire – All Occasions – Mail Me :) / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / / Writings (or ramblings) / Another World / Time & Tears / The 3rd / The 10th / Weaver / High-Flyer / The In-Between Place / The Haggard Crone / Come, Dark / Chandelier Brain / Eat Me / You’re Strange, Rick / Ever-Queen / Sleeping / The Black, White & Grey
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There is a type of quiet peaceful solitude that one can only experience in a park Oil on Stretched Canvas – No Airbrushing 36 X 56 inches / 92 X 143 cm Original : / Sold / contact my Agents at Gallery 112 / .......................................................................................
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images that change into other images then change again. There are over 50 images in this painting and I think you can see most of them. / look to the left going up the mountain you’ll see a man looking toward you with a beard, it changes into a man’s head upside down his hair becomes the beard, the chin turns into a gorilla face. it turns into a profile of a face looking to the left which turns into a cougar looking at you (right to left of all that, in the dark area might be to dark in this will get a higher res Pic up) / See the large ghostly wolfs head above the birds neck? it goes on and on.
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This was taken on Australia Day, 2007, from Kangaroo Point cliffs in Brisbane. This is a very large image. It will print with beautiful sharpness and clarity at up to a metre wide.
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#1 in the series of “Fog in Wilderness” Titled, “Mystic Woods” I used a blue hue with green,yellow orche, and burnt sienna in the foreground. I detailed the trees and paid particular attention to each tree branch (a time consuming process). Animal—wolf Original oil on canvas, 24×36. **Signed by artist (me)
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I’m nothing…I am because there’s the Sun…only then….I can be alive…So it’s the blessings of the Sun that we thrive on… Inspired by the ancient ways of Sun worship in the Hindu mythology and many religions worldwide.. This painting depicts the five elements, Earth / Water / Air / Sky and / Fire Oil-on-canvas / 36 X 24 inches This inspired poem is by a dear and a departed friend HAFIZ … I want both of us / To start talking about this Great Love As if You, I and the Sun were all married / And living in a tiny room. / Helping each other to cook, / Do the wash, / Weave and sew / Care for our beautiful / Animals. We all leave each morning / To labor on the earth’s field. / No one does not lift a great pack. I want both of us to start singing like two / Traveling minstrels / About this Extraordinary Existence / We Share, As If, You, I, and God were all married And living in / A Tiny / Room / Water melted from iced melted… / The lake of the new dreams.. / where the reflections of the love they share… / will get into the ear.. / travelling along the sun beams…. / down… there.. / into the profoundity. / Rosa (Beautiful picture… and wonderful poem….just tell your friend…)
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One in a series of four images. / Now available here at Red Bubble as a print. / Original: Oil on Canvas. / Size of original painting: 4 ft X 3 ft / - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - / / “A big part of the Red Dust Girl series was about trying to convey a sense of living in a regional area or a situation far from the influence of a metropolitan city. I wanted it to reflect a celebration of outback Australia, of the people living there each day of their lives and of the purity or innocence that can be found in such a seemingly baron and harsh landscape. / / Painting can sometimes be a very individual pursuit or in my case an infatuation, so I also wanted that series to express the joy (of all things) of being alone or separated, and of the contentment in that individualism. How “change” presented here as a metaphor (the seasons) can be a good thing and doesn’t necessarily need to change us as individuals. / / I knew that having a young girl or woman in the picture would be the perfect vehicle to present this idea. I’m not sure how the “floating” concept came about but I had previously painted a picture of a girl floating over the landscape and really liked the whole idea of the shadow beneath the feet etc. It certainly fitted the context of “separation” and when I mapped it out initially it just looked right. I decided that nothing in each of the four paintings would touch the ground, that the earth beneath her feet would remain unchanged through the seasons. “ - – - – - – - – - – - – - – - – - – - – - – - – - – - – - - - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – / THE “RED DUST GIRL” SERIES Review by Karl James At first glance, Leith O’Malley’s “Red Dust Girl” series invokes his love of contemporary illustration with its simplicity of design and striking power to just jump at the viewer. These large oil on canvas works are figuratively simple in composition but make no mistake, the paint work is delicious with luscious textures, tactile surfaces and collaged with natures discards. One wants to reach out and feel the very canvas. Full of outback hues, rich magentas, cobalt skies and desert ochre applied in buttery layers, these paintings have an underlying Australianess about them as the title of the series suggests. They also follow the seasons. Summer with its blazing, sizzling outback.. a sort of piercing Vincent heat, invigorating and maddening. Then there are the feather-like leaves of Autumn, falling about her and nesting at her feet. Thick and pillow soft, a season of calm reflection. Winter rain. Cleansing, ultramarine and diamonds, a cool tonic for the red raw earth. Finally Spring. All petals and newness, the simple joys of life, rebirth. A warm caress and motherly wonder. But who is the girl, this doll like puppet? Zen like in her calm yet so poetic and mysterious? Leith often incorporates metaphor in his work. Is she real or fictional? Or could it be “Eratos”, the artists muse guiding the creative spirit. Nothing is certain, but maybe we really see the artist here with his thoughts floating as visions do, bound not by the earth. Maybe he is like many of us, wary of change yet accepting of it. Of this new work Leith says “part of it is a reaction to living far from the city in a regional area. There is an underlying celebration of solitude and adaptation to my surroundings. That no matter what seasons bring we remain unchanged, and that isolation should be embraced. I believe in my own case it really is a stimulus for creativity”. If one looks beyond this little red dust girl of ponytail innocence and into those piercing cornflower eyes there is a knowing, an accepting. She hovers above the ground not at one with nature but unfazed by the seasons change, and like the hand that holds the brush, she adapts. More information here -
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Minimalist Landscape study of the Trees & Hills as they are seen far off out on the horizon Oil on Stretched Canvas – No Airbrushing 36 X 66 inches / 92 X 168 cm Original : / $1500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .............................................................................................
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“Tree Line” is about simplifying the landscape and focusing mainly on the procession of trees as they line themselves up along the top of a hill. Their shadows running down the hillside lets your own imagination fill in the details… / Real gravel has been incorporated to enhance the impression of the surrounding rocks, and their shadows Oil on Stretched Canvas – No Airbrushing 66 X 22 inches / 168 X 56 cm Original : / $2000 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ......................................................................................
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Oil on three canvases. / 500×1000mm each / / Original available for purchase at Website Abstract take on the Australian Landscape. / This represents how the tryptch fits together. / / / / / / / More of my Works /
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Ducks In The Woods /
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Oil on Canvas 34” x 22” Re-titled ‘Self Landscape 08#1’ .................... Detail / / ..................... / More details and critique here
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16×20 oil I like this painting becse of the colors and my grandpa used to sit in a chair just like this one. It brings back childhood memories.
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Click on the image below to see the entire artwork / Excerpt One is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / ...................................................................................
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I discovered Gotta Rock, just outside Coolah, completely by accident. I have family in central New South Wales and have spent my life driving about the place. On one trip, suddenly I spotted this brilliant outcrop, right next to the road. This is the second painting (see “The Big Sleep) based on a re-imagining of the real place. I wanted to give it a brooding, even malevolent presence.
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Oil painting outback drout ,before ,during ,and after rain 90×90 cm Original available $1200 /
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.....ye ancient one, standing through the ages in the mists of time.. oil painting on large canvas 6×4’ love the Autumn mists..Autumn
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Acrylic and oil pastel on canvas. 32”X55”
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Giclee canvas prints from this painting are available from www.theartbay.co.uk Fenton. Stoke-on-Trent. (sales@theartbay.co.uk) / ‘Experts calculated that in the heyday there were up to 4,000 bottle kilns in Stoke-on-Trent with as many as 2,000 still standing in the 1950’s. The Clean Air Act sounded the death-knell for the smoky, coal fired oven. There are 47 still standing today – all are listed buildings.’
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