Landscape mood
768 creative works found
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A lush green meadow and an old barn near Jallama, CA. —-—-—-—-—-—-—-—-—-—-—-—-- / —-—-—-—-—-—-—-—-—-—-—-—-- http://www.redbubble.com/products/configure/1102607
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341 views / WINNER: “Timber and Water” challenge / FEATURED: “The Scavenger Hunt” group / FEATURED: “Australian Travel Photography & Writing” group / FEATURED: “A View Somewhere…” group / FEATURED: “That One Great Shot” group / FEATURED: “As Is” group / FEATURED: “Out of The Blue group” / FEATURED: “Mother Nature’s Finest” group / FEATURED: “New South Wales Photography” group / FEATURED: “Sets of Two” group Dead trees in Lake Eucumbene NSW Australia in early morning mist. Image straight from camera with no manipulation Canon 30D / Canon 18-55
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It’s light and reflection , right place right time that is wonderful with cameras attached like another limb. This shot taken from Blues Point on the northern shore of Sydney Harbour / This piece has sold as a matted print to an unkown buyer /
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This was taken at Huntingdon in Cambridgeshire, where the mill is in the image is a small village called Godmanchester.. Took quite a while to do this but im pretty happy with how it turned out so was well worth the effort :-)
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/ . / Presentation of my poetry book You may also purchase my second poetry book / (I could send it for you by post) THE LAST WORKS (CLIKC IMAGE FOR VIEW) / . /
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BEST VIEWED LARGER This shot taken from MIlsons Point directly under the Sydney Harbour Bridge, the lights and skyline of the city on the opposite shore. Taken around midnight the waters of Sydney are lit with colours of the rainbow. For visitors to Sydney , you can walk across to Milsons point, or catch train trip to Milson’s Point station. This shot was taken with no filters with a Nikon D300 and Nikon 18-200mm lens securely mounted on a Manfrotto Tripod, using three bracketed exposures which were then processed using Photomatix HDR Software. My continuing journey into HDR
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Landscape – Me Model – Me Model image by the lovely Barssel
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A photo I took this week on a mild foggy morning.I saw that tree on the other side of the lake in the fog….5 minutes from my home…The straight light you see was the sun reflecting on the lake.I added an impressionnist effect … / L’Achigan lake in St-Hippolyte,Quebec,Canada. / A card for many occasions…. / /
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/ “The Two” is part of the Winter collection..Watercolour on Fabriano Artistico Hot Pressed Paper.. And it all comes crashing down, / as the leaves fall. / when the barricade sets in, / and when the blinds close themselves, / that’s when the colors shift, / and feelings drift, / to a place we don’t know. / to a dream we no longer recognize, / as it screams for second and third tries. Turn around. / you won’t see me. / won’t hear me. / won’t touch me or feel me. / but I’m still there, / reaching out to you. / Is it all in vain? xXjadedjunaXx /
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/ “The Sentinels” is part of the Winter Collection... we barricade our doors and guard our lives every day, but storms come and go regardless of locks…so we pray for the sun, and cry relief relief!! Watercolour on Fabriano Artistico Hot Pressed Paper.. / Home Page Feature Natures Wonders, Everything Winter features, plus five more…... They stand as sentinels against azure storms / Assured as most storms of life, it’s supposed / Although bared of dress, although naked as jays, / Winter’s trees umbrella from worst those / Emptied of warmth.. why stand themselves here? / None rest beneath, cold is this grayness / Determined, enduring Hail’s hiss, they stay / Limbs upturned, beg the sun from her shyness… / These brown-barked sentinels recall blue-green days before / With soft nests of down in lofty leaved reaches / Where bodies under there sparkled in prisms / When leaf-scattered-light danced on now barren benches.. / They stand as sentinels against azure storms ...Barbara Attaway / /
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Taken “à contre jour”....I liked the smooth lines made by the sun…St-Hippolyte,Quebec,Canada. / Nikon D200 / f 2.8 / iso 100 /
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MUCH BETTER VIEWED LARGER / 190 Comments,125 Favourites, 2956 Views / Sydney is great for sunrises, it quite often receives spectacular sunrises as it greets the sunrises that appear from the east. This shot shows the city skyline as seen from North Sydney CBD on the northern shore of Sydney Harbour, in the foreground is Lavender Bay. Technique: HDR , 5 Bracketted images processed with Photomatix Pro with avery slight adjustment (sharpening & contrast) in Capture NX. Equipment: Nikon D300 , Nikon 18-200mm lens No filters or colour adjustment 1) RED SKY AT NIGHT… means that as the sun sets in the west, if it has a red hue or color to it, then the moisture was further west of their location. Thus SAILORS DELIGHT. A beautiful sunset. 2) RED SKY IN MORN…means that as the sunlight from the rising sun passes through moisture, it too will be red. This means that with the rotation of the earth, this will bring this moisture (and possible storm) right on top of them and it is only a few hours away. SO SAILORS TAKE WARN.” / I hope this bit of weather science helps.
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Near Devil’s Punchbowl, Oregon. Canon 450D XTi + several Neutral and Graduated Neutral Density filters (created the purple sky). Very slightly edited :) -Matthew Tauzer
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Misty rain rolls over Mitre Peak, Milford Sound, Fiordland National Park, New Zealand. Nikon D80, Tokina 12-24mm lens, CPL filter and ND8. Was featured in DSLR Users Only – 3 A Day, 22 May. / and New Zealand Made, 26 May
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SOLD – framed print to a fellow Red Bubble Member Many Thanks Much Better Viewed LARGER You know sometimes its just worth getting out of bed driving into the city and waiting for the sun to rise ! This shot was taken from the western side of circular quay, Sydney Harbour just as the harbour greets a new day. A features the Diva of Sydney Harbour as her sails greet the day. Equipment: Manfrotto Tripod, Nikon D300, Sigma 10-20mm and alarm clock Technique: 5 Bracketted images , processed in Photomatix, tidy up in Adobe Elements. No Filters, No Colour manipulation just a little help from someone up there ! See Also /
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cause it is the place to be Road :iconalzirrswanheartstock: / Sky :iconCSyder: / eagle:iconMsCrysStock: / poppies:iconkellsariStock: / weetop”iconsnikkiostock: /
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2009 Canon EOS 400D featured in / Gateways on 07/09 / Your Magic Place on 07/09 / Tunnel Vision on 07/09 / True Potential on 07/09 / Tone It Down on 08/09 challenge winner / Member’s Choice / Mood & Ambience – Strictly Photos on 07/09
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MUCH BETTER VIEWED LARGER Thank you for the comments,views and favouritings they are appreciated. This shot taken at sunrise from my 10th floor vantage point in North Sydney CBD it’s hard but this is my view for breakfast. Fog greets the awakening city and approaching dawn. Equipment : Nikon D300, Handheld, Nikon 18-200mm lens / Technique: 5 bracketted images processed in Photomatix with a slight tidy in Capture NX
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BETTER VIEWED LARGER Shot taken from North Sydney CBD around Sunrise, Equipment Nikon D300, Nikon 18-200mm lens / Technique: HDR , 5 Exposures, Photomatix 3.2, Capture NX
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BEST VIEWED LARGER The city glows, and clouds gather reflecting the light, this is Sydney. The clouds caught my attention, the shot is taken from 10th floor of a office building in North Sydney. Technique: HDR 5 exposures bracketted,photomatix 3.2, capture nx / Equipment: Nikon D300, Nikon 18-200mm Manfrotto Tripod Sydney Architecture: /
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Torridon, Highlands, Scotland / / A Soft Caress of Welcome and the Scent of Old High Places. This spacious light was common in those days. A soft silk gossamer net that would have to fade to become mist. That would whisper across the glens in common history and Alexion’s gloaming myth memories. This and that would hide and seek, would become damp and shiver spider pearls from the Popish brown and purple of the mountain. Always catching the edge of a rough dress made from banned and ragged tartan. That would be secret sought for later remembered images and collapse in upon itself to find regional rural meaning. That would eventually create pictures that will hang in the hunting lodges of the rich and royal, in need of cleaning. It was morning fresh mood and midge covered evening in the latter end of Summer in the west. Alexion’s stories of the glen in her century. The Black house highland cow dung, black chicken pecked, villaged small secret world of the hidden and the regional self aware. The high views that were seen differently and with much less romance than now in this sad century. A wish to climb the highest in her remembered sight with the breathless wonder and detailed knowledge of the way down, but still not wanting to return to slavery. The stories mythical of a childhood in this fastness of black rock and crashing falling water. The black witch prediction watchfulness of a mother that did not care and besotted father who apparently did; but only in negative for his animals and the mountain at his back. The black seasoned preacher, with his genital showing perversion and stealing of nightgown righteousness. The light shafted mist that began and ended each short day of work. These were her words. These were the notes musical that tried to convince me of the strangely impossible. That fascinated my youth with such detail as to seem real and seen, experienced and happening then as even now. That to me were legends. That to her were as real as breathing. These she told across my neck lying sweat stuck together as we waited for our breath to come back from the past. That she shouted in her ghost voice to the moon and the unfaithfulness of man. Waiting for an explanation with hypnogogic understanding from me and extra detailed history from her. A soft caress of welcome and the scent of heather and old high places. The even softer accent of whispered clasping and spooned bodies that did not want to let go, no matter what forces were at play. Suppose you juxtapose this memory history with small, sweet sounds on the edge of hearing. Of cold softness, of the bed sinking from beneath and behind. Feeling the weight gradually, slowly filling. There are no sudden movements, only the gradual awareness of something else. Gradual and strange. A weight, a pushing back of the sheets. Of small arms across my chest. Very warm and pointedly aware of nakedness. The brushing of nipples across back and buttocks. There is always in this a smell, an evocative sense of something, somewhere else. Nothing I can usually or immediately resolve, but it comes anyway. I can remember every time a witches warmness moving slowly down my back, solar centring. Gathering around her madness and pulling me in. A prick scintillating pricking that does not feel like love, rising to a pointed word. The centre of a celtic spiral. This is far more than pleasure… She will then and only tell her stories, after the brief vicious coupling that rang in this present past with inexperience and needy solutions. That salty, like the sea, spurted with premature love and sang with unfulfilled hopes before we finished with each others thoughts and myths. / © 2009 Ken Simm.
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2007 featured in / Mornings & Evenings – Sunbeams & Storms on 10/09 / Color Me a Rainbow on 11/09 challenge winner / Color Me a Rainbow (Best of FEATURED Purple Works-INVITE ONLY)
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BETTER VIEWED LARGER Thanks For The Favouritings, Comments and Views Shot taken from North Sydney CBD around Sunset Light + Sunset+Storm+ Clouds and throw in a Rainbow = WOW Grab The Camera ! No filters , No Colour Manipulation , No artificially added Photoshop Rainbow = Just a Little Help From the Great Photographer Up There ! And the cardinal rule NEVER go anywhere without your Camera ! Equipment Nikon D300, Nikon 18-200mm lens / Technique: HDR , 5 Exposures, Photomatix 3.2, Capture NX See Also / Sydney Fantasia: Morning: /
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