Land rock
500 creative works found
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Limited Edition Print (Only 50 Prints Available)
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Taken at Keraoun Lake, Bekaa Valley, Lebanon
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Shot taken from Angels Landing in Zion National park Utah. One helluva view! Enjoy! /
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Leave a comment by clicking on the “add a comment” link directly under the photo, this allows you to see the photo as you type. Real estate speak from the Brisbane News Nudgee Beach, December 2007 – Those craters are mud crab wallows, I believe. Canon 5D w 16-35mm lens at 16mm REAL ESTATE SERIES / NEW ZEALAND / FROGS / LENSBABY / INFRARED / BEACH / INDUSTRIAL / PANORAMAS / LANDSCAPES / SPAM PHOTOS
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Only humankind forgets / The universe does not / Eventually we go back / So we can move forward Jayne Wozniak 1998
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Beautiful South Australian coastline, well worth a visit :) . / 18 km south west of Adelaide. / . / . / ©2008 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright.
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One of my first brick-picktures. / Airbrush and pencil.
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This is why I absolutely must have the window seat every time I get on a plane!
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Bryce Canyon – USA tour 2008 – Trees barely hold on against the elements / please view large / Rich colors can be seen among the varied hoodoos, walls, and fins, the textures and formations were incredible. / I enjoyed the most amazing hike down to the bottom and the met the cutest Americans…...a bunch of overly friendly squirrels who had a habit of climbing up legs !!! Am not a tree nor do I have nuts :)) Yes, I had to capture them,,,, / Bryce Canyon is not a “real” canyon. It is not carved by flowing water. Water is the active ingredient here, but in the form of “frost-wedging” and chemical weathering. For 200 days a year the temperature goes above and below freezing every day. During the day, melt water seeps into fractures only to freeze at night, expanding by 9%. Now as ice, it exerts a tremendous force (2,000-20,000 pounds per squarte inch). Over time this “frost-wedging” shatters and pries rock apart. In addition, rain water, which is naturally acidic, slowly dissolves the limestone, rounding off edges and washing away debris. / . / WARNING / ©2008 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright.
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A man sitting on a ledge near a canyon.
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Utah – USA tour 2008 Rich colours can be seen among the varied hoodoos, walls, and fins, the textures and formations were incredible. / I enjoyed the most amazing hike down to the bottom, the vista was so beautiful with remnants of snow contrasting against the vibrant colours. Bryce Canyon is not a “real” canyon. It is not carved by flowing water. Water is the active ingredient here, but in the form of “frost-wedging” and chemical weathering. For 200 days a year the temperature goes above and below freezing every day. During the day, melt water seeps into fractures only to freeze at night, expanding by 9%. Now as ice, it exerts a tremendous force (2,000-20,000 pounds per square inch). Over time this “frost-wedging” shatters and pries rock apart. In addition, rain water, which is naturally acidic, slowly dissolves the limestone, rounding off edges and washing away debris. Well worth a visit, stunningly beautiful :)) / WARNING / ©2008 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright.
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protected land in New Mexico, near Albuquerque
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Taken around Midsummer in gorgeous late evening light on the clifftop at Lands End, Cornwall, the most Westerly point on the UK mainland and the nearest town is Penzance, more than 10 miles away.. It looks quite warm with the late evening sunshine but I do recall it being bitterly cold at the time, but worth it to get that warm lateral light on the rugged coastline with the Atlantic waves crashing on the rocks below. Nikon D100 / 18 -70 Zoom @ 25mm / AP F11 for 1/50sec / CP Filter /
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mixed media on masonite box I began this artwork after I experienced my first earthquake in Maui…not knowing where I was going with it…as usual. i had made a connection with Pele when i first arrived in the Hawaiian Islands. Before I had even landed and knew anything about the legend, I was drawing her in my journal. The legend always portrayed her as dark yet I never felt her that way. As she entered the art work I felt her seduction. It was a playful one. And so she BECAME creator/destroyer….....rising to heights well deserved….since within the destruction of her wake was left a newborn island. She gave us the rock of paradise. ...rainbows, sunshine, jungle flora, mountains, turquoise waters…......ALL of the juice of LIFE. Gotta LOVE her for that!!! / /
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A little wave crashes into the rocks at Soldiers Beach on the Central Coast of New South Wales. Image As Is, straight from a 6 MP Sony Cyber-Shot. F-stop: f/5.6 / Exposure time: 1/320 sec. / ISO speed: ISO-80 / Exposure bias: -1 step / Focal length: 5mm
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Hallett Cove, South Australia – Dec 2008 Canon 40D / WARNING / ©2008 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright.
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Taken at Lorne, just off The Great Ocean Road, Victoria, Australia Holga 120WPC (wide angle pinhole camera), Kodak Tmax100 @ ISO50, 3 second exposure
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a gorgeous day yesterday ..it lifts one spirits up so much :)
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Shot near the construction of the new Pier, North Bay at Kaikoura on New Zealand’s South Island. Very harsh light to deal with, thats why I like the clouds, you get lots more colour, drama and light balance. Shot on a Nikon D700 with 17-35mm lens, with Cokin ND4 grad filter.
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Nikon D70
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Blossom’s_Photo_Gallery Land of Three Thousand Lakes A Day’s Hike – MY_STORY The Walls of Jerusalem National Park, Tasmania, Australia. The future belongs to those who believe / in the beauty of their dreams / Eleanor Roosevelt Canon PowerShot A650 IS Shutter Speed: 1/500sec / Aperture: F4.0 / ISO: 80
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My Website Been away for a few days and managed to shoot some landscapes. / Sorry for not catching up with everyone’s work but will try to catch up over the next day or so :) Solitude Standing Solitude stands by the window / She turns her head as I walk in the room / I can see by her eyes she’s been waiting / Standing in the slant of the late afternoon And she turns to me with her hand extended / Her palm is split with a flower with a flame Solitude stands in the doorway / And I’m struck once again by her black silhouette / By her long cool stare and her silence / I suddenly remember each time we’ve met And she turns to me with her hand extended / Her palm is split with a flower with a flame And she says “I’ve come to set a twisted thing straight” / And she says “I’ve come to lighten this dark heart” / And she takes my wrist, I feel her imprint of fear / And I say “I’ve never thought of finding you here” I turn to the crowd as they’re watching / They’re sitting all together in the dark in the warm / I wanted to be in there among them / I see how their eyes are gathered into one And then she turns to me with her hand extended / Her palm is split with a flower with a flame And she says “I’ve come to set a twisted thing straight” / And she says”l’ve come to lighten this dark heart” / And she takes my wrist, I feel her imprint of fear / And I say “I’ve never thought of finding you here” Solitude stands in the doorway / And I’m struck once again by her black silhouette / By her long cool stare and her silence / I suddenly remember each time we’ve met And she turns to me with her hand extended / Her palm is split with a flower with a flame Suzanne Vega
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ISO50 . F22 / S0.5 / 1DSMARK III / LENS100-400MM
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