Knockers 

141 creative works found

  • For anyone that collects door pictures

  • Just a funny shirt to add to a collection…..also in Braille(by that I mean the dots above what it says is actually in braille dots…(no you can’t actually feel them unless you want to get slapped). I made this available in mens as well just for the extreme humor if there’s a man out there brave enough to wear it!!!!

  • An old door, obviously aged, paint peel and the appearance of rust. On the door is an old antique knocker that to me looks more beautiful old and worn that i can ever imagine it new and polished. /

  • Little jewels, in unexpected places… door knocker: http://www.sxc.hu/photo/810422 / door background: http://www.sxc.hu/photo/973800 / brushes: Merrym http://merrym.deviantart.com / dragonfly,textures: my own ©2007-2008 Aimee Stewart, Foxfires / All of my artwork and photographs are © All Rights Reserved Worldwide. / My artwork and photos do not belong to the public domain.

  • ‘They travelled for many days until they came to a mysterious castle, and gave a knock, then a door opened and they came into a large hall all lit up; rooms gleaming with silver and gold; and there too was a table ready laid, and it was all as grand as grand could be.’ Illustration from the Scandinavian fairy-tale ‘East of the Sun, West of the Moon’

  • A rusty trap door handle In Sydney

  • This is a collage of a few pictures of Maltese Door Knockers I have in my collection (pictures that is) After the interest kindled in Maltese Knockers by my previous picture entitled ’ A Nice Pair of Knockers’ I find it only appropriate to satiate the wishes of those who liked to see more. Enjoy!

  • OR a Dog knocker, Dog alert, ........... / Just a little play in PSP to see if I could make a living door knocker! Dog Door knocker /

  • A old knocker on a very old house. Nikon D90 / 18-200mm Vr lense

  • As I have mentioned in the previous posts, I started this series in the 90s…here is the another piece from the series, which was also on my early pages here…after painting about ten pieces, which have now been sold, I moved on to other subjects and have recently returned to the series, with new paintings….this early piece is titled “Abandoned Site” and is painted negatively in watercolour on Arches Not Paper.. See samples of the new series below.. Weeds between sleepers, abandoned. / Wind insinuating, abandoned, through / the bricked-up abandoned windows / in the station-master’s head. Abandoned. The tea-urn can’t stop whistling, / abandoned, and passengers abandoned / on platforms are not about to step / through carriage doors, abandoned. Paperbacks locked in the Waiting-Room / (Ladies), abandoned at Page 52, / with the kiss and the handshake / abandoned on the slotted metal seats. And the diesel engine stationary, / its journey curtailed, and its driver / shunted to a branch-line to the east; / and here’s the station-master’s cap, abandoned: the wrong place to start from. Stephen Waling… / Still Life with an Awl / The Legacy

  • / “Door #4” is part of the Collection “Everyday Things” and is of course the fourth door…like Doors 1 and 2, it is not a painting, but a drawing, this time in Conte crayon…I love door knockers and refuse to add a bell to my front door…I polish mine so that it shines a welcome to all, but I made this one a bit oxidized, a little verdigrised to add some texture and interest to the painting…I never want to make it too literal... Conte crayon drawing on Clayboard Knock with tremor.. / These are Caesars.. / Should they be at Home / Flee as if you trod unthinking / On the Foot of Doom These receded to accostal / Centuries ago.. / Should they rend you with “How are you” / What have you to show? E. Dickinson / Door#3 / Door #2 / Door #1

  • / Go and open the door. / Maybe outside there’s / A tree, or a wood, / A garden, / Or a magic city. / Go and open the door. / Maybe a dog’s rummaging. / Maybe you’ll see a face, / Or an eye, / Or the picture / Of a picture. / Go and open the door. / If there’s a fog / It will clear. / Go and open the door. / even if there’s only / the darkness ticking, / even if there’s only / the hollow wind, / even if / nothing / is there, / go and open the door. / At least / There’ll be / A draught....Miroslav Holub Number 5 in the Door series is a knocker I have seen often on older homes in the city or country…it is done in Pastel and Conte crayons on clayboard…I decided to draw the background as an old door, as it seemed to fit the battered metal of the knocker, which I again gave a verdigris type of patina…I also weathered the wood a bit, giving it some of the colour as if the verdigris has worn off on to it. / Door #4 / Door#3 / Door #2 / Door #1

  • “Blue” is part of the “Everyday Things” collection….although it looks very casual, it’s actually a deliberately planned work in inks and liquid colour on clayboard... / Still Life with Picture wire / Enigma…A Stii Life / Still Life with an Awl / The Legacy

  • “Door#6” is drawn in Pastel, Sanguine and Charcoal on Clayboard, my latest favourite support for all media…it is not an easy surface to use as paint is not absorbed as on paper, but I am loving it especially for drawings like this one..the drawing is subtitled “Rust” as I want to give the sensation of rust…the gritty feel of it under your hands, and the warm ochre and sienna tones that appear when metal is exposed to weather for a long time…you will note that in this series the doors are not really there…these are images of the hardware that make doors work the way they are supposed to work…this is an old handle left behind by the previous owners of my house…I have treasured it….I think Janus would be proud.... Rust conjures all sorts of images…it is either something we want to eradicate with steel wool and CLR, or if you’re like me you love it’s textures and colours…in reading about rust I meditated on several lines I came across… / Rusting realities obscure our view… / Memories become like rust, eaten over the years… / Rusted, Abandoned, Safe.. / Rust clings tight, covers and grows… / I save rust / Door#5 / Door #4 / Door#3 / Door #2 / Door #1

  • Taken in Ho Chi Minh City, Vietnam at the Tam Son Hoi Quan Pagoda.

  • / ‘Is there anybody there?’ said the Traveller, / Knocking on the moonlit door; / And his horse in the silence champed the grasses / Of the forest’s ferny floor: / And a bird flew up out of the turret, / Above the Traveller’s head / And he smote upon the door again a second time; / ‘Is there anybody there?’ he said. / But no one descended to the Traveller; / No head from the leaf-fringed sill / Leaned over and looked into his grey eyes, / Where he stood perplexed and still. / But only a host of phantom listeners / That dwelt in the lone house then / Stood listening in the quiet of the moonlight / To that voice from the world of men: / Stood thronging the faint moonbeams on the dark stair, / That goes down to the empty hall, / Hearkening in an air stirred and shaken / By the lonely Traveller’s call. / And he felt in his heart their strangeness, / Their stillness answering his cry, / While his horse moved, cropping the dark turf, / ‘Neath the starred and leafy sky; / For he suddenly smote on the door, even / Louder, and lifted his head:- / ‘Tell them I came, and no one answered, / That I kept my word,’ he said. / Never the least stir made the listeners, / Though every word he spake / Fell echoing through the shadowiness of the still house / From the one man left awake: / Ay, they heard his foot upon the stirrup, / And the sound of iron on stone, / And how the silence surged softly backward, / When the plunging hoofs were gone....Walter De La Mare The above poem is another of my favourites…I read it over and over again, picturing the dark night, the traveller knocking at the old door in the moonlight, and no answer but the echoes of spectral ghosts on the stairway inside… / There have been many different interpretations of this poem, (I have copied one below), but I think that if we chose a literal interpretation, it seems like it’s the middle of war and the traveller is bringing a message, but he is too late…they have all gone or are dead… / I chose to paint it as a semi abstract, painting a vignette of the door panels with three large iron rivets, (a triangle) to give a sense of massiveness, of a fortress or citadel, with just the glow of the moonlight in the centre, all the rest fading away into blurred ochres and siennas…to avoid being literal, I did not include a knocker…he would have used a staff or stick anyway... Watercolour and Acrylic on Saunders Waterford Rough Paper.. Below is one of the theories about the poem… The theme of the poem is the place of man in a universe which is far greater than he, and which he can neither connect with nor understand. It focuses on man’s state of isolation and disharmony with the natural world. Nature, as represented by the horse placidly munching on the grass and the bird frightened by the man’s disturbing clamor, is normally serene – it is only man who is anxious because of his separateness. The traveler tries to overcome his aloneness and establish meaning by fruitless seeking (knocking) and responsible living (keeping promises), but the natural world remains unyielding in keeping its distance, and the traveler continues on alone. Enotes.. / The Key / The Red Doorknob / Gone Away

  • Shot at a Tibetan Monastery. / Shot with Canon DSLR

  • Regal can be found in the new / 2010 As Eye See Art in Ordinary Calendar Favorite selection of several Redbubble members! Lion-head door knocker photographed by JD Brummer for As Eye See Photography.

  • Paris, Musée du Judaïsme

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