Over this past summer I have been infatuated with a run down farmhouse. It’s condition left much to the imagination. The old farmhouse i…
Over this past summer I have been infatuated with a run down farmhouse. It’s condition left much to the imagination. The old farmhouse is about a 2 hour drive from my house and whenever the opportunity arose to photograph it… I came running. I had the opportunity to photograph it 3 times this summer. / / Every time I see the old house my imagination gets going. I took all these images before I knew of its history. / / Well I finally got some confirmation on its history. / / So here it is: / / Originally I thought the history of this house belonged to another house fairly close to this one…. but I was wrong. This old farmhouse used to house a family of 4. The husband had been away for some time (working) and when he had returned home he found his wife in bed with another. His wife ended up taking the children and leaving him. It wasn’t long after this that the husband when downstairs and shot & killed himself. The house had since been boarded up and left to the elements. It is in a very small community so no one wanted to live in the house after the tragic events. / / It is a very tragic story and it just got me thinking that so often we come across these finds and to us they are just great images that stir our imaginations but to some they are tragic memories. I wonder how many more of our shots hold a story. I will not return to this old homestead… somehow it just wouldn’t feel right, now that I know its sad story. / / Here are the images I took of the Farmhouse… / / / / / / / / / / / / / / / /
It was on an unremarkable Sunday afternoon in August that Mr. Leo Flinchfin, not for the first time in his life, came to be bored. / H…
It was on an unremarkable Sunday afternoon in August that Mr. Leo Flinchfin, not for the first time in his life, came to be bored. / Housebound and alone, it was only ever on the final day of the week that the septuagenarian felt this way; when all the meaning in his life departed and his soul filled with emptiness. / On such days he would prowl the garden, armed with cutters and thumbs that were not green, stalking weeds and slashing at dandelions or ferns that grew tall or fat. He would read newspapers and novels, road maps and short stories, only to pass into sleep and wake, at 5 o’clock, feeling groggy and insignificant. He would switch on the radio and listen to people not knowing why their snow peas wouldn’t grow. He would build bookshelves and buy cabinets, erect birdbaths and mend the handles of unused doors. / All this, though, meant little to Mr. Flinchfin. He didn’t mind if the undergrowth ambushed the garden path; he cared not a jot that most of his books sat in an untroubled heap on the floor of his bedroom; it did not perturb him if the birds could find no water to quench their thirsts here. He was simply, in a word, bored. / Mrs. Flinchfin, on the other hand, breathed for weekends. Her Friday nights, invariably involving neighbourhood house parties and attendant cocktails, heralded two days and nights of easy living that also included, variously, bingo, bowls, Gin Rummy and Tupperware. On this particular Sunday afternoon, Mrs. Flinchfin was attending a local secondary school’s dance matinee. / Mr. Flinchfin, in the meantime, had found himself, through no conscious resolve, surveying the kitchen and its gathering of utensils straight and curly, long and short, wide and narrow. But all, it occurred to him, old: the knives and forks had been acquired on a whim shortly before the Queen’s Silver Jubilee of 1977; the spoons were even older, a wedding gift, unboxed in the fiery wake of Sputnik; countless more had gathered over the years like meteorites to a celestial new-born. Mr. Flinchfin, surprised at himself, suddenly detested all of these glistening little histories. They told him he was old – very old. / So Mr. Flinchfin, in a bitter but muted rage, assembled the ancient silvery limbs and chestnut kindling of his kitchen in a large black bag. He then sealed it shut with a length of twine, chiming screams sounding from within as things clawed at the bags’ insides, some so successful as to pierce it. But Mr. Flinchfin only heard a clamouring of the things he now loathed, not screams, and did not pause to consider the growing tide of lacerations that now threatened to free his prisoners from their dim custody. / He went out, through the laundry, and bulldozed the bag into the rubbish, where finally the protestations stopped and a few bold items spilled out amongst sweet wrappers and fruit gone furry. / Mr. Flinchfin, smiling for the first time all day, went inside to make tea (he had spared a newly purchased teapot) in a kitchen now free from the things that had dared remind him of his ever-mounting years. But as he reached for the pot, something caught his eye. It was a cheese knife that had known Stiltons three decades since consumed, now lying upon the floor by the bin. / ‘How dare you!?’ Mr. Flinchfin roared and then burned red with embarrassment; had he just, in all seriousness and indignation, reprimanded an item of cutlery? Perhaps, but the fact remained that is was there, and somehow Mr. Flinchfin felt as though it had ignored him; as if it could hear him but had elected not to. ‘How dare you?’ he repeated, ‘I’ve taken all your friends away and yet you’re still here. Frankly, I don’t like your attitude. I am in control here. You will do as you’re told.’ / Now crouching before the offending knife, Mr. Flinchfin felt his hands gathering into fists. ‘You will obey,’ he hissed. / And, so suddenly that Mr. Flinchfin toppled to the floor with a loud exclamation, the knife took to the air of its own volition and proceeded to hover menacingly about his hairless head. Then, having precisely positioned itself, the knife nose-dived, missing a tumbling Mr. Flinchfin by little more than an inch and embedding in the vinyl floor. It then, having freed itself, returned to the air, a hysterical Mr. Flinchfin seemingly unable to curb its rage. ‘Stop this!’ he bawled, ‘for the love of God, stop this!’ The knife positioned itself for a second strike. / ‘No, no! Show mercy! Show mercy!’ Mr Flinchfins’ increasingly despairing appeals went. The knife then launched itself at the old man a second time, once more missing and planting itself in the floor. So deeply embedded on this occasion was the knife however that it could not, try as it might, extract itself. / Mr. Flinchfin sprung at the knife, legs akimbo, and wrenched it from the vinyl floor so determinedly that he fell into a heap and bruised a shoulder. The old man trembled as his hands brought the knife close to his face. ‘You menace…you beast… you… thing!’ / And with these words and others, Mr. Flinchfin set about the destruction of the knife. He beat it with a chair, hurled it at walls and into the floor, stamped upon it and burnt it, bent it and broke it, twisted and contorted it and, finally, breathless and triumphant, severed it in two and dropped these pieces into the rubbish where it sank into paper and plastic and was, by human eyes at least, seen no more. / This funeral, if it could be said to be such a thing, was not entirely without remorse for, unbeknownst to Mr. Flinchfin, a small but solemn party of mourners had gathered at the edge of the kitchen: one half cup measure, two dessert spoons, a grater, a butter knife and, most impressive of all, the kitchen drawer itself within which the now-dismembered cheese knife had once resided. All these articles were wet from droplets that emerged from their tips and fell to dampen the kitchen vinyl. / As if he had heard these wholly silent mourners, Mr. Flinchfin turned about. He jumped at the sight of the grim assembly and as he landed emitted a grotesque shriek, throwing his hands to his chest. / ‘You…’ he gasped, breathing heavily, ‘you’ll be the death of me…’ / At this, the kitchen drawer rattled forwards and in its wake followed the rest of the cutlery. Mr. Flinchfin fixed them with a troubled glare. ‘How did you get in here?’ he spat. ‘What do you want?’ The drawer lurched forwards again and again the other items chimed in heady pursuit. The grater, in particular, appeared restless and began to waddle determinedly ahead, swaying like a blank, drunken robot. It stopped scarcely two feet from Mr. Flinchfins’ bare ankles and arched backwards with great deliberation. ‘I’m sorry,’ said Mr. Flinchfin, panic having entered a voice more accustomed to bile and froth. ‘I am sorry…’ / The wooden spoon began to thrash itself against the butter knife which, in turn, proceeded to drag its serrated lips across the rim of the drawer in short, violent strokes. The two dessert spoons clashed their mighty heads. Mr. Flinchfin was crying. / ‘Please… you must believe how sorry I am. You can all come back. I’ll get you all out of the bin.’ There was a pause, full of the clumsy ragtime clatters of death. Mr. Flinchfin made a short step forward but the grater lunged, and cut his toes. Before he even had time to give voice to the pain in his foot, the grater had frisked upwards and smashed at Mr. Flinchfins’ face. Roaring with pain, the old man fell backwards awkwardly and, in mid-fall, executed a desperate swipe at the grater with his left hand. He connected, screeched indignantly and collapsed to the floor, red all over, as the grater crashed against the wall and clattered noisily into the sink. / The clamour of the cutleries, now incensed, rose to a near-deafening cacophony, the grater drawing itself up to its’ full height upon the rim of the sink impressively, its crimson-wet blades glistening. The amassed kitchen objects thrashed and flailed harder and louder, reaching fever pitch. Mr. Flinchfin shut his weeping eyes, his bloody hands outstretched and open, and – / Crash! / Everything stopped. / Everything turned. / Everything saw the 1966 13-inch Oriental Cleaver. At half-past five that evening, Mrs. Flinchfin returned home with a smile upon her face, the music of the matinee still ringing in her ears. She discarded her complementary peach-coloured shoes and shawl and scuttled into the kitchen, pleasantly surprised at the sounds and smells of dinner being prepared, so it would seem, by her unusually magnanimous husband. / ‘Oh, splendid!’ she chirped, upon seeing an enormous pot above a medium heat on the stovetop. Alongside that, sat upon the bench, was a steamer full of vegetables as well as bowls of white sauce and freshly grated cheese. Not only was dinner underway, however, but the kitchen itself appeared immaculate, every square inch of bench top and cupboard door sparkling clean. Every utensil was in its right place, just as they had been for more years than she could remember. / Mrs. Flinchfin swooped over the gleaming stovetop and within the pot there she perceived several large portions of meat. ‘Marvellous!’ she gushed, slowly gliding her tongue ’round her craggy lips. ‘Beef bourguignon!’ / She then leant over the stove, plucked a wooden spoon off the wall, and gave it a little stir.
things are going well in the ‘lev tolstoi experience’. the soups are authentic and the conversation revolves mainly about the good old…
things are going well in the ‘lev tolstoi experience’. the soups are authentic and the conversation revolves mainly about the good old days when a guy called stalin sorted everyone out, and miracles still happened at the local tuberculosis hospital. but there was a disturbing development in the kitchen over the weekend. basically, its a chicken. a sick chicken. its being incubated in the kitchen. natural place to isolate it from its dozen brethren, (sistren?) and warm it back to health. its put me right off sex. been there for two days. shits in its food, on the table. beaks the biscuits. have to push past it to get to the fridge. considering the whole ‘bird flu paranoia’ thing, you’d think i’m joking. i’m not. and if i said they culled a bunch of super-fluous (ha fucking ha. thankyou) chickens 20 km from here last year, after they were infected with the h5n1 strain by migrating fowl, you’d say ‘you’re joking’. i’m not. (zhirinovski, leader of the right-wing LDPR, made a memorable speech in parliament about how every russian man should do his duty, be drafted into the army, sent to the western borders, issued with a kalishnikov and shoot migrating birds as they crossed the border to protect the motherland. zhirinovski regularly comes third in presidential polls.) if i said i’ve spent a week losing kilograms to a particulalry vicious and doubtlessly, slavic strain of gastric flu you’d say ‘you’re joking’. i’m not. i understand that to open the door or the window is to invite escape, but not to means the temperature in here is pushing thirty and there’s been no fresh air for days. i’m not a biologist, or even a microbiologist, but i remember how those funny little trays of jelly they gave us at school not only tasted foul, but loved to sprout all kinds of wierd green shit when you kept them a bit warmer than normal. so our kitchen has, potentially, every ingredient needed to create a new strain of human culling super-flu. is this where it startws? is this where it ends? i am typing now and the fucking thing is next to my feet. but baba tanya is just doing nothing unusual- she’s just doing what any babushka would do with a chilly clucker- and that begs the question, ‘how the fuck is this widely anticiapted mutant strain of bird flu not going to develop if chicken-friendly acts of this level of intimacy are going on all the time, possibly everywhere, and possibly at a more intimate level’. isn’t it getting a bit of a chance that it doesn’t really need?
And also placed in the challenge “Dribble Down my Chin“ !http://images-0.redbubble.net/img/art/framecolor:black/framestyle:flat30/ma…
And also placed in the challenge “Dribble Down my Chin“ / Pizza Thank you so much
I took a ‘couple’ of photos today. Thought I’d share my faves with you all! Why don’t you pop over and let me know what you think!! I’ll …
I took a ‘couple’ of photos today. Thought I’d share my faves with you all! Why don’t you pop over and let me know what you think!! I’ll put the kettle on so you can have a cuppa while you browse (... your imagination will be required to actually drink your brew).
The Red Porsche / / / it feels good / to be driven about in a red / porsche / by a woman better – / read than I / am. / it f…
The Red Porsche / / / it feels good / to be driven about in a red / porsche / by a woman better – / read than I / am. / it feels good / to be driven about in a red / porsche / by a woman who can explain / things about / classical / music to / me. / / it feels good / to be driven about in a red / porsche / by a woman who buys / things for my refrigerator / and my / kitchen: / cherries, plums, lettuce, celery, / green onions, brown onions, / eggs, muffins, long / chilis, brown sugar, / Italian seasoning, oregano white / wine vinegar, pompeian olive oil / and red / radishes. / / I like being driven about / in a red porsche / while I smoke cigarettes in / gentle languor. / / I am lucky. I’ve always been / lucky: / even when I was starving to death / the bands were playing for / me. / but the red porsche is very nice / and she is / too, and / I’ve learned to feel good when / I feel good. / / it’s better to be driven around in a / red porsche / than to own / one. the luck of the fool is / inviolate. / / Charles Bukowski
who voted for my image – A Grater Purpose – in the Bubblers Weekly Challenge. !http://images-2.redbubble.net/img/art/size:ularge/view:...
who voted for my image – A Grater Purpose – in the Bubblers Weekly Challenge. I woke up this morning to find I’d won first place! Also, thank you to Seasonal Scapes for featuring Woke up To Snow This Morning I appreciate the support of all my friends here at the Bubble! L.
Yes, you too can eat this delicious Marmalade, but be warned…it’s not for the faint-hearted. Only for REAL marmalade lovers!!! It’s …
Yes, you too can eat this delicious Marmalade, but be warned…it’s not for the faint-hearted. Only for REAL marmalade lovers!!! It’s a true Seville Orange Marmalade, made with nothing but Seville Oranges and sugar, lovingly made in the Tania Rose kitchen, with lots of daydreaming and brainstorming thrown in for good measure over the pan as it bubbled. So, how much is a jar of gorgeous golden love worth? Well, how about you bubblemail me an offer. You choose the price, but you must be prepared to enjoy every last morsel, so only true Marma-lovers please. / ....mmmmmmmmmmm
“Holy oxidation, Batman!” The Shed (aka “Copper Keyhole”) _and…
“Holy oxidation, Batman!” The Shed (aka “Copper Keyhole”) and Miner’s Kitchen are featured this week on / Old & Rusty
so today our home page is all about the fact of reaching outside the box, even if all you have is 5 dollars to your name. and shooting. / ...
so today our home page is all about the fact of reaching outside the box, even if all you have is 5 dollars to your name. and shooting. / these broke days e the days e thinks i have lost it. / from my props to the outfits, i am one shy of a screw too loose. / there are days when, i just cannot afford to create a theme.and those are the days i look in the kitchen , the garage, to the light bulb above my head. do you ever have push comes to shove days? i need to make a correction on this entry: / i am not complaining of these days just reveling in them,a bit, as when you have to, and have no choice (as for me i do not like to be bland for the sake of having to shoot, i would much rather get out of my box and try something different and new rather than shoot something dull)...then what do you do. and does it work.. in america we have this reality show, my daughter used to watch with me, and before one of the hosts leaves the cutting room he says “make it work”
(I’m just so proud of our group…. I had to post it here too…. Our group ♥Show Me A Sign♥-...
(I’m just so proud of our group…. I had to post it here too…. Our group ♥Show Me A Sign♥ takes the time to raise awareness on homelessness while also bring to light organizations and the volunteers and people who are truly making a difference FareStart and Kitchens with a Mission are my two core organizations that I knew about from here in Seattle, having volunteered since 1999…. We had a new artist join us this month Do1Thing that I am honored to have added to our recognized organizations that are making a difference!) So without further adieu: ♥First I’d like to recognize Do1Thing who came to us from an excellent project of the same title Do 1 Thing – this link leads you to their website- as our Featured Artist this month Do 1 Thing has been receiving respectable coverage in the media like People Magazine and WAMC Northeast Public Radio says, “There are so many problems today, it’s hard to know where to start. Even the Obama Administration is taking the kitchen sink approach – throw it all in there and see how far we can get. But the president has also called on Americans to get involved…a renewed call to roll up our sleeves and help clean this up. A group of award winning photojournalists are doing just that – picking one issue – the growing number of homeless teenagers – and doing what they can.” Do 1 Thing is the vision in action of Show Me a Sign. Please take a moment to learn more about what they do, and be inspired. ♥So our first featured work this month by Do1Thing is the stunningly beautiful image of Ronald Foster spent most of his life living in dozens of foster homes. At 18, he aged out of care. At 19, he’s homeless. ♥The most recent piece that really grabbed us was still a prisoner by oddoutlet taken at one of the prisons/museums in Phnom Phen, proves to be a dramatic showing of the awesome awareness that many photographers develop… suggesting what may very well be the ‘all too close to reality for this man’: that he was forever imprisoned behind these walls. Uploaded for our latest challenge, oddoutlet wants to recognize Amnesty International ♥ Our next feature comes from Jamie Lamb with an image titled Let’s Talk showing “in a sea of people someone made the time to stop and check on this poor soul. It amazed me to see how many people would actually step over this gentleman as they walked to and from.” ♥For Sale from Mark Tull brings home the sad reality of present day London for many. ♥Our next feature comes to us from Mary Ann Reilly brings us a haunting vision of The New Depression in present day New Jersey ♥Soledad is a striking image taken by Alessandro Pinto depicting “One of the many old people coping the hard reality of poverty and solitude in latin america after leaving small villages and hoping for a better life in bigger city” taken in Peru ♥In Colour comes to us from ShutupJaye with a stunning composition of a man down and out in NY ♥Speaking of down and out DebraLee Wiseberg brings us a heart-wrenching image called Down and Out certainly begging us to count our blessings! ♥Karsten Stier brings us a very creative piece done in Oil on Stretched Canvas titled Fallen Angel “a street story about some young girl who went down the wrong path in her life. The girl and her shadow are reversed. Thus the reflection in the mirror is what she has become. A shadow of her former self. . . .” ♥Our next feature by Linaji reminds us how painful thinking can be a choice… revealing with us that “When I came to understand that my own choice of thoughts made me feel either good or bad I began to be conscious of my thinking and started to take full responsibility for my thoughts.” ♥ Leroy Skalstad whose entire RB body of work is on the homeless draws us into a the life of a Young homeless couple on a “chilly and blustery late October day. Don and Kathy, Both just 19 and homeless, Wait with others from the street for a mealvan to arrive. Sandwiches and soup will offer a short yet welcome respite.” ♥ The artist who showed us much love last month Judith Oppenheimer brings it on again with her emotive piece Summertime done in the cool shades of blue –a brilliantly stark contrast to the sunshiney days so many take for granted ♥Another stirring image by Judith Oppenheimer is Moving Boxes brings us one step closer to real life in her neighborhood ♥Out of Beijing, Maka1967 brings us Stranger in Paradise depicting the sad ever so present sneerish glare that is often lent to those less fortunate ♥and last but not least, Steven Potashnyk was featured for two of his images from his series on street life… we hope to see more of your powerful, evocative work!! / And / I am so inspired by all of you who have joined and shared your heART with us at ♥ Show Me A Sign♥, where little by little, our art is making a difference… Keep up the powerful, emotive work!! and…If you haven’t done so already, go over and check out the entries for choose your purpose and cast your vote, only two days left! as always, / blessings and inspirations / ♥t
NSFW
Kitchen Stilettos has been featured in the “Domestic Art grou…
Kitchen Stilettos has been featured in the Domestic Art group A special thank you to my secret RB model (who shall remain faceless), and another talented somebody, who was also not there at the shoot, not taking pictures. Enough of the undercover talk…now get off the computer and go out and make some art!
Book Competition launche…
Book Competition launched at Show Me A Sign for featured artists from now until May 30th/31st, 2009. This is a chance to win $25,000 towards the organizations and artists (that’s you!) that are making a difference for the homeless Blessings and Inspirations, / ♥tonja
only three more days to enter ♥show me a sign♥ book competition...
only three more days to enter ♥show me a sign♥ book competition (while perhaps a long shot) it is not out of the realm of possibilities that our entry could win worldwide exposure and $25,000 towards our causes and future work! You must have been a featured artist in our group to participate… if you have not been a featured artsist and would like to be considered, enter it in our group first come back to cast your vote in three days! as always, / blessing and inspirations, / ♥tonja and terri
!http://im…
I ordered a set of my cards and the calendar to check out the quality … and really .. WOW ! ... they are so beautiful … i am very…
I ordered a set of my cards and the calendar to check out the quality … and really .. WOW ! ... they are so beautiful … i am very excited … the quality of the cards are fantastic and the calendar looks so beautiful …. i often wondered if there was one pic i the whole calendar i may not like so much or something … (or worse, more than 1) ... each page is gorgeous and the work looks fantastic … thank you REDBUBBLE ! >>> Gina
Looking to add some color to those bare walls in the kitchen? Take a look at the foodology...
Looking to add some color to those bare walls in the kitchen? Take a look at the foodology section of my portfolio. Currently there are just red fruits. (Can you believe tomatos and bellpeppers are fruit? They have seeds and that makes them fruit.). I’ll be adding more color and textures in the coming weeks. -vl
It is silver! / Sparks of wonder flying / In each frenzied look. / And hoping / To hold it in his hands…... / The glitter creature! / It’s li…
It is silver! / Sparks of wonder flying / In each frenzied look. / And hoping / To hold it in his hands…... / The glitter creature! / It’s limbs spread out / In web-like excitement! / And now, to meet / The star-like hand….... / in eagerness, grasping. / And in one, sad, moment / Squashed. / The silver foil / Squashed in one, tight, knot of disappointment. / Then dropped, and left / For other wonders.
It’s like conquering Everest for christ’s sake / why the incessant need for drama? You’re going to hell in a handbasket / in your own ki…
It’s like conquering Everest for christ’s sake / why the incessant need for drama? You’re going to hell in a handbasket / in your own kitchen tragedy sit alone in a room / unload that mouth / and watch the motes no one gives a fat rats arse / about the past, dead, dying or pursued. You’re a stream of rhetorical questions / nailing your hands to the table. I’ve seen how this ends. / You poor Pinter play. Is that the time?
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