Journal
1673 creative works found
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Arabian Stallion & Gipsy Trainer
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Street capture, 2006, Union Square Park, NY / MCN: CA135-622C2-96AD5
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Summer days
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This is a journal from my youth, however not a traditional journal. I was a dreamer, a wannabe romantic. This was my place where I stored quotes, pictures, songs, writings of my own, anything that inspired or touched me. I came across it the other day and thought I might try photographing it. I realize the picture is a little cluttered, but that was my intent. I wanted to give it a feeling of being from the past… perhaps victorian, which everything in that era was beautifully cluttered. Then I burned the edges wanting to give it another effect of almost being lost, which it seems sometimes that my passion that I had was almost lost until recently. / Comments are welcome, as are any helpful advice.
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Chase, in black and white. Portrait of an artist, musician, godson, beautiful person inside and out. / MCN:CCC01-B6F70-4CB5A
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Candid, Washington Square Park, New York / MCN: C9195-27217-7A169
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Arabian Stallion… 120 years of careful selection
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Dodging and Burning
by Alison JohnstonFor some reason, people go a funny shade of green when one starts talking about Dodging and Burning …. nothing to fear at all. I’ve ju…
For some reason, people go a funny shade of green when one starts talking about Dodging and Burning …. nothing to fear at all. I’ve just realised that I haven’t got any little images to insert in this tutorial …. I’ll make them later. Dodging and Burning is not difficult at all, when you realise that 20 low opacity strokes are better than one huge Dodge or Burn stroke. D&B is used to create precise shadow/highlight and can certainly add enormous amounts of lift/punch to an image. Most people would duplicate the layer to do some D&B on, and this is fine until you are working on a 10/15/20mb file and everytime you duplicate the layer the image size doubles. Unless you have a huge amount of RAM, your computer will slow down and sometimes even freeze. Is there a solution …. of course there is, its photoshop. So you’ve been working on an image, and naturally taken snapshots along the way. Now you decide that you would like to do some D&B. Click on the new layer icon on the bottom of the layers palette. Go to Edit>Fill>50%gray>click ok and that’s it LOL, nah, only kidding. Change the blend mode of this layer to soft light. Go grab the Burn tool (example), select whether you want to burn the highlights, midtones or shadows from the top menu and I would suggest quite strongly that you use a very low opacity – around 10% to start out with. I usually use a very soft brush for this and set the size according to what I’m going to be doing. The sheer beauty of using the 50% gray layer set to soft light is that you can simply turn the layer on and off to view your progress – don’t like what you’ve done … trash it and start again. Use exactly the same principle for the Dodge tool. Yet another way to D&B. Click on the new layer icon on the bottom of the layers palette, change the blend mode to soft light (without filling it with 50% gray), select your brush tool and make sure the foreground colour is set to black. Lower your brush opacity in the top menu bar to round about 10% again and start brushing where you want to Burn (darken) the area. Do exactly the same thing, only with white as the foreground colour to do some Dodging (lighten). Yet another interesting take on the above is that you can D&B with colours. Try it … grab your f/ground colour as red (example), check the opacity is down and Dodge or Burn away with that colour. Perhaps even pick a dark red (example) from the image itself to use as the Burn colour. Have fun, and don’t be afraid to roll up your sleeves and get stuck in. The sheer joy of photoshop is all the fun you can have with it.
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The Soap Bubble Episode 1
by Andrew WalkerFollowing several knock backs and aborted attempts to gain access to Paul Vanzella I have finally…
Following several knock backs and aborted attempts to gain access to Paul Vanzella I have finally managed to jimmy the lock and enter the building that houses his workshop. It’s quite dirty to look at, yet remains aesthetically pleasing at the same time (much like a lot of his work). I have no doubt that I’m going in the right direction. There are bright flashes of light from the other end of this cavernous room, a cackling laughter can be heard along with a drone of generators / I’m entering the inner sanctum, the magic place that Paul (the Van Man) Vanzella creates his masterpieces. It’s hard to get into the corner, the bric a brack thickens as you get closer, then after squeezing between a digger and a airplane fuselage (that I’m sure I have seen before), I’m there! Blinking in the full glare of the spotlights lighting this whole area! / “WHO DARES DISTURB ME?” booms a voice from the shadows, I can just make out the outline of a figure in the lights. It looks like one of the aliens from Close encounters!!! Shock horror – Paul Vanzella is not human, hold on a moment, that’s hardly news is it, I mean we have all seen his work! / From behind me I hear movement, like the wind through silk curtains, suddenly I realise that I’m not here in the light on my own! Oh no the Van-man is in the middle of a shoot, that means if I turn round I’ll get an eyeful of Jo (No Clothes) O’Brien. / Trying to ‘nonchalantly’ turn around, I manage to avoid the expected whiplash and there in front of me stands No Clothes O’Brien ! In the nip , her birthday suit, wearing just a smile! Do I need to go on? / She looks less than happy at me being there! “how dare you” she squeeks, “we were just in the middle of recreating the Venus Di Milo! But we were going to call it the Jo Di Milo” ahh that explains the strange yellow sheen to Miss O’Brien’s skin, and here was me thinking it was jaundice. She makes no move to hide herself, instead she hisses, “best look elsewhere four eyes or I’ll turn those glasses your wearing into contact lenses!” she’s not joking there’s a real violence in her you can see it in her eyes and the scabs on her knuckles! / Turning back was where I got the whiplash “just do exactly as I say and nobody will get hurt” she whispered into my ear “isn’t that right Pauly?” she cackled. The lights dimmed and I could make the Van Man out a little clearer, he wasn’t an alien he was chained to the camera, in fact 5 camera’s hung round his neck making him visibly stoop, his ankles were chained together…a look of the defeated in his eyes he mouthed “Help Me…”. / So there we have it, Paul Vanzella is being held against his will and forced to take pictures of Jo ‘No Clothes’ O’Brien (his number one fan!), in her dastardly scheme to take over the bubble with the power and volume of her image. Oh the inhumanity of it! PLEASE NOTE THAT THE EPISODES FOLLOW ON FROM EACH OTHER IN A SOAP OPERA STYLE. WHILST EACH EPISODE SHOULD BE A STORY IN ITSELF IT IS HOPED THEY THREAD TOGETHER. THERE ARE MORE EPISODES TO READ, JUST CLICK HERE! SOAP BUBBLE please note that all comments are completely fictitious and intended to be humorous. The journal relates to my interpretation of the art and to stories that I make up about the artist as a bubble characters rather than focusing on the real people behind the art
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East 28th Street between Lex and Third, NYC / MCN: C37B7-71820-60DA9
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A short explaination
by Peter MarinHi Bubblers, / Thanks to all the people that have taken the time to view and comment on my work to date not to mention the kind BubbleMail…
Hi Bubblers, / Thanks to all the people that have taken the time to view and comment on my work to date not to mention the kind BubbleMails I get from a few of you, it’s really appreciated. / I thought I might submit a short tutorial or guide or whatever you want to call it regarding my last few uploads in the RB galleries, in particular a few of my last ones as I’ve been getting a lot of feedback requesting or asking for tips. First of all, my basic tools consist of PSCS3 (as of last week), Lightroom, CaptureOne and Photomatix. / For that edgey look, I mostly use Lightroom, but since CS3 came along I’ve been able to produce it via Camera Raw. / The settings for Lightroom are as follows. / 1. In the develop Module I make a virtual copy first and work on that instead of the orig. / 2. This next bit always starts off looking ugly so just hang in there with me. / Drag the following sliders to 100% / Recovery, Fill Light, Contrast, Clarity and Vibrance. / 3. Drag Blacks to somewhere between 20 and 40 for now. / 4. Turn down the Saturation, it’s probably screeming like hell about now. / 5. Set Luminance and Colour to the max. / Thats the basis for a lot of the treatments with variations and adjustments made to suit each image as required, they are never all the same but at least this is a starting point, I’ve made this into a Lightroom Preset so I have it when I want it, then tweek each picture from there on. That was for a Jpeg or RAW in Lightroom, for PSCS3 it’s virtually exactly the same if your using a RAW file, the controls are nearly identical except if your starting from a Jpeg, then it gets more time consuming, time isn’t something I have a lot of lately so I tend to go for the “under 30 minute” proceedures, I’m 50 next year and don’t want to spend all my time in front of the computer….......that time is reserved for getting out and about with my camera and trying to make a quid here and there. I digress, / Photomatix, my favorite piece of software to date bar none. Quite aversatile bit of gear in my book. I like to use it when converting single RAW files from LDR to HDR, then opening them up in PS to finish off. Another bit of kit I like to use is LucisArt, it makes very edgey pictures in a snap also. I have the PS plugin version, not the pro one, it’s like 600 bucks….ouch! All this pulling and pushing of colours, lights and shadows can and likely will cause a heck of amount of noise in your finished work, so thats where a good noise filter comes in, one that has some bells and whistles for adjustment…......none of that ‘one size fits all’ canned crap. I want control baby, all the way. Most are really good these days though and can be purchased for under 100 bucks. So there you go, I hope I answered some questions some of you might of had. / Happy New Year Pete
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Behind the stage
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Seascapes Group
by Mel BrackstoneI’m very pleased to announce the new group Seascapes I’m looking forward to viewing wat…
I’m very pleased to announce the new group Seascapes I’m looking forward to viewing waterscapes from around the world. I’d like to think that we can upload just our very very best, so please, limit your uploads to just ONE a day, and we’ll see how things go. One upload a day only Five photos per member only If you’d like critique, please ask. If you’d like information on how different techniques have been produced, please ask If you think you have a question that I haven’t mentioned, please ask. Thanks for sharing your photos with us! Mel
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Candid capture, Washington Square Park, NYC / MCN: C9323-2D7F7-39B26
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Riding on a Float, Gay Pride Parade, Summer 2006, New York. / MCN: CB3DC-E90C7-57B82
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Running Sheet for Exhibitions
by Stephen MitchellLooking for a ‘check list’ or ‘running sheet’ for your next exhibition? Thanks to the power of google.com, and a spare hour on a Saturd…
Looking for a ‘check list’ or ‘running sheet’ for your next exhibition? Thanks to the power of google.com, and a spare hour on a Saturday afternoon of sporadic rain, I found a few PDF’s that should help you: Events Management Check List ... I really like this one! It’s comprehensive, has tick-boxes, and could easily be modified to suit any type of event. Running, Promoting and Organsing your Event / ... Page 1 to 17 have great information on setting up and ensuring your t’s are crossed and i’s are dotted. Page 18 to 20 are the pages you want to print! Club/Association Management Program / ... This is a most extensive booklet (36 pages) outlining EVERYTHING about exhibition running. Whilst it is aimed at sport clubs, the information is easily transferable to anyone’s exhibition. Page 19 says … / ” It is essential that an event has an evaluation process that is more than simply monitoring the planning and implementation. Evaluation should be carried out through the life of the event as well as at the end. Information recorded from monitoring provides a record and can be kept as a historical record for events that are held regularly. Criteria for success, and methods for measuring those criteria, need to be set when the event is first planned. Measures depend on the important questions to be answered. Questions may have to do with attendances, quality of staff, revenue, public opinion and press coverage. Methods for obtaining the information needed to answer the questions might include statistics for attendance, questionnaires from participants and spectators, and financial records. “ Survival Guide to Event Management / ... Another long-winded yet comprehensive (56 page) PDF that has a lot of useful information. Visit these pages for the details you really want: 9, 16, 24, 27, 32, 36-37. But you MUST read every other page in conjunction to get an overall and complete view of how to run your exhibition properly and successfully! Submission form for Major Events / Activities in Adelaide / ... Maybe your exhibition is SOOOO BIG that you need to fill this in. Event Guidelines / ... This could easily have been ripped off from any one of the suggested PDF’s above, but it still has some interesting information. You’ll want pages 21 to 24.
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Candid, Master Taino and Friend at Folsom Street East, New York, 2006 / MCN: C857E-6CBF5-4150D
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Forgive them for they know not what they do, nor do they care. Forgive them for the insults and assumptions for they do not know our heart. Forgive them for the arrogance that they put themselves on a throne not knowing the struggles of those who just want to be a part of the same Kingdom as well. Forgive them for the superior attitude that they assume they have the right, to insult, demean, and judge. Forgive them for not thinking of the struggles that some face just to learn and create and want to belong. Forgive them for thinking we should see the world through their eyes. I pray please forgive them!!!!!!!!!!because I can not. Bye
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Grunge Text/Type
by Alison JohnstonSo lets make some grungy text. You may never need this, but it’s simple to do … so why not! The image below is the only image we ar…
So lets make some grungy text. You may never need this, but it’s simple to do … so why not! The image below is the only image we are going to be using today, but you will need the larger file, so clicky on THIS link. Copyright is mine – yada, yada. Open Photoshop and create a new file 800px X 600px, background set to white. Open the larger image (which you will have saved to your computer) and with your move tool selected and the shift key held down, drag the tree image over to your new file. Holding down the shift key will centre the image for you. Working on the trees layer Go to Image>Adjustments>Threshold and I want you to take the slider to the left until it reaches 80 (see image below). We’re aiming to get a lot of white in the image. Next we’re going to add the type. Select a foreground colour, I used Red. Grab your type tool and select Horizontal type – then go ahead and type something, I used RedBubble. (Arial Black > Regular>100pt>Sharp – for those who may be interested) Move your text to where you would like it to be, you can place it similar to where I placed, but it will need to be over some of the black. Once you’ve played around with this a couple times you’ll get a general idea of where the text should go. Before we go any further, we have to rasterize the text. You can either right click on the text layer and choose rasterize type or go to Layer>Rasterize>Type. Now the fun begins :-) click on the trees layer, the one you did the threshold adjustment on and select your magic wand tool, check that the contiguous box on the top menu bar is unchecked and select some of the black. Because you have the contiguous box unchecked, the magic wand tool will select all of the black areas. Now, hide the trees layer by clicking the little eye icon and click on the type layer, then press the delete key. Go to Select>deselect or press ctrl D on the keyboard. And there you have it, some grungey type text. Use your move tool to position the text wherever you want and you can drag the trees layer to the little garbage bin icon … cos you don’t need it anymore. I’ve cropped my final image. Larger file is HERE Enjoy playing, and if I haven’t made anything clear just ask me.
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Red Bubble Tip #1: Adding a Portfolio Banner to Your Red Bubble Profile Page
by bchrisdesignsI am not sure if someone else has already posted a tutorial on this, so I thought I would have a go at it. I read “this (How to add a Po…
I am not sure if someone else has already posted a tutorial on this, so I thought I would have a go at it. I read this very insightful tutorial by admin Xavier Shay about posting a Portfolio into an email signature. I was toying around with the code, and discovered how to place the code on your Red Bubble profile page. I have noticed that some people have already figured out how to do this, so there are some who probably already know about this. I, however, did not know this until I toyed around with it and, so, I am sure that there others out there who might find this of value. I would first recommend that you read Xavier’s post and the comments that follow, as they were a very big help in learning how to do this. (1) The first step is to use the image location link that was provided in the forum tutorial: http://redbubble.com/people/username/recipe:banner;back_color:ffffff;orientation:horizontal;limit:4/username_banner.jpg (2) Next, paste this image location link somewhere in your “About Me” section between exclamation points, like this: !place the image location link here! (3) Now, notice the bold areas of the above link. You must insert your Red Bubble username (not your real name) where it says username (there are two spots in the link where you have to do this). So, my link would like like this: http://redbubble.com/people/bchrisdesigns/recipe:banner;back_color:ffffff;limit:4_;orientation:_horizontal;/bchrsidesigns_banner.jpg Can you tell where I have replaced “username” with “bchrisdesigns”? (4) Finally, if you take note of the italicized text in the image location link directly above, you will notice that the values of “back_color”, “orientation”, and “limit” are all italicized. These values are yours to control and manipulate to get the proper look and feel that you would like on your page. back_color: is the image’s background color, which you can change to any color using the standard HTML Color Code. Note, that you do not need to use the # (pound sign) that normally precedes HTML Color Code (i.e. ”#ffffff”) – you just need the code (i.e. “fffffff”). #ffffff is the color code for “white”. limit: is the number of thumbnails that will be seen in your banner. I have experimented with this in my blog and have discovered that the most you can set it to is “6”. On your Red Bubble profile page, the most you can really set it to is “4” for horizontal images and “6” for vertical images orientation: is the way your portfolio will be seen. This can be changed to either “horizontal” (from side-to-side) or “vertical” (up and down). And, that is it. Once you have decided how you want your image to look, just save your profile and presto! You’ve got a nifty banner on your page. BUT… If you would like your banner to be click-able, you need to add a link code to it, such as: ”! image location here ! ( link description here )” : hyperlink here You can copy and paste this example into your “About Me” section and then fill in the blanks with your information (make sure you delete any and all spaces). In the above example, replace the underlined text as follows: image location here: replace this text with the finalized image location link that we worked on in steps 1-4 above. link description here: replace this text with a description of what you would like people to see when they hover over your banner. (Mine says “View My Red Bubble Gallery”.) hyperlink here: replace this text with the actual hyperlink that you would like your image to link to (i.e. a specific Red Bubble section or your profile page; you can also link to your blog/website/etc.). Once you replace the text as indicated, simply save your edited profile and check out your radical awesomeness! Here is an example of mine (with hyperlink): I hope this helps everyone! Cheers! P.S. I am adding this to all of my groups in the hopes that everyone can use this tool to display their beautiful works of art (from Atmospheric Optics to Zoophoria). Much love!
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Shot this morning, a 3 bracket HDR image, output through Photoshop and Photomatix. As I said I was moving out to the country, and the photo-opps are numerous! :) I have always found scenes like this in rural America almost iconic in a sense, the ever enduring struggle of the American Farmer vs Government and big Corporate America. When I saw this I just stopped dead in my tracks, what you don’t see is the ranch house which was built about 30 years ago all boarded up….just sitting there….it really is just sad, seeing these open fields go to waste, the barn empty, with rusty farm equipment, harking back to when a family made an honest living off the land and the crops they raised. Part of America forever lost, part of a families tradition gone, forever. So goes life at times on the Eastern Plains of Colorado….... Thoughts welcomed ..the song below simply says it all…... —-—-—-—-—-—-—— See more on my website jdebordphoto.com All artwork is © John De Bord, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent John Cougar Mellencamp--Rain On The Scarecrow-Video HERE Scarecrow on a wooden cross Blackbird in the barn / Four hundred empty acres that used to be my farm / I grew up like my daddy did My grandpa cleared this land / When I was five I walked the fence while grandpa held my hand / Rain on the scarecrow Blood on the plow / This land fed a nation This land made me proud / And Son I’m just sorry there’s no legacy for you now / Rain on the scarecrow Blood on the plow / Rain on the scarecrow Blood on the plow / The crops we grew last summer weren’t enough to pay the loans / Couldn’t buy the seed to plant this spring and the Farmers Bank foreclosed / Called my old friend Schepman up to auction off the land / He said John it’s just my job and I hope you understand / Hey calling it your job ol’ hoss sure don’t make it right / But if you want me to I’ll say a prayer for your soul tonight / And grandma’s on the front porch swing with a Bible in her hand / Sometimes I hear her singing “Take me to the Promised Land” / When you take away a man’s dignity he can’t work his fields and cows / There’ll be blood on the scarecrow Blood on the plow / Blood on the scarecrow Blood on the plow / Well there’s ninety-seven crosses planted in the courthouse yard / Ninety-seven families who lost ninety-seven farms / I think about my grandpa and my neighbors and my name / And some nights I feel like dyin’ Like that scarecrow in the rain / Rain on the scarecrow Blood on the plow / This land fed a nation This land made me proud / And Son I’m just sorry they’re just memories for you now / Rain on the scarecrow Blood on the plow / Rain on the scarecrow Blood on the plow / Rain on the scarecrow Blood on the plow / This land fed a nation This land made me proud / And Son I’m just sorry they’re just memories for you now / Rain on the scarecrow Blood on the plow / Rain on the scarecrow Blood on the plow
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Madison Avenue, New York City.
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This just added with the help and absolutely amazing writing of my precious friend ROGER SAMPSON…........... I am truly honored to have this beautiful Collaboration with him !!!!! “Set my lovely golden sun / Fall to your place hidden from sight / For there you will usher forth / My dreams of love longing / To carrying me through the dark of night” / ©2008 Roger Sampson You may check Roger out here : / Roger Sampson Thank you my friend…....... May you soar in dreams of beauty pure delight forever ! I love you…............. At the end of each and every day, if Im up to it and where I can do so, I can assure you you can always find me out somewhere chasing the sunset….......... Oh how liberating…........ such freedom…......... The beauty at times almost overwhelms me…........ I find myself in awe …......... Like a young child, running from one point to the other….. wild and free….......... chaseing it as if it might be the last…........ the wind blowing…...... the birds singing…............ the warmth of the sun kissing my face…......... Ive said it once and I will say it a million times…...... I am a sunset photographer, and there is absolutely NOTHING ELSE LIKE IT IN THE WORLD…......... Bonita….........................
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Wowwwwwwwwwwww
by Sorin ReckLast night sombody bought 6 cards from me they was Rose , Ice and Just me and my shadow …..thanks very much i m so happy and honored
Last night sombody bought 6 cards from me they was Rose , Ice and Just me and my shadow …..thanks very much i m so happy and honored
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