Jo
52 members found (show all)
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Jo O'Brien
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jo beerens
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José Ramos
Portugal
1388 creative works found
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Water drops on the flower of an ornamental grass called Fountain Grass or Pennisetum setaceum / The blue is a reflection/refraction of a swimming pool. / Sony DSC-H5 and M3358 close up lens. A list of all the other great artists that made it into Gaia is here / / Have a look at my other photos. For example: / / / Other photos of the grass in the Alien Landing image. / / Or browse through one of my categories: / animal / building / cemetery / church / damselfly / dragonfly / drop / fall / flower / france / insect / leaf / light / macro / nature / other / reflection / water / winter
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Help for Redbubble members
by Mel BrackstoneKarin Taylor, Jo O’Brien, Stuart Chapman, Dave Pearson, Lance Jackson, Ragman, Mark German, Steven Lippis, Simone Byrne and myself hav…
Karin Taylor, Jo O’Brien, Stuart Chapman, Dave Pearson, Lance Jackson, Ragman, Mark German, Steven Lippis, Simone Byrne and myself have added some very useful tutorials and links for those members who’d like some help in learning a few extra tricks to make their time on the bubble easier. I have this link in my profile, so it’s going to be easy to find. I’ll add to it as I learn of new helpful information. How to enhance your profile Text formatting Links to other helpful pages Where to get help/critique/FAQ Help on how to sell your work How to TAG your work effectively Redbubble hacks with Dave Add category lists How to make smoke photos Digital Infrared info Ragman’s excellent advice on all things arty farty Mark German’s fantastic photographic techniques Steven gives an explanation on how to utilise a flash modifier Simone Byrne’s hints on ND400 filter use My experience with Neutral Density Filters My hints on shooting at the beach Explaning focal lengths for digital Polarisers – a visual experiment
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Title:From the Sea / Artist: Jessica Tremp / Model: Jo O’Brien THE MERMAID A mermaid found a swimming lad, / Picked him for her own, / Pressed her body to his body, / Laughed; and plunging down / Forgot in cruel happiness / That even lovers drown. William Butler Yeats a few of my favourite things come together…mystery, the sea, earthy colours and textures and an overall sense of whimsicality and melancholy
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Modelling and Styling: Jo O’Brien and Sarah Lea Cheesecake
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From a shoot with the wonderful Jo O’Brien / She was the mastermind behind this image… her body, her artistic direction. I just went “click”! ... oh and a little post prod too! / / . / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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Also In this series: / Escape / / . / Floating Free / . / . / Many thanks to the wonderful Jo O’Brien for modeling this and for her fantastic creative input.
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We found a pink girly bike on the side of that road on the way to this shoot so naturally it was added to the already huge pile of random stuff in the boot. I jumped in the pool with these crazy musicians and kept handing them props and directing them to complete various acts of underwater stupidity. James managed to stay dry by offering to operate the camera through a viewing window. I also shot some film with an underwater camera but I’ve been really slack and haven’t developed it yet. If I’m lucky, being in the hot car for this long will have screwed it up a bit and I’ll get magical surprises when I finally make some prints. models: Jase and Tom www.joobrien.com
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Here’s my famous red vinyl chair and red phone! These have been used in quite a few photo shoots now – although, this is the first photo where the two items get in the limelight. This laneway is located near Hosier Lane in Melbourne, adorned with graffiti and stencil art. Getting the phone to the laneway from the carpark at Fed Square was easy. Getting the chair there wasn’t!
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beautiful Jo
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Sony H5 with M3358 close up lens. Cropped back from 3072×2304 to 1808×1360 and rotated it for better viewing. Yes I know I can up-size it back to 3072×2304 but that way you loose image quality IMO. Hence only available as card or matted print. If anybody wants the original shot or an up-sized version let me know. / / Have a look at my other photos. For example: / / Or browse through one of my categories: / animal / building / cemetery / church / damselfly / dragonfly / drop / fall / flower / france / insect / leaf / light / macro / nature / other / reflection / water / winter
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From a series of shoots with the beautiful and multi talented Jo O’Brien / She has been the mastermind behind our shoots. Her artistic vision and direction is undeniably inspiring! / / / See the rest of our collaborations here / / / / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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This is Jo O’Brien’s tribute to play time, magic, and imagination. / Her protest against every adult who told her to stop daydreaming about things that didn’t exist… / / Jo has these artistic visions… I bring the camera!! / / In case you were wondering how… The model (Sam) was about 30 meters away (used a 300mm for the shoot) had a 5 second exposure, Jo was standing about 10 feet away to the right with a remote flash and on the count of four… blink! / / See the rest of our collaborations here / / Captured in The Fitzroy Gardens in Melbourne. / / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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Fluid and frozen drops on a rose leaf in our garden. Have a look at my other photos. For example: / / Or browse through one of my categories: / animal / building / cemetery / church / damselfly / dragonfly / drop / fall / flower / france / insect / leaf / light / macro / nature / other / reflection / water / winter
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Part of a Retro Pin-Up series at Hosier Lane, Melbourne. This image is also showcased in the 2009 calendar (click image to view the calendar) /
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Taken for the lovely Bridget who is about to tour Europe with her amazing voice. Check out her album The Wishing
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Tangled In This Mess II / They were fightless wounds and scars that could be seen only by her / Title: Tangled In This Mess / Artist: Jessica Tremp / Model and Location Scouter: Jo O’Brien A Back alley atelier= project
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Jodie Lee Behrendorff / Brisbane, Nov 2008
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Tangled In This Mess / / They were fightless wounds and scars that could be seen only by her / Model: Jo O’Brien
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Selling Greeting Cards Through Stores
by Jo O'BrienRecently the topic of selling greeting cards out in the real world has come up in the forums...
Recently the topic of selling greeting cards out in the real world has come up in the forums Having sold greeting cards before through shops and at markets, my humble opinion and experience may be of interest. I’ve got a lot to say on this one so I’ll use headings :) / mren’s ‘somewhere in fitzroy’ Be a Business- Not Just an Artist / What I mean by this is consider yourself a business supplier and demonstrate a level of professionality. Yes it is great if you promote the artistic merits of your work but greeting cards are a very common product and so being organised with an ABN, professional looking invoices, online ordering facilities, fast turn around etc will put you ahead of the (always growing) pack. Like all good businesses, know your strengths and show them off. Provide Good Quality Products / It might sound obvious (I hope it does) but when people are starting out in business they tend to cut corners. In the greeting card business quality is a big deal. This is where RedBubble becomes a huge advantage because the quality of the card printing is so exceptional. Packaging is Important / Have you considered what your cards will look like after 20 or so customers have handled them? Some people like the ‘no plastic’ look and who am I to tell them otherwise. I always individually wrap my cards and make sure that if the packaging prevents the card being openned, that “Blank Card” is printed either on the individual packaging or nearby signage. If you put together gift packs, wrap them beautifully and make sure people know what images they are getting in the pack. / My little tip: leave one copy of each card unwrapped on display and when you check up with the store, see which ones are the grubbiest to identify the favourites Displaying your wares / The things people want to see are the images, the quality and the price. Where possible I use clear perspex stands that do not cover the front of the card. By leaving a few sample cards out of their packaging people can pick them up and feel them to check the quality. I also make sure each card has a visible price on it, on the back, on a removable sticker. Some hints would be not to have too many of a particular card out on display at once. Keep a box of ‘top up’ cards out of sight. If you have a series that belongs together, display them together and perhaps highlight them with different packaging or a small separate display rack. Cards should be displayed with the image facing the right way up where possible. Always put your name and contact details on your card stands- so often they ‘magically disappear.’ And if you are providing your own stands, try to ‘claim’ the space so that other people’s cards don’t get put in over the top of yours. This can be hard to police but for example, having “Cards by Artist ABC” on your stand makes it harder for the retailer to stick any old stuff in there. / ‘legs’ by itsactustus Get Your Pricing Right / Like all things business, a lot of small shops will heckle with you over money and prices. My advice to you? Know what price you want and stick to it. Think about it in perspective, in a typical shop, greeting cards will be close to the cheapest item in there. If the business can’t fork out $30 to try 10 cards then you don’t want to be doing business with them! But also think realistically about your prices. Most retailers will start saying ‘no thanks’ at about $3 a card so to make RedBubble cards (with a base price of up to $3) a financailly viable option you need to sell them as premium art cards worth that extra dollar or two. Considering the quality of them, I believe this is possible. Depending on where you sell them, you could get $4 to $8 or even more per card. It will depend on the clientelle for that particular store. / Common Mistake: Too many people give their cards different prices when in the eye of the customer they all look pretty much the same. If you want to have a premium range, make it obvious Profite Margins / I should add as a separate but related point, most stores will want to mark up by about 100% on greeting cards. Most people sell there cards for a set wholesale price and then let the store charge whatever they like. The only time in my opinion, you should intervene is if you seriously believe they have overpriced them to such a point that nthey are not affordable. But think about it before setting your price. If you ask for $4 per card, can the store onsell them for $7.95? How to actually get them into stores / Here’s an idea for you- send them a card! Of course a rigorous follow up would be required. I would ‘door to door’ with a small sample or my stuff and it worked really well. I also had a bit of a tactic. I’d show a selection of cards worth $20 total. Then when they fell in love with a couple I’d say. “How about you buy this $20 worth from me right now and you keep that one you like for yourself, I’ll replace it with this one” Then I’d pull some other random card out of my bag and add it to the pile. Worked 9 out of 10 times. The other thing I did was band together with a fellow card maker (she did printed ones, I did handmade) so that we could show a greater range and cut our door knocking time in half. Can I also suggest not interrupting businesses during busy periods such as weekends or lunch hours. That happens to me in the gallery all the time and it’s a real pain. Also, if you’re talking to staff and their phone rings or a customer comes in, invite them to deal with the more important thing first and come back to you. Rotate Your Stock / Basically, if it isn’t selling, get rid of it yourself before the store owner decides to get rid of you! I’m exaggerating but the point it still valid. People will stop looking if your display always looks the same so keep it chaging. Make a fuss. If you have a new range, stick a sign up saying “New Farm Yard Range On Sale Now.” And remember, what works well in one store may go really badly in another so if it’s not selling, try somewhere else rather then giving up and throwing the lot in the bin! Consignment / This is particularly just my opinion but I’m against consignment on cards. Especially if you give a choice of what is ordered. Seriously, cards cost so little compared to other things, if a store can’t find $50 somewhere to buy some outright, there is something suss about that right away. It might be good to offer consignment on your first batch which will encourage the store to stock your stuff but don’t get into a habit of it. I would drop off say 50 cards and get someone to sign a consignment form saying how many they were given. Then after a few weeks I would go back, count them up and invoice for however many were missing. Then I’d also give them the choice of buying the remaining ones, or me taking them back. Most would swap a few that they didn’t like and then buy up. Payments / Again I hope this sounds obvious but ask to be paid. So many people get lost in a world of politeness and assume that eventually someone will do the right thing, Most small businesses using MYOB or QuickBooks accounting software will automatically lodge your invoices to be paid within 30 days. Agree on your terms and then chase up late payments. No need to be mean or nasty but a follow up letter and then a follow up phone call is fair enough. Also, be flexible in how you can be paid. Some businesses do everything with a cheque (or for you Americans, a “check”), others will rely on Direct Debit. So know how the business wants to pay you and don’t make it hard for them! Promote your Cards / The beauty of RedBubble cards is they have the URL of your portfolio on the back which shows off all of your work. But also remember to promote your cards out in the real world. Recently I bought a bunch of RedBubble cards and gave them all to friends. The response was amazing. They all got online to find more! Next step for me is to buy a bunch of my own cards and find excuses to give them to people. webgrrl had this awesome idea too. The cards really do speak for themselves so get them into circulation. - – - – - – - – - – - – - – - – - So if anyone is still breathing after reading all that, I hope you found it useful! / I do tend to ramble when it comes to retail related things- it’s my passion in life. / ‘Tashom III’ by FireRabbit
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This photo is for sale via the Wildlife-appeal account here on RedBubble. Profits from all donations will go to Wildlife Rescue and Protection Inc This is to help the Australian wildlife and animals who can’t rebuild their homes, can’t replenish their food source. If you like to buy this image and support the Australian wildlife and animals CLICK HERE / / / Well natural for the sepia part. Not natural for the elephant part as it is kept in a zoo. This photo was taken in Ouwehands Dierenpark, a zoo in The Netherlands. / / Have a look at my other photos. For example: / / Or browse through one of my categories: / animal / building / cemetery / church / damselfly / dragonfly / drop / fall / flower / france / insect / leaf / light / macro / nature / other / reflection / water / winter
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Tell me about your red boots. / These boots are made by Alannah Hill (who is not particularly one of my favourite designers but I fell in love with these boots at first sight!) I think they are just perfect! I love the colour, the brooch and the red ribbons. They are just so me! Unfortunately they are not the easiest heel to walk in so I don’t get to wear them too much, and I like to save them for special occasions so they have a bigger impact on the people who see / them! What’s the story behind you getting them? / Like all of my shoes, they were an impulse buy. I just can’t help but whip out my credit card when I see new shoes! My friend was working at the store where I purchased them at the time so I got them a little cheaper which helped sweeten the deal! So, why exactly do you love shoes so much? / I need one in every colour to go with my outfits, every style for different comfort levels, moods and seasons. Shoes to go with stockings and classic vintage heels that every girl must own! I can’t part with shoes, they have to be broken beyond repair or stolen from me. Model: Amanda Driver / Location: Collingwood / Photography: Jo O’Brien
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