Jims
89 members found (show all)
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Jim Worrall
Australia
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Jim Phillips
United States
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Jim Robertson
United Kingdom
655 creative works found
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The perfect gift for a loved one this Valentines. Based on Captain Kirk and his love for a green-tinged Orion slave-girl. Complete with a vintage distressed look. / Give it to your loved one and watch your friends turn green with envy!
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A slimmer-fitting version, minus the distressed look.
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Yet another west beach capture from Lossiemouth in Moray Scotland. One of these days I’ll make it round to the East beach in time for the dawn. ;-) ISO 100, 1/3sec at f11, Nikon 18mm-70mm at 18mm with 0.9 soft ND grad and poloriser. Nikon D80.
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Jim’s Pimpin” is one of the world’s largest Franchises and one of Australia’s most famous and most trusted brands.!!!!
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Orange coloured clouds reflected in a rock pool and on the wet sand at Lossiemouth, Moray, Scotland. The blocks are part of coastal defences errected during the second World War. Many similar constructions are still visible in this part of the world. Nikon D80
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The Doors.
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Looking accross the Moray Firth from Lossiemouth, Moray, Scotland. Nikon D80 / Manual / 1/10sec. at f13.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 70mm / 0.9 ND soft Grad. / tripod / remote release
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A dawn shot from a series I shot from the East Beach in Lossiemouth, Moray, Scotland. The Bin of Cullen, which is further down the East coast, can be seen in the distance. Nikon D80 / Manual / 1.5s at f11.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 18mm / 0.9 ND soft Grad. / tripod / remote release
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Another dawn, another tide and another image from the East Beach in Lossiemouth, Moray, Scotland. Amazing but I’d never noticed this wreck before. Nikon D80 / Manual / 4s at f11.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 18mm / 0.9 ND soft Grad. / tripod / remote release
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From the East Beach in Lossiemouth, Moray, Scotland. Nikon D80 / Manual / 0.5s at f11.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 18mm / 0.9 ND soft Grad. / tripod / remote release
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I’ll say it was cold! / East Beach in Lossiemouth, Moray, Scotland. Nikon D80 / Manual / 3s at f16.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 18mm / 0.9 ND soft Grad. / tripod / remote release
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The low dawn sun just catching the tops of a roller as it heads towards the East beach at Lossiemouth, Moray Scotland. Nikon D80 / Manual / 1/3sec. at f13.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 70mm / 0.9 ND soft Grad. / tripod / remote release Featured at Sea Group and Masters of The Scenic Group
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Cold early morning with an incoming tide at the East beach at Lossiemouth, Moray Scotland. Nikon D80 / Manual / 2 sec. at f11.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 18mm / 0.3 ND soft Grad. / circular polarizer / tripod / hand release
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Gene Wilder
by JSArt7 Shape Vector drawn by hand from scratch in Xara Xtreme / —— /
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Low winter sun on Hythe Rock at Lossiemouth, in Moray Scotland. Nikon D80 / Manual / 0.5 sec. at f19 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 18mm / 0.6 ND soft Grad. / 0.9 ND soft Grad. / Manfrotto tripod / hand release
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i was going to call this “dancing in the moonlight and its got me in its spotlight…” but changed it at the last minute …I had 2 songs in mind when i did this, not sure if either fits, getting the deal here? I worked on this today in between putting a job application together and an application for an arts scholarship. oh and i still havent gotten to watch that movie yet tk! but hope to tonight :))))) .....its called dervish confusion a family trait just ask ginger my twin born of different parents at different times and in different continents but uncannily alike… from one of my favorite bands dancin in the moonlight but this fit more and is so damned catchy! dancin in the moonlight the photograph was taken during the full moon last week, in front of our home. The fairies, well my first and second attempt at drawing here on rb. I couldnt get the shutter speed right and the big fairy just well blurred the shot. dang! :)) any constructive feedback is encouraged, i well and truly have my ‘L’ plates on here…. oh and this is for sally my earth angel…..mwwwaaaahhhhh christopher xx
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One of Sheldon’s best lines from ‘The Big Bang Theory’
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Settling Along The Buffalo Abraham Villines, and his children were among the earliest pioneer families in the Buffalo River valley. Abraham’s grandson William built this log house in 1850 for his new bride, Rebecca. Four years later their son James was born here. James Villines (1854-1948) was known as ” Beaver Jim” for his trapping abilities. After his marriage in 1880, he moved from this home to his own farmstead across the Buffalo River. In the mid-twentieth century, Villines family descendants used this house as a barn..with the chimney still attached. Today the notched, and hand- hewn logs recall the pioneers that carved their homes out of the Buffalo River wilderness. Ponca Arkansas, USA
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By Your Blue Flame
by Jim MarshalI pray beside your satin cheek / my lips an inch or so from yours / I’ve said this prayer for centuries / for a time I can’t fathom …
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This is a picture of Charles Darwin, done in the style of the infamous Jim Fitzpatrick stylized version of the Alberto Korda photograph “Guerrillero Heroico”. With the slogan, “Vive la Evolucíon!”
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The Silken Crane The silken crane / folds in the snowlight of sleep when it wakes we are looped in its prayer. I wake in her vapour / and praise her sweet wings. I know a horizon that bends to the music she sings. Love is longing, / growing like a choir of reeds / on the tender hairline / of speech. Its words I will wear / like ribbons of crystal / chiming in the rain when the sun weeps. A thousand thankyous to mimi yoon for lending me this breathtaking image!
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Music ________ Please lock me away / And don’t allow the day / Here inside where I hide / With my loneliness / I don’t care what they say I won’t stay / In a world without love…........ words-Lennon/McCartney
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You’re blessed enough to have me / even though you don’t. / I’ll be your silver sea, you my blonde earth. / I know your time-trapped beauty, / your gracious urn. Your patience / is worth waiting for. Most couples meet in domes of flesh / and greet the sun, its naked rose. / But you and I are not like that, from inside / the temple comes the spire. / Tied to coloured stakes; immortal leaves, / shades of fire. (Jim Marshal)
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