Jervis 

451 creative works found

  • Another from Jervis Bay, NSW

  • A pleasing sight.

  • Taken a couple of years ago now, but still one of my favourite images of these lovely little creatures.

  • Most of my parrot photos are taken at a place called ‘Greenpatch’, which is located inside the Booderee National Park at Jervis Bay.

  • Located in Booderee National Park, Jervis Bay.

  • I’m fortunate enough to live in an area where the kangaroos’ graze on the front lawn

  • I have not idea what it was trying to do with this little piece of bread

  • This one isn’t one of the best kangaroo shots, but it is cute. The mother and baby were play fighting and then they stopped for a hug. It was getting on to dusk and it was out the front of the house, so there are fences, roads …... just a mess really.

  • This Kookaburra had an injured leg and used its wings to support itself on this tree stump.

  • Lets make it rain with Photoshop
    by Alison Johnston

    Perhaps you want to composite some images together to make a scarey, stormy image. Or maybe you have an image that has storm clouds, is …

    Perhaps you want to composite some images together to make a scarey, stormy image. Or maybe you have an image that has storm clouds, is dark and overcast and would benefit with some rain added to it – or maybe some snow for that winters scene. Start and Finish Images Using a couple of filters and a blend mode in PS you can create away to your hearts content. The image I’ve used in the tutorial is 800×600 @ 72 dpi You will have to adjust some of the settings that I am going to use to compensate for a larger image and dpi, but I know you like to play in Photoshop :-) Firstly, open your chosen image, duplicate it and close the original. If you just want an image to practice on, you will find the start file HERE I’m using PS3, so my next step was to use a B&W adjustment layer to convert this particular image to B&W, I then used a Curves adjustment layer and then a Levels adjustment layer. You don’t have to convert to B&W, I just chose to do so because the original image sucks :-) How you want your image to be is fine, it is not going to affect what we are going to do next. So, whatever it is that you have done make sure that the top most layer is selected then I want you to create a new layer above. You can click on the new layer icon in the layers palette, or you can press shift+ctrl+n to bring up the new layer dialogue box and name the new layer. Now I want you to fill the new layer with black. If your f/ground and b/ground colour are set to the default you can press alt+backspace on your keyboard for window users and I’m not sure for mac users LOL probably option backspace. Now is starts to get fun. Making sure that you new black layer is active, I want you to go to Filter>Noise>Add Noise – below are the settings that I have used on this image, so punch in the same settings if you like. Go straight to Filter>Blur>Motion Blur and you can apply the settings that I have by punching in the same figures as the image below. If you want the rain to go straight down, or from a different angle altogether, just rotate the little angle wheel around till you get want you want. Next I want you to go to Image>Adjustments>Levels. In the image below you can see what the starting point will be for this particular image. I have made no adjustments as of yet. By bringing in the black slider toward the middle of the bar we start to creat the rain. The rain will be the white lines that you see in the image. You can see in the image below that I have taken the black slider in toward the middle and I have also moved the white slider in toward the middle slightly. How much you move each slider is entirely up to you. It will depend on how much rain you want in the image etc., So that’s the part where you get to play around because each image will require slightly modified settings. Right, so thats a mess LOL But, here comes the great part. Go to the Blending Mode option at the top of the layers palette and I want you to change it to Screen ….. look at that ….. magic! :-) Screen mode knocks out any black pixels and the multiply blend mode is the exact opposite to Screen if you want to knock out white pixels. All that is left to do now is change the opacity slider if you want. I’ve changed the opacity to 50% in the image below. And here is our completed image. View large file HERE

  • Yesterday I took the paintings of the three children, whom I’d met, at Pamela’s Beach House, near Greenfields Beach, NSW, to their parents. / Took one last photograph of them all before parting with them. / Here’s Chelsea, surfing, at Greenfields Beach. / Now to be featured in my Remembering exhibition, to celebrate my 65th birthday, at the Tap Gallery, Palmer Street, Darlinghurst, 6-12 October, 2008.

  • Yesterday I took the paintings of the three children, whom I’d met, at Pamela’s Beach House, near Greenfields Beach, NSW, to their parents. / Took one last photograph of them all before parting with them. / Here’s Chelsea, picking up shells, at Greenfields Beach. / (Picking up pebbles and throwing them into the sea, is now going through my head again!!!) / / ... /

  • Taken at Caves Beach

  • 101 Photoshop Tips in 5 Mins with Deke McClelland
    by Alison Johnston

    I posted this in the Learning Centre thread over on the main forums, but thought it might be handy to make a journal entry so it doesn’t …

    I posted this in the Learning Centre thread over on the main forums, but thought it might be handy to make a journal entry so it doesn’t get lost in the soup. Surprisingly, I have learned more from this man about Photoshop, than anyone else ….. you’ll understand why I said that when you watch the podcast. Just a bit of fun on a Friday evening, all the tips are valid though :-) 101 Photoshop Tips in 5 Minutes And the text from the podcast. 101 Photoshop Tips in Five Minutes / The actual tips from 1 to 106 and back to 101 / by Deke McClelland Time it: Time: 00:00.00 / #1: Wanna copy a layer? I say jump it: Ctrl+J. / You a Mac user? Awesome. / #2: When I say Ctrl, press Cmd, the one with an apple on it. / #3: For a new layer, press Ctrl+Shift+N (Cmd-Shift-N on the Mac). / #4: To delete a layer, get the move tool and press Delete (or Control-Delete). / #5: Every letter selects a tool. / #6: Except F for full-screen, / #7: Q for quick mask, / #8: and D / #9: and X for default and switch colors. / Who knew X stood for “switch”? / #10: Press a number to change the opacity. / #11: Or two numbers for better control. / #12: Press Shift+plus to advance a blend mode; / #13: Shift+minus to back up. / #14: Press Shift and Alt with a letter for a specific mode. / #15: Mac folks, Alt means Option. / #16: Ctrl+plus zooms in. / #17: Ctrl+minus zooms out. / #18: Spacebar gets the hand so you can drag the image around. / #19: There’s also Ctrl+spacebar in / #20: and Alt+spacebar out. / #21: Ctrl+spacebar-drag to zoom way the hell in. / #22: Ctrl+Z undoes. / #23: Ctrl+Alt+Z backsteps. / #24: Ctrl+Shift+Z steps forward. / #25: Ctrl+Shift+F fades an edit. / #26: F12 reverts, / #27: Itself an undoable operation. / You hear that? You can undo a revert? That’s a hell of a tip! / All that pasteboard stuff works too: / #28: Ctrl+X cuts. / #29: Ctrl+C copies. / #30: Ctrl+V pastes. / Dan Gookin of DOS For Dummies fame joked that V stood for “vomit,” as in vomiting up the Clipboard. His publisher refused to print that. They actually refused to print that! Time: 01:15.43 / #31: Photoshop’s most essential command? Image Size: Ctrl+Alt+I. / #32: It’s partner, Canvas Size, Ctrl+Alt+C. / #33: Ctrl+F repeats the last filter. / #34: Ctrl+Alt+F for different settings. / #35: Using a selection tool? Drag to start a new selection / #36: Or move a selection outline. / #37: Shift adds to the selection. / #38: Alt deletes. / #39: Shift and Alt finds the intersection. / #40: Press the spacebar to move the selection on-the-fly. / #41: Ctrl+A selects everything; / #42: Ctrl+D selects nothing. / #43: Ctrl+Shift+I selects what’s not selected and deselects everything else. / #44: Ctrl+Alt+R brings up Refine Edge. / #45: Alt-click with the lasso tool to draw straight-sided selections. / #46: Shift-click with a brush to paint straight lines. / #47: Press Alt with a brush to get the color-lifting eyedropper. / #48: Press Ctrl to get the move tool. / #49: Ctrl+H hides selections and other “extras.” / What’s an extra? Press Ctrl+H and find out? / I gotta quicken the pace. Shit! / #50: Ctrl+1, / #51: 2, / #52: 3 to switch channels. / Hell yeah, I’m counting those as three! / Here’s another one: / #53: Ctrl+tilde for full-color composite. / #54: Ctrl+L for Levels, / #55: Ctrl+M for Curves, / #56: Ctrl+B for Color Balance, / #57: Ctrl+U for Hue/Saturation. / #58: Add Alt to bring up the last settings. / #59: Mash your fist on Ctrl, Shift, and Alt and press B for Black & White. / #60: In Levels and Curves, Alt-drag that white slider triangle to preview the clipped highlights / #61: Or that black one for clipped shadows. / Want to duplicate an image? Don’t choose this [Duplicate]; / #62: Just click here [Create new document from History state]. / #63: Press Ctrl+W to close an image. / #64: Y to save changes, / #65: N to abandon them. / #66: On the Mac, that’s S and D. / #67: Either way, it’s Esc for Cancel. / You know, Esc. C’mon, Esc! Time 02:48.36 / #68: Press Ctrl+T to invoke Free Transform. / #69: Press Enter to apply or Esc to skip it. / #70: Ctrl+Alt+T transforms a copy. / #71: Ctrl+Shift+T repeats the last transformation. / #72: Ctrl+Shift+Alt+T plays a transformation sequence. / #73: Press a bracket key to change the size of a brush. / #74: Press Shift+bracket to change its hardness. / #75: Caps Lock for precise cursors. / #76: Alt switches dodge to burn and burn to dodge. / #77: The comma and period keys cycle through gradients. / See this tool [sharpen]? Worthless. Look at this. You want this? Worthless! / Yes, that’s a tip: Don’t use the tool! / #78: Bang, there’s another one! / #79: Ctrl-click a thumbnail in the Layers, Channels, or Paths palette to load a selection. / #80: Press slash to lock a layer’s transparency. / #81: Press tilde to hide the image while viewing a mask. / #82: Press backslash to view the layer mask. / #83: Ctrl+Backspace fills the background color; / #84: Alt+Backspace: foreground color. / #85: Add Shift to fill just the opaque pixels. / #86: Press Shift+Backspace to get the Fill dialog box. / Hey, look at that! / #87: That’s trans lock’s opposite [Behind mode]. It locks opacity. / What the hell is it doing here? / #88: Ctrl+bracket moves layers forward and back. / #89: Add Shift to go all the way. / #90: Alt+bracket selects layers. / #91: Press Shift to select multiple layers. / Press Ctrl+Shift+A to select all layers. / #92: That’s wrong. It’s Ctrl+Alt+A! / I don’t even know what Ctrl+Shift+A does. / It doesn’t, Adobe, it doesn’t do anything! I don’t think it does anything. / #93: But Ctrl+G, that groups layers in a folder. / #94: Ctrl+E merges selected layers. / #95: Ctrl+Shift+E merges visible layers. / #96: Ctrl+Alt+E stamps a layer onto the one below. / #97: Ctrl+Shift+Alt+E merges everything on a new layer. / #98: Ctrl+Shift+C copies a merged version of the layers. / #99: Ctrl+Shift+V pastes an image in a selection. / #100: Alt-click here [Add layer mask] / #101: Or here [Cancel to Reset] / #102: Or here [trash without warning] / #103: Or here [color ramp to switch background color] / #104: Or here [eyeball to hide all others] / Yeah! / #105: Or here [horizontal line to make clipping mask] / #106: Or here [color swatch to delete]. Time: 05:08.16 / Holy crap, I just went over! 106 tips! No! No, no, no. / [to off-screen director] / You should’ve stopped me, you should’ve let me know. That’s your fault. / [to viewer] / That’s his fault. I do not fail. Remember, I do not fail! / Alt-clicks out. I want them all out. Gimme that time back! Time: 05: 27.92 / [clock rewinds] Time: 04:56.73 / Okay. Nicely done, me. For those wondering why I left out your favorite tips, / #100: Like Tab to hide all palettes / #101: Or Shift+Tab to hide just the right-side palettes. Time: 05:00.00 / I didn’t! Ha ha! I just mentioned ’em. Works for me!

  • Original Sand, Sky and Kids image, then used a couple of Actions From Panosfx to add some other images. I might turn it into a Christmas Card ….. I’ll have to think about that :-)

  • Blossom’s_Photo_Gallery Banksia – Australian Native Booderee National Park, Jervis Bay, ACT. There are 76 Banksia species, and all but one occur naturally only in Australia. / Banksias were named after Sir Joseph Banks (1743-1820), who, in 1770, was the first European to collect specimens of these plants. / A number of Banksia cultivars have also been developed.

  • jervis bay / / jervis bay / An area of beautifu white sands and pleasant bushwalking. / Located about 170 km from Sydney, Jervis Bay is both an inlet and the basis of the uniquely beautiful Booderee National Park / History / After Federation occurred in 1901 plans were set in motion to create a city (ultimately Canberra) within an independent territory (the ACT) wherein the new Federal Government could sit. Work began in 1913 and, in 1915, the Royal Australian Naval College opened at Captain Point under Federal administration as HMAS Creswell. The Royal Australian Naval College no longer exists as it was absorbed into the Australian Defence Force Academy but some officer training still occurs at Jervis Bay. A majority of the original buildings remain.

  • breath slowly – peace man! / The Sea…salt water…love it! This shot also features in one of my calendar’s

  • Jervis Bay, NSW, South Coast

  • Taken at the worst possible time of day ,around 2.30 in the afternoon,I was trying to catch the contrasting winter clouds

  • As some of you know I got a new camera recently and I’ve been trying to get to know it. This mangrove tree was my willing victim to practice on the other day (my husband and my cats were over it! However it was the middle of the day… and not / very exciting for photography. But it seems I’ve developed a bit of a thing for high key contrasty images recently… So all was not lost… lol!! Taken at Moona Moona Creek Huskisson NSW… Canon 50D / 1/250 at f/5.6 / ISO 200 A slight levels adjustment in photoshop and I was happy… the exposure was good in the first place… but I thought it a bit boring… just reduced the midtones very slightly…. : ))

  • Taken 22.12.09 during a holiday to NSW. Best viewed larger. Canon 450 D - ISO 100 / - f 8 / - Shutter speed 1/640 sec / - Hoya ND 2 filter Tripod

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