Issue 

643 creative works found

  • found in an alley way in Cowes Phillip Island. Not exactly a gritty urban existence but the message was there all the same!

  • Digital painting.

  • what can I say. War kills.

  • Found on a wall in Carlton. This has been up for years. Still poignant in its message.

  • Was designing a T-shirt with my design and came up with this and really liked it ! I hope you do too !

  • Beautiful fractal art with vibrant and vivid psychedelic color. Includes current issues, social commentary. Please read the important journal article that accompanies this piece as a link: The Earth Has a Fever

  • Pfft / Why not?

  • I came across this photo that I had forgotten about. I took the shot in NYC while passing a store. It was the display window. I desaturated it to B&W and added a bit of color and more darkness for an eerie sort of feeling—-as if it really is a doll factory. It’s as if it’s the future…HUMAN CLONES in the making. / It has a sort of CURRENT ISSUES feeling…and so I am adding this image to my CURRENT ISSUES Group. Yikes….Cloning. Would you like a clone of yourself? Actually, if I could…I’d make a baby clone of me. Yes. :)

  • / / Red Jane is a self-portrait taken from photographic artist Jaeda DeWalt’s series of the same name and is a part of the DeWalt Gallery collection. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Available for sale as Laminated Prints, Cards, Matted, Mounted Prints, Canvas Prints, Framed Prints and Posters / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Red Jane I call my mother’s inner-child Jane, Red Jane. In this picture I step into my mother’s childhood And I take her hand. I relate to her pain, My heart weeps for her. My heart weeps for me. Her pain bled through, seeped into me And the cycle REPEATS . . . © Jaeda DeWalt listen to Jaeda recite Red Jane / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / About this Image / This image is a layering of two photographs. The first one being a picture from my mother’s childhood photo album. Originally, she was standing with her older brother. I digitally removed him, reconstructed the space he was removed from and inserted a self-portrait, photographed in my studio. The blood stain i added on the left, represents the pain, stain and taint of childhood sexual abuse. The poem expresses how the cycle of abuse continues from one generation to the next when we don’t speak up, when we don’t acknowledge, when we remain silent. My mother didn’t speak up and didn’t cope with what happened to her and, as such, could not bring herself to acknowledge that the same thing was happening to her daughter (me). / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / visit the rest of this series . . . / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /

  • Just my way of proving a point. We are suffering because of the greed from the oil companies.

  • Image Stolen - Now What?
    by Jo O'Brien

    Sometimes, for whatever reason, artists find their work being used without permission. Recently this happened to a collaborative work I d…

    Sometimes, for whatever reason, artists find their work being used without permission. Recently this happened to a collaborative work I did with Helen McLean. Let me share with you how we handled it. Randy posted this journal entry and I noticed that there was a picture of me on the invitation. “that’s odd” I thought. Not knowing how it got there, my first stop was to check with Helen, who I had collaborated with on the image to find out if she had given permission for it’s use. I also asked Randy who had posted the journal, if he knew anything. We all drew a blank but Randy very helpfully put us in touch with the organizer of the event. Before we did anything else we thought about how this might have happened. The organizer was most probably provided with the image and had no idea we owned it. In fact, even the person who supplied it may have been unaware it was covered by copyright. We also realized that had we been asked, we almost certainly would have given permission for it’s use with a credit and link. With all this in mind, we sent a polite email which presumed innocence and provided the appropriate evidence of ownership. Hello David, I’m writing to you regarding an image which appears on your site http://www.definitelysuperior.com/exhibitions.html and on your invitations. I have attached a screen shot of the site where it is shown and a copy of the invitation. This image is of me, as taken by photographer Helen McLean. We have conjoined rights to the image and neither of us remembers giving permission for it to be used in this manner. I realize you may not have known this when it was published and used on your invitations. I have attached the full sized version (with an appropriate watermark and minus any post processing) to this email to verify I own the source copy. Helen and I are happy for the image to be used if we are credited as photographer and model with a link to “http://www.redbubble.com/search/helenjocollab”. Otherwise, I am requesting that it be taken down and that the invitation be changed to remove it so that any more printed do not use this image. Thank you very much for your assistance with this, and I look forward to your reply at your earliest convenience. Jo O’Brien & Helen McLean What Happened Next? We got a lovely email back apologizing for the use of the image, explaining how it had come to appear on the site and with a promise to update the site to include a credit and link to our work. It had been an honest mistake that they were more than happy to correct. What did we learn? You don’t need to be angry and demanding to work things out People can genuinely be unaware they are infringing copyright People can actually be reasonable, rational and helpful A negative can become a positive with the right attitude Our image with a link to our other work is now out there on the internet, reaching a niche market and gaining exposure for our work.

  • Wind Turbines, Royd Moor Wind Farm, West Yorkshire, UK

  • Hey doesn’t anybody or someone you know, it’s a cool shirt with a statement thats so cool to show off.

  • Ecoology T shirt – don’t be part of the problem

  • This is my artwork entry for the ‘Freedom To Create Prize’. It is very complex in the multi-issue nature of the messages it is meant to portray. What may appear as separate issues are really a part of a larger single issue showing how the individual issues are inseparable from one another.The artwork addresses the following individual issues as a whole… / / 1.) Feeding the population of the Earth, and not just the hungry or starving. / / 2.) The great public misconception that biomass fuels, such as ethanol, are really a ‘green’ alternative technology, when in fact, they are not a viable and sustainable alternative energy source, as they create exponentially many more energy, environmental, and human rights issues than they resolve. / / 3.) The ongoing loss and abuse of the very few fertile soils that exist on Earth due to the accepted agricultural practices we continue to use in how we grow food. Please take the time to read the article that I have written that accompanies this artwork at the link shown below. It will give you a basic primer as to why these issues are inseparable. I believe that once you see the bigger picture emerge you will never see the smaller issues that it involves in the same light again. / / Food… Not Fuel by Art4Earth / http://www.redbubble.com/people/art4earth/writing/1681231-food-not-fuel / / All my own proceeds on the sale of this artwork are being donated to the United Nations Food & Agriculture Organization, as this is the only organization I am aware of that provides an agricultural assistance program combined with food relief programs to help feed the world’s hungry and starving. / / United Nations Food & Agriculture Organization / www.fao.org/ / / Oh !... Details about the creation of the artwork. / The backdrop was rendered in Terragen. The terrain file in Terragen was sculpted by myself by digitally hand-painting a greyscale heightfield map in Photoshop, and then importing the bitmap file version into Terragen. The multitude of other environmental files used in Terragen were also created myself. The gas pump was created from a photo I took myself. The starving child was created from a PD image from the web. The pump and child shadows were drawn in Photoshop. All of these separate components were than composited, painted, and re-touched in Photoshop. Thanks for the visit, and please read the associated article. Peace & Love, / / Art 4 EartH

  • :) save your gas money feel the road leave your hair feel the wind let your heart be happy for the beats fort myers Florida , or anywhere for that matter

  • A random candid taken on Fifth Avenue in NYC…a sign of the economic times. At least she’s still shopping though. :)

  • “The Little Mermaid” in Copenhagen, Denmark. A glamorous fairy-tale beauty of a bygone era, lost in the context of 20th century industrial reality. It’s one of the key city landmarks, and one of the most photographed. But not from this angle… I just love the contrast between the two worlds and the pure resignation in her posture! An old photo of mine (2000) which I always wanted to go back and tidy up. I came across the film the other day and finally scanned it in.

  • Two Spirit All tribes were aware of the existence of two-spirit people, and each still has a name for them. The Diné (Navajo) refer to them as nàdleehé one who is ‘transformed’, the Lakota (Sioux) as winkte, the Mohave as alyha, the Zuni as lhamana, the Omaha as mexoga, the Aleut and Kodiak as achnucek, the Zapotec as ira’ muxe, the Cheyenne as he man eh. Among the Mescalero Apache: “Multigendered adult people at Mescalero are usually presumed to be people of power. Because they have both maleness and femaleness totally entwined in one body, they are known to be able to ‘see’ with the eyes of both proper men and proper women. They are often called upon to be healers, or mediators, or interpreters of dreams, or expected to become singers or others whose lives are devoted to the welfare of the group. If they do extraordinary things in any aspect of life, it is assumed that they have the license and power to do so and, therefore, they are not questioned.” A Crow traditionalist stated, “We don’t waste people the way white society does. Every person has their gift.”

  • View All Art » 1 2 3 4 5 6 7 / / A behind the scenes picture from the cover shoot for Jaeda’s book, Haunting Hands (Jaeda center). Image shot with a self-timer and photographed with Kodak CN400 film (black & white film that’s processed in C-41 chemistry). / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Available for sale as Laminated Prints, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / / Image featured in Self as Other group on 11-22-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / You might also like . . . / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / View All Art » 1 2 3 4 5 6 7 browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /

  • How?
    by JaneSolomon

    How do we offload pain / When we can’t seem to cry it out / Or scream it into the wind / When it manifests in health issues / As pain so ofte…

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