Island outdoor 

461 creative works found

  • Another image from a recent trip to the Outer Hebrides in Scotland. The clouds came in quickly covering the sun, but not before putting on quite a performance with the light!

  • Wild pony on the sand dunes of Assateague Island.

  • An American Ibis shot in flight over Merritt Island, Florida this year.

  • A moonrise over two colored houses in Magdalen islands.

  • A perfect end to a beautiful day in Hawaii. / Took this one a while back when I still used to shoot with slide film. Canon AE-1 / Fuji Velvia 100 (slide film)

  • Sunset from the western slopes of Haleakala Maui Hawai`i “Well, I found you in the twilight garden, / Laid a lover’s hand upon your shoulder, / And we both were made aware of loving / Past the reach of reason to unravel, / Or the much desiring heart to follow. There we heard the breath among the grasses / And the gurgle of softly running water, / Well contented with the spacious starlight, / The cool wind’s touch and the deep blue distance, / Till the dawn came in with golden sandals.” Poetry by Sappho Canon EOS Digital Rebel XTi / Shooting Date/Time 01 June 2008 20:13:57 / Tv( Shutter Speed ) 1/200 / Av( Aperture Value ) 8.0 / ISO Speed 100 / Lens EF28-135mm f/3.5-5.6 IS USM / Focal Length 60.0 mm Copyright © Sharon Mau 2009 / All Rights Reserved

  • On our drive up to Polipoli this morning we stopped along the way to watch the paragliders, as I stepped out of our truck this vehicle was driving by with two adorable Shelties barking happily like small children thrilled to be outdoors on a beautiful rain soaked morning on Maui. I love the look of this candid shot, especially the brilliant blue sky and clouds reflected in the window. Canon EOS DIGITAL REBEL XTi / 13 December 2008 12:07:59 / Tv( Shutter Speed ) 1/160 / Av( Aperture Value ) 7.1 / ISO Speed 100 9.7 miles west of Kula Botanical Gardens entrance is Waipoli Road off Kekaulike Avenue (Highway 377). / This area is 6,200 feet above sea level in the Kula Forest Reserve. Polipoli Springs is an upcountry park with towering trees and stunning views of the Maui lowlands and the neighboring islands of Lana’i and Kaho’olawe. Maui Paragliding – Proflyght Paragliding

  • This photograph cannot be modified for commercial or advertising use, nor can it be copied or reproduced in any form without the photographer’s permission. I own full and exclusive copyrights on all my photographs and they are protected under International Copyright laws. My images do not belong to the public domain and may not be posted in another webpage on the internet or intranet, published in any book, magazine, newsletter or newspaper, duplicated, used in a dirivative work of art, used as illustration for musical, dramatic, and/or literary works, or used for commercial use of any kind whatsoever without my express written authorization, including but not limited to resale of my images without a license for use. © 2009 Fine Art Photography, Research and Photojournalism by Sharon Anne Mau 2008 Kai Makani Maui Gold Coast Hawai’i Christmas Day Canon EOS DIGITAL REBEL XTi / 25 December 2008 18:36:49 / Tv( Shutter Speed ) 1/125 / Av( Aperture Value ) 5.6 / ISO Speed 160 / Lens EF28-135mm f/3.5-5.6 IS USM / Focal Length 135.0 mm

  • Nauweuwe Ka Honua / Hawaiian Translation: Now Comes the Heaven Born This is a composite of two images taken at the same location at the same time on Ho’okipa, Maui Hawai’i. Copyright © Sharon Mau 2009 / All Rights Reserved / My images do not belong to the public domain Featured in All That is Nature 30 December 2008 The Hula Kolani “For the purpose of this book the rating of any variety of hula must depend not so much on the grace and rhythm of its action on the stage as on the imaginative power and dignity of its poetry. Judged in this way, the kolani is one of the most interesting and important of the hulas. Its performance seems to have made no attempt at sensationalism, yet it was marked by a peculiar elegance. This must have been due in a measure to the fact that only adepts-olóhe-those of the most finished skill in the art. of hula, took part in its presentation. It was a hula of gentle, gracious action, acted and sung while the performers kept a sitting position, and was without instrumental accompaniment. The fact that this hula was among the number chosen for presentation before the king (Kamehameha III) while on a tour of Oahu in the year 1846 or 1847 is emphatic testimony as to the esteem in which it was held by the Hawaiians themselves. The mele that accompanied this hula when performed for the king’s entertainment at Waimanalo was the following: He ua la, he ua, / He ua pi’i mai; / Noe-noe halau, / Halau lea o Lono. / 5 O lono oe; / Pa-á-a na pali / I ka hana a Ikuwá- / Pohá ko-ele-ele. / A Welehu ka maláma, / 10 Noho i Makali’i; / Li’i-li’i ka hana. / Aia a e’é-u, / He eu ia no ka la hiki. / Hiki mai ka Lani, / 15 Nauweuwe ka honua, / Ka hana a ke ola’i nui: / Moe pono ole ko’u po- / Na niho ai kalakala, / Ka hana a ka Niuhi / 20 A mau i ke kai loa. / He loa o ka hiki’na. / A ua noa, a ua noa. p. 217 [Translation] Lo, the rain, the rain! / The rain is approaching; / The dance-hall is murky, / The great hall of Lono. / 5 Listen! its mountain walls / Are stunned with the clatter, / As when in October, / Heaven’s thunderbolts shatter. / Then follows Welehu, / 10 The month of the Pleiads. / Scanty the work then done, / Save as one’s driven. / Spur comes with the sun, / When day has arisen. / 15 Now comes the Heaven-born: / The whole land doth shake, / As with an earthquake; / Sleep quits then my bed: / How shall this maw be fed! / 20 Great maw of the shark— / Eyes that gleam in the dark / Of the boundless sea! / Rare the king’s visits to me. / All is free, all is free! If the author of this Hawaiian idyl sought to adapt its descriptive imagery to the features of any particular landscape, it would almost seem as if he had in view the very region in which Kauikeaouli found himself in the year 1847 as he listened to the mele of this unknown Hawaiian Theocritus. Under the spell of this poem, one is transported to the amphitheater of Mauna-wili, a valley separated from Waimanalo only by a rampart of hills. At one’s back are the abrupt walls of Konahuanni; at the right, and encroaching so as almost to shut in the front, stands the knife-edge of Olomana; to the left range the furzy hills of Ulamawao; while directly to the front, looking north, winds the green valley, whose waters, before reaching the ocean, spread out into the fish-ponds and duck swamps of Kailua. It would seem as if this must have been the very picture the idyllic poet had in mind. This smiling, yet rock-walled, amphitheater was the vast dance-hall of Lono-Halau loa o Lono (verse 4)-whose walls were deafened, stunned (pa-á-a, verse 6), by the tumult and uproar of the multitude that always followed in the wake of a king, a multitude whose night-long revels banished sleep: Moe pono ole ko’u po (verse 17). The poet seems to be thinking of this same hungry multitude in verse 18, niho ai kalakala, literally the teeth that tear the food; also when he speaks of the Niuhi (verse 19), a mythical shark, the glow of whose eyes was said to be visible for a great distance in the ocean, A mau i ke kai loa (verse 20). Ikuwá, Welehu, Makali’i (verses 7, 9, and 10). These were months in the Hawaiian year corresponding to a part of September, October and November, and a part of December. The Hawaiian year began when the Pleiades (Makali’i) rose at sunset (about November 20), and was divided into twelve lunar months of twenty-nine or thirty days each. The names of the months differed somewhat in the different parts of the group. The month Ikuwá is said to have been so named from its being the season of thunderstorms. This does not of itself settle the time of its occurrence, for the reason that in Hawaii the procession of the seasons and the phenomena of weather follow no definite order; that is, though electrical storms occur, there is no definite season of thunderstorms. Maka-li’i (verse 10) was not only the name of a month and the name applied to the Pleiades, but was also a name given the cool, the rainy, season. The name more commonly given this season was Hooilo. The Makahiki period, continuing four months, occurred at this time of the year. This was a season when the people rested from unnecessary labor and devoted themselves to festivals, games, and special religious observances. Allusion is made to this avoidance of toil in the words Li’ili’i ka hana (verse 11).” Excerpt from The Unwritten Literature of Hawai’i ~ Sacred Texts Canon EOS Digital Rebel XTi

  • Palm Silhouettes / Sunset Christmas Day on Maui The Adventurer “Dusk on the sea; the fading twilight shifts / The night wind bears the ocean’s whisper dim wind, on your bosom many a phantom drifts - A silver star climbs up the blue world rim. / Wind, make the green leaves dance above me here And idly swing my silken hammock – so; / Now, on that glimmering molten silver mere / Send the long ripples wavering to and fro. / And let your moon-white tresses touch my face And let me know your slim-armed, cool embrace While to my dreamy soul you whisper low. Dream – aye, I’ve dreamed since last night left her tower And now again she comes on star-soled feet. Welcome, old friend; here in this rose-gemmed bower I’ve drowsed away your Sultan’s golden heat. Here in my hammock, Time I’ve dreamed away For I have but to stretch a hand out, lo, I’m treading languorous shores of Yesterday, Moon-silvered deserts or the star-weird snow; I float o’er seas where ships are purple shells, / I hear the tinkle of the camel bells / That waft down Cairo’s streets when dawn winds blow. South Seas! I watch when dusky twilight comes Making vague gods of ancient, sea-set trees. / The world path beckons – loud the mystic drums – Here at my hand the magic golden keys / That fit the doors of Romance, / Wonder, / strange / Dim gossamer adventures; seas and stars. Why, I have roamed the far Moon Mountain range When sunset minted gold in shimmering bars. / All eager eyed I’ve sailed from ports of Spain / And watched the flashing topaz of the Main / When dawn was flinging witch fire on the spars. / I am content in dreams to roam my fill / The vagrant, drifting sport of wind and tide, / Slave of the greater freedom, venture’s thrill; / Here every magic ship on which I ride. Gold, green, blue, red, a priceless treasure trove, More wealth than ever pirate dared to dream. / My hammock swings – about the world I rove. / The sunset’s dusk, the dawning’s glide and gleam, Moon-dappled leaves are murmuring in the wind Which whispers tales. Lo, Tyre is just behind, Through seas of dawn I sail, / Romance abeam.” ~ by Robert Ervin Howard My images do not belong to the public domain and may not be reproduced in any manner whatsover without my express written authorization. / Copyright © Sharon Mau 2009 / All Rights Reserved Canon EOS Digital Rebel XTi / 25 December 2008 19:25:33 / Tv Shutter Speed 1/250 / Av Aperture Value 10.0 / ISO 100 / Lens EF28-135mm f/3.5-5.6 IS USM / Focal Length 28.0 mm Currently with 995 Views and 1 Sale

  • Kanoelani ~ Heavenly Mist ~ Sunset Polo Beach Maui Hawai’i © Fine Art Photography by Sharon Mau Canon EOS Digital Rebel XTi

  • Sunrise Ku’au Beach Maui North Shore O ke Aloha ke kuleana o kihi malihini / Hawaiian translation: / Compassion makes its home in any land Copyright © Sharon Mau 2009 / All Rights Reserved Canon EOS Digital Rebel XTi

  • Aue! ‘O Ho’okipa Keia! / Hawaiian translation: / ‘Ae! This is Ho’okipa / Maui North Shore / Low Tide / Hawai’i © 2009 Fine Art Photography by Sharon Anne Mau Canon EOS Digital Rebel XTi / Unedited with no artificial colours or additives. / This is Ho’okipa in early morning light at low tide.

  • This is an approximately 1,400 year old Live Oak tree in coastal South Carolina. It has a trunk circumference of over 24 and a half feet and its boughs cover approximately 1 acre of land. It is reportedly the oldest living thing on the eastern side of the Mississippi River in North America.

  • Plumeria blooms on a lovely tree at our home. Featured Canon DSLR I cloned out a bit of bark on the left of the frame, adjusted the shadows/midtones/highlights to deepen the natural black background, adjusted curves to set the white balance and highlight the natural colours in early morning light, then added an enamel texture to the finished image. “The beautiful Plumeria comes in a wide variety of delightful colours and bloom virtually year round. Plumeria (Frangipani) also known as the Lei flower, is native to warm tropical areas of the Pacific Islands, Caribbean, South America and Mexico. Plumerias may grow to be large shrubs or even small trees in the Hawaiian Islands and in mild areas of the U.S on the mainland. In tropical regions, Plumeria may reach a height of 30’ to 40’ and half as wide. They have widely spaced thick succulent branches, round or pointed, long leather, fleshy leaves in clusters near the branch tips. Plumeria, common name Frangipani; syn. Himatanthus Willd. ex Roem. & Schult.) is a small genus of 7-8 species native to tropical and subtropical Americas. The genus consists of mainly deciduous shrubs and trees. It produces flowers ranging from yellow to pink depending on form or cultivar. From Mexico and Central America, Plumeria has spread to all tropical areas of the world, especially Hawai`i, where it grows so abundantly that many people think that it is indigenous here. The genus, originally spelled Plumiera, is named in honour of the seventeenth-century French botanist Charles Plumier, who traveled to the New World documenting many plant and animal species. The common name “Frangipani” comes from an Italian noble family, a sixteenth-century marquess of which invented a plumeria-scented perfume. In Mexico, the Nahuatl (Aztec language) name for this plant is “cacalloxochitl” which means “crow flower.” It was used for many medicinal purposes such as salves and ointments. Depending on location, many other common names exist: “Kembang Kamboja” in Indonesia, “Temple Tree” or “Champa” in India, “Kalachuchi” in the Philippines, “Araliya” or “Pansal Mal” in Sri Lanka, “Champa” in Laos, “Lantom” or “Leelaawadee” in Thai. Many English speakers also simply use the generic name “plumeria”. In several Pacific islands, such as Tahiti, Fiji, Hawai`i, Tonga and the Cook Islands Plumeria is used for making leis. In modern Polynesian culture, it can be worn by women to indicate their relationship status – over the right ear if seeking a relationship, and over the left if taken. P. alba is the national flower of Nicaragua and Laos, where it is known under the local name “Sacuanjoche” (Nicaragua) and “Champa” (Laos)”. Information Source: Wikipedia Copyright © Sharon Mau 2009 / All Rights Reserved Canon EOS Digital Rebel XTi

  • Vesna Prckovska and Paulo / Napo’o ‘ana o ka la Pa’ako / Sunset Pa’ako Beach Maui Hawai’i Featured Art 18 June 2009 Of Noble Birth Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Beautiful Art and Greeting Cards For Sale ~ Shop securely and view my collection here Canon EOS Digital Rebel XTi / Shooting Date/Time 09 May 2009 19:04:50 / Tv 1/4 Av 5.6 ISO 400 Lens EF28-135mm f/3.5-5.6 IS USM / Focal Length 28.0 mm

  • Ke’anae Peninsula / Maui Hawai’i Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Beautiful Art and Greeting Cards For Sale ~ Shop securely and view my collection here “Be still, and you shall hear the distant thunder of yet a storm unknown. / Quietly watch, and you shall see the shadows fall from footprints across the sky. / And rejoice within your heart as the Gardener of the Earth, Planter of your soul returns, / for long were the days of rootless weeds starving the Life from His planted garden. And bitter was the darkness that befell the bloomless rose. Only after this earth has been bathed in its holy baptism / shall it become the glorious garden it was truly meant to be.” excerpts from The Prophet’s Candle by Daniel Canon EOS Digital Rebel XTi / This is a composite of two images taken at the same coastal location on Ke’anae Peninsula at the same time stitched together with Smoky City Design – The Panorama Factory software. / Shooting Date/Time 16 April 2007 20:32:35 / Flash Off Shutter Speed 1/250 Aperture10.0 ISO 400 / Lens EF28-135mm f/3.5-5.6 IS USM

  • Featured in A View Somewhere Group November – 21 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-——- Featured in That One Great Shot Group September – 13 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-- Challenge Winner in That One Great Shot Group – That One Great Waterfalls, Rivers &Streams Shot Challenge September – 13 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-- Nacionalni Park Krka ( National Park Krka) – Sibenik – Croatia / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- Nikon D300 Nikon 12/24

  • Mokulehua Stream Ulaino Rainforest Hana Maui Hawai’i Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Canon EOS Digital Rebel XTi Featured Art 21 August 2009 / Colours of Water / and / The Art of Intrigue / Mokulehua Reflections of Beauty /

  • Nice seashell on the beach with blue reflected sky

  • Nothing really special here, just a shot of the texture in much of the granite rock on Mt. Desert Island, Maine US…this is just below the summit of Cadillac mountain, the highest point on the east coast of the US…these groves, and the topography of the whole island and surrounding area, was formed by glaciers, many moons ago…Acadia National Park covers most of the island, all of it is one huge hunk of granite… / yep, those are tourists swarming around the top of the mountain… / I set up my tripod on top of this rock for the sunset (nothing spectacular, rats!) Canon EOS T1i, 18/270mm(@18), auto, handheld / 10/09 / Cadillac mountain, Mt. Desert island, Maine US / 3168×4752px ~ use large view, please ~ thanks for the look, my friends! / Live the Peace… Serious Fun Studios ~ fractal art images and photography Fractal Art Prints & Products by SBricker @ Zazzle fractal art by SBricker @ devientART Scott Bricker at Fine Art America Scott Bricker’s art at Art Wanted.com

  • Looking north up the length of Jordan Pond…the twin peaks (yes, they look like…) in the center are ‘The Bubbles’...the mountain to the left in frame is Penobscot Mountain…the mountain to the right in frame is Pemetic Mountain…a cold, and very windy day, this pond is very protected; it is usually very calm…one of the most popular places, on one of the busiest weekends of the year for tourists, but I could still get shots without people…nice place! / This area is easily accessible, with carriage roads, a great walking path around the lake, a natural amphitheater, and an excellent (and usually crowded) restaurant… Jordan Pond, Acadia National Park, Mt. Desert island, Maine US / Canon EOS T1i, 18/55mm, uv, auto / October, 2009 / 4752×3168pixels / / / ~ use large view, please ~ thanks for the look, my friends Serious Fun Studios ~ fractal art images and photography Fractal Art Prints & Products by SBricker @ Zazzle fractal art by SBricker @ devientART Scott Bricker at Fine Art America Scott Bricker’s art at Art Wanted.com

  • Aloha ‘oe / Aloalo Aheahe / Exotic Tropical Hibiscus soft billowing breeze / Ha’iku Maui Hawai’i “On a road outreaching the white clouds, / By a spring outrunning the bluest river, / Petals come drifting on the wind / And the brook is sweet with them all the way. / My quiet gate is a mountain-trail, / And the willow-trees about my cottage / Sift on my sleeve, through the shadowy noon, / Distillations of the sun.” poetry by Liu Shen-hsu Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Canon EOS Digital Rebel XTi / Shooting Date 25 November 2009

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