Infrared
2788 creative works found
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ir 2
by urbanghost -
ir 3
by urbanghost -
View from Lough Corrib of Ashford Castle. / Situated at Cong County Mayo Ireland this Blackand White Infrared image / has high contrast and is dramatic.
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Pictured near Recess in Connemara County Galway Ireland this Infrared Black and White image has great drama with the light illuminating the bare trees to the centre.
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infrared image of a flower
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Digital Infrared via an R72 Filter.
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IR-View from the bridge in the old town of Ronda, AndaLuzía, Spain. / Spring 2008.
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Trees shot in Loch Sheldrake with Infrared Film.
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IR testing with Hoya r72 and Canon 20D
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“Guiding Lights” Photography & Artwork / by Holly Kempe © A lighthouse and a full moon radiating out into the darkness of night. “For the moon, though one, dispels the darkness, which the stars, though numerous, can not.” / ~ Chanakya Guiding Lights was featured in the: Shoot the Moon group – Feb 09
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“River of Life” Photography & Artwork / by Holly Kempe © Sony a100 camera / Photoshop CS4 artwork Mangrove reflections. Original image taken at Tin Can Bay, Queensland. (view larger for details) “There’s a river of life with its pure crystal light, / Flowing out from the great white throne; / In that beautiful land where there is no night, / And where sorrow never can be known.” / ~ Joseph C Fisher
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Taken some time ago on the Franklin River Nature Trail in the South West of Tassie. Converted to Infrared using photoshop.
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Coorong
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Still
by KeithGentryLong infrared exposure of tourists looking at an Antony Gormley statue on the South Bank, London UK
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A shard of light on a couple with an umbrella Infrared, converted to B&W
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Halnaker windmill, West Sussex UK, shot in infrared
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Black & white Infrared down by the dock on the river in Texas .
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Hoya IR R72 filter in front of my Canon 40D.
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Hope you like it. :)
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Shot on infrared film with a Holga camera, on a small island in the northern part of the Göteborg archipelago.
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Photographing the old shipyard on the north bank of the Göta River was more difficult than I had anticipated. First, there were practical difficulties. In this time of hidden threats, terrorists, etcetera, most of the really interesting parts of the shipyard, which is still in use, was surrounded by barbed wire. I couldn’t get very close to the enormous cranes and dry docks. Then there was the difficulty of exposing the infrared film. I haven’t shot IR film in a while so 10 out of 11 frames were badly overexposed. Incidentally, it was the exact opposite when I shot my last roll a couple of years ago. At least I got one decent image – a few workers leaving their shift in the afternoon sun.
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