Industry landscape
378 creative works found
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To me this is an exciting industrial landscape where all the elements and colour work in harmony with each other. I find these places full of artisitc quality and have a real fascination in capturing these moments and re-presenting them in an aesthetic way.
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Took this on Stockton Bight, a long series of sand dunes that stretch from Anna Bay to Newcastle. These traps were placed to protect Williamtown air base (I believe) during World War II. 26km or so of these, 2m high concrete reinforced pyramids, and now all you can find is this small group, situated in a sand blow. Even they come and go depending on the wind. We took a tour from Anna bay, to see the tank traps, tin city and the wreck of the Sygma(?) I think the tank traps were the highlight for me OTHER NEW ZEALAND / FROGS / LENSBABY / INFRARED / BEACH / SPAM / PANORAMAS / LANDSCAPES / INDUSTRIAL
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HMS Warrior is a nineteenth century ironclad. She’s a beautiful vessel moored permanently within the Historic Dockyard at Portsmouth. I pass her every day on the way into work and she never fails to give me a little lift. When I was coming home and the sunset was looking so gorgeous, I couldn’t resist missing my ferry home for this shot!
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Italians just love their concrete, and once in a while will throw a piece of modernism architecture in an industrial area. I had so much fun in the early morning veering off into these areas and exploring the barren streets. There is the quintessential red and white stripe pole in the far, far distance that smacks of industrialism in Italy.
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OTHER INDUSTRIAL / REAL ESTATE SERIES / NEW ZEALAND / FROGS / LENSBABY / INFRARED / BEACH / SPAM / PANORAMAS / LANDSCAPES
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I sold a laminated print through Redbubble – August 2008 This is the coloured version Tank traps on Stockton bight, a series of sand dunes north of Newcastle. Recent visitors have discovered they are mostly all covered in sand now. OTHER BEACH SHOTS / REAL ESTATE SERIES / NEW ZEALAND / FROGS / LENSBABY / INFRARED / INDUSTRIAL / SPAM / PANORAMAS / LANDSCAPES
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The Quiet Earth is a series devised by / Paul Vanzella and Jo O’Brien Styling: Jo O’Brien / Model: Jo O’Brien / Art Direction: Jo O’Brien & Paul Vanzella / Photography: Paul Vanzella
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Captured along my travels, a part of Victoria that just keeps growing. This is my kind of landscape, I feel at home amongst the concrete and steel. Used an 11 – 17mm with the perspective corrected. This is another from the Transitional Industrial Utopia series. / / Check out this awesome rendition of this image by the wonderful Rose Moxon / / / . / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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translation: Industrial Landcsape / To me this is just what I like about the Italian landscape, found this area tucked away off a local highway… I basically followed the spaceship like monolith, and it was all there in front of me… red shipping container and all… I’m just really fascinated by this… some may find boring I find it intriguing.
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Sunset of Irish Industial Landscape
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Oil. 80×80cm ‘Experts calculated that in the heyday there were up to 4,000 bottle kilns in Stoke-on-Trent with as many as 2,000 still standing in the 1950’s. The Clean Air Act of 1953 sounded the death-knell for the smoky, coal fired oven. There are 47 still standing today – all are listed buildings.’
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These three images were shot on transparency film and the transparencies were manipulated further using a Daylab printer and Polaroid pull apart film where the film is pulled apart before a positive can be processed. The dyes remaining on the Polaroid film were then transferred by rolling onto blotting paper. This is a very unique technique as you will never be able to reproduce the same image twice. There will always be a different amount of dye remaining on the film each time you do it making each image different from the last. They are presented here as a series. More works created using this technique can be found here
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Industrial Light & Magic This photo was taken using a combination of hand held soft filters – homemade, actually. It has not been colourised with image-editing software. What you see, is what I took. / / Photographer for Hire – All Occasions – Mail Me :) / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / / Writings (or ramblings) / Another World / Time & Tears / The 3rd / The 10th / Weaver / High-Flyer / The In-Between Place / The Haggard Crone / Come, Dark / Chandelier Brain / Eat Me / You’re Strange, Rick / Ever-Queen / Sleeping / The Black, White & Grey
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A big thank you to the ever so talented writer Nicole Ryan for her writing. Her delightful words go with these images so nicely. / An itch in time / There were parts of me / she could never touch / those pieces / he would never rush / slow growing / behind fences / and faces / different times / small spaces / our places; filled with / lucid lines / dreams of sensored spines / and yesterdays that lingered. / The edges were laced / with prickly hearts / sad endings / powdered darts / simple starts / enough to keep it safe / enough to chew and waste / those pieces of ourselves / that were better. / You never wondered / I never counted / the amount of times that thistle stung / It doesn’t grow there anymore / we wouldn’t know where to explore / these things don’t exist / in my skin. / We burnt it all with yesterday. / © ryan / These three images were shot on transparency film and the transparencies were manipulated further using a Daylab printer and Polaroid pull apart film where the film is pulled apart before a positive can be processed. The dyes remaining on the Polaroid film were then transferred by rolling onto blotting paper. This is a very unique technique as you will never be able to reproduce the same image twice. There will always be a different amount of dye remaining on the film each time you do it making each image different from the last. They are presented here as a series. / More works created using this technique can be found here
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