Too close to the performer to get any full length shots and virtually no light, this was a bit difficult, but came out better than I could have hoped. Shooting Ilford Delta 3200.
This was shot on on my Nikon FM2 with Ilford Delta 100 B&W Film. It is the first roll I ever developped myself, as part of my Black & White Course at the ACP. Random shots of my life in Como. Scanned of the negative. There will be heaps more to come over the next few weeks. I hope you like them. Please also visit my website alexkess.com and my photoblog . Cheers, Alex
Standing on the shores of Loch Rannoch one evening, looking past submerged trees over to Schiehallion in the distance. Taken on the Hasselblad using Ilford FP4+ film.
A view with the dark inside of a tunnel forming a silhouetted outline to the jagged roof line and distant cliff-tops beyond, taken at Dunnottar Castle. From the first roll I developed in Moersch Tanol, a staining developer with gorgeous tonality and low grain.
Photo taken in 1956, Ilford box camera, 360 black /white film somewhere in Victoria / Ford ?? An ex girlfriend of my Husband, taken sitting on his 1937 Ford car , the popular ‘thing’ to do in ’ ‘Dem DA Olden Days ’ when females were there to be shown off like a trophy.and [some] females thought it cool to pose in their bathing togs and show how they had captured the super cool guy with a car… which some, [cars] actually had a wireless [radio] .
La Recoleta in the centre of Buenos Aries, is a vast and extraordinary necropolis that has becomeone of the most relevant historical and artistic monuments of the country. It’s were the remains of Eva Peron lie. And it’s just staggeringly beautiful and massive. It’s a world class example of funeral architecture and has been declared a heritage site. Still using film here. Ifford HP5. Then given its dark sepia cast to intensify the nostalgic and removed qualities in the image.
Every major city I’ve been in has its own prominent neon Coke sign and Buenos Aires is no exception. The coke sign in Sydney is the gateway to Kings Cross and all that goes on there and the coke sign in the city of Buenos Aires seems to be located in a fairly equivalent part of town. Shot with a tiny Russin lomo camera with Ilford HP5 b/w film on my recent visit to this amazing and vital city in Argentina.
Leo and Saturn rising behind trees at Woodland Waters, Lincolnshire. / / Taken on Ilford FP4+ 125 with a Lomo Lubitel 166B. Approximately 30mins at f8. / /
View over a bridge on a public footpath in a field on the outskirts of Billingborough, Lincolnshire. / / Taken on Ilford HP5+ 400 with a Lomo Lubitel 166B. / /
Monochrome / Photographic works by Aglaia B /
others from this series
I was a young fashion photographer’s assistant who had also photographed racehorses trained by my father. ITV heard the story and wanted to interview me with pictures of girls and horses. In this picture shot for Biba’s, a world famous boutique in Kensington High Street in the 60’s, I decided to combine them both. I borrowed the 20mm lens and the 250 exposure back from my boss, John Cowan, whose studio was used in the 1966 cult film Blow-Up and set off for Sussex. The 20mm lens had only just been introduced and was the first of it’s kind. Technical Details: Camera: Nikon F / Lens: Nikkor UD Auto 20mm f/3.5 / Motor Drive: 250 Exposure Back / Film: Bulk Ilford FP4 / ASA: 200 / Exposure: 1/250 at f/5.6 / Developer: D76 © 1966 John Hooton Photography
No not really. Cropping refers to the removal of the outer parts of an image to improve framing, accentuate subject matter or change aspect ratio. Depending on the application, this may be performed on a physical photograph, artwork or film footage, or achieved digitally using image editing software. The term is common to the film, broadcasting, photographic, graphic design and printing industries. Other images from Melbourne/Inner city suburbs and city streets
Limerick Junction / County Tipperary / Ireland / Bronica ETRS / Ilford XP2
Great boots!!! Taken with a Pentacon Six and Ilford HP4+. / Processed at home in Ilford ID-11.
Wemyss Lane, Darlinghurst, 2004 + Taken with 1960’s Ilford Sporti 120 on Ilford HP5+ bw film / [this camera cost me $1… what a bargain!]
Light painting with long matches around an old chair. I hosed the drive down with water so I could reflect light off it with a torch. This was originally a black and white shot, but I decided to infuse it with some wacky colours. Camera was my Mamiya C33, and film was ILFORD FP4
Shot on Ilford 125 FP4
Taken on rollieflex -scanned neg.
I remember one of the loneliest times for me at school was when it was playtime. Looking around to see who and if you could play with someone. I think though it made me learn to like my own company .. I am still very much happy to be in my own world.
Another one for my series on school. And more work drawn from my relationship with school.
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