Hyperrealism
25 creative works found
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Discarded objects combine with asbestos in this abandoned factory. Digital manipulation has the colours appearing hyperreal and the setting futuristic.
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This dragon, the symbol of Ljubljana, the capital of Slovenia, terrifies the sunset with its fiery breath.
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acrylic on canvas / 48” x 60” / © Brien White 2009
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oil on canvas / 40” x 60” / © Brien White 2009
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acrylic on canvas / 30” x 46” / © Brien White 2009
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oil on canvas / 36” x 36” / © Brien White 2009
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acrylic on canvas / 24” x 48” / © Brien White 2009
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Everything was drawn here, even the paper sheets and the wood background … Pencil, indian ink, ballpoint, ink and coloured pencils on paper / 90×70 cm / 1997
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When my children were young we used to visit Pigeon Forge, Tennessee on our way to the Great Smoky Mountains. Our last trip through I decided I would do some paintings of the less picturesque aspect of our trip. . . painting images of the tourist trap nestled at the base of those beautiful mountains. Of course the kids love the painting because it sparks deep fond memories of our family trips together. After nearly two years of on and off painting on Beach House, it’s ready to debut. BEACH HOUSE GRILL / original ptg. 33” x 23” / acrylic on canvas
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This piece is one of a series entitled Annular: To The Heart, From The Hand. It is also a possible contender for entry in the 2009 RAW Arts Awards. Armoury by Carmel Emanuel Abela.
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An homage to Marcel Duchamp, this trompe l’oeil painting is entirely two-dimensional and, contrary to appearances, does not contain any actual objects attached to its surface. This particular painting contains a copy of one of Marcel Duchamp’s works, Self-Portrait in Profile, from 1958. The silhouette of his face has been rotated, in this painting, to a reclining position to reference the death of Duchamp. These “cutout” trompe l’oeil paintings are painted with acrylic and oil on 3/4 inch birch panels. Lighting allows actual cast shadows falling on the wall to match up with the painted shadows. To see more images of paintings by Robert Tynes, please visit www.roberttynes.com on the web. This painting is approximately 25×27 inches in size.
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Again, contrary to appearances, this photograph is an image of an entirely two-dimensional trompe l’oeil “cutout” birch panel painting. The title refers to a quote by an early Surrealist, Isidore Ducasse (a.k.a. Lautremont) who proclaimed something to be “Beautiful as the chance encounter of a sewing machine and an umbrella on a dissection table.” The original painting measures approximately 36×38 inches, and was created with both oils and acrylics on a “cutout” birch panel. Painted in 2005, the original painting is in the collection of the Anderson Museum of Contemporary Art in Roswell, NM.
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Contrary to appearances, this “cutout” trompe l’oeil painting is completely two-dimensional, and is painted with both acrylic and oil on a 3/4 inch Finnish birch panel. Lighting allows actual cast shadows falling on the wall to match painted shadows. To see more images of paintings by Robert Tynes, please visit RobertTynes.com The original painting measures c. 60×60 inches in size.
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Like most of my work posted here this is a photograph of a two-dimensional painting. Contrary to all appearances, this is a flat trompe l’oeil painting and is actually the first cutout I did back in 1996. It is cut from a single sheet of 3/4 inch birch plywood and then painted to allow real shadows to fall on the wall and match up with the painted shadows. To learn more please see my artist statement or visit my website.
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Meow Meow – The Cat that got the Cream. Model: Meow Meow / MUA: Kate Watts aka Diamond Fox / Lighting Co-ordinator & Assistant: Jeff Paine / Personal Assistant: Miserys Malice / Dress by Howard Showers / Boots are model’s own Shot on location in my hotel room Melbourne, Australia – September ‘08. / Yes, I am finally putting it up. - I had the tremendous pleasure and amazing experience of shooting Meow Meow, the cabaret superstar last September when I ventured over to Melbourne. I personally love this image, and can’t believe I am the one that shot it. / What made it even better was when she informed me 3 months later that this image was featured promoting her Christmas season show in the New York Times. / What more could a girl ask for from Santa ;) Meow Meow’s Official site: www.meowmeowrevolution.com / New York Times feature: New York Times Copyright 2009 Harmony Nicholas & Meow Meow Sydney peeps, look out for this in October at the ART Sydney Fair… ;)
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a hyper-real Photograph of Marsascala, Malta. The weather was just so unusual for this time of the year.
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2nd image from my Hyperreal series of images of Marsascala
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Another shot of Marsascala Malta in HDR
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This is digital artwork (2009.) from my newest series “Hidden Dimension”.
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Portrait of my friend when she was 8. Size: A4 Canson drawing paper / Tools: HB, 2B, 5B pencils
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Portrait of Joanna Dong Size: A4 Canson drawing paper / Tools: HB mechanical, 4B, 5B pencils I decide to make a little challenge with that piece – no smudging. That’s why it seems a little rough…
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Portrait of Jackie Chan / (this drawing found its way to Jackie’s web page: http://www.jackiechankids.com/files/Art_Gallery_1b.html) Tools: 2B, 6B, mechanical HB pencils / Paper: A4 Canson drawing paper / Time: +20 hours and patience I don’t know why, but the picture’s quality is worse here than when I open it on my PC. Compare it with: / http://vforvieslav.deviantart.com/art/Jackie-Chan-108902038 / It’s the same picture, same file ! I don’t get it…
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oil on canvas / 48” x 60” / © Brien White 2009
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“Vanity of vanities, all is vanity.” / Koh 1,2 Portrait of Lucy / Canson A4 drawing paper / 8B, 3B, HB pencils ;)
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