Taken at Hume Weir Albury, Australia. Despite recent rain the water level in our weir is still very low (around 10%) so many of the old trees that were killed when the valley was damed are still poking through the water.
A winter only lake (Turlough) on ground that is nornally a field
preshili hills, wales
Another early morning landscape thats had the “flooded” treatment!!
This was taken at Appletree Cottage, Oakbank, in the Adelaide Hills, South Australia, Australia. It was taken in Autumn and in the late afternoon. Three shots were merged with Photomatix Pro and tone mapping. This was taken with a Canon DSLR EOS 350D camera.
The sunset and low cloud cover helped create a superb effect across the peaceful waters of Loch Lomond in the Loch Lomond and the Trossachs National Park.
This was taken using the dawn light at Oakbank in the Adelaide Hills, South Australia, Australia, in winter. I used a Canon DSLR EOS 350D on a tripod.
Made in Terragen over 1 year ago…. added lucisart today. Images copyright ©Kimberly Palmer. / Copying, displaying, manipulating or redistribution of any image from this portfolio without permission from the artist is strictly prohibited
I’d driven from the scottish borders to ben nevis, (the highest peak in uk) to meet some damp friends through low cloud and light rain…so the few shots I took were pretty glum and dismal looking….. But after slight tweaking I liked the wetness of this classic sight with every blade of grass just laden with moisture and the light rain still falling… Typical camping weather! / / View large to see in full ‘soggy-vision’ ... ;)) Taken with an old compact nikon coolpix 4800
The Black Swan Black on flat water past the jonquil lawns / Riding, the black swan draws / A private chaos warbling in its wake, / Assuming, like a fourth dimension, splendor / That calls the child with white ideas of swans / Nearer to that green lake / Where every paradox means wonder. Though the black swan’s arched neck is like / A question-mark on the lake, / The swan outlaws all possible questioning: / A thing in itself, like love, like submarine / Disaster, or the first sound when we wake; / And the swan-song it sings / Is the huge silence of the swan. Illusion: the black swan knows how to break / Through expectation, beak / Aimed now at its own breast, now at its image, / And move across our lives, if the lake is life, / And by the gentlest turning of its neck / Transform, in time, time’s damage; / To less than a black plume, time’s grief. Enchanter: the black swan has learned to enter / Sorrow’s lost secret center / Where like a maypole separate tragedies / Are wound about a tower of ribbons, and where / The central hollowness is that pure winter / That does not change but is / Always brilliant ice and air. Always the black swan moves on the lake; always / The blond child stands to gaze / As the tall emblem pivots and rides out / To the opposite side, always. The child upon / The bank, hands full of difficult marvels, stays / Forever to cry aloud / In anguish: I love the black swan.
In my series; Painting the Masters, at Shipley art gallery. This one is Lamesley, a little hamlet just outside Gateshead. / By J.A. Dees. A local unknown artist, from an indeterminate time. Watercolour 16” x 12”
The green farmlands of the Hunter Valley in New South Wales, Australia. Image As Is straight from a 6 MP Sony Cyber-Shot DSC-S500. F-stop: f/5.6 / Exposure time: 1/500 sec. / ISO speed: ISO-80 / Exposure bias: -1 step / Focal length: 5mm
The scenic farmlands of Woodville in the Hunter Valley, New South Wales. Image As Is straight from a 6 MP Sony Cyber-Shot DSC-S500. F-stop: f/5.6 / Exposure time: 1/400 sec. / ISO speed: ISO-80 / Exposure bias: -0.3 step / Focal length: 5mm
View more work from this series Untouched photograph. Best viewed LARGE
A very rare still day in Winter, January ‘08. / Total silence, except for the eerie sound of the ice creaking. A day to be treasured. Shot on my Canon EOS 20D, mounted on tripod, fitted with polariser, f27, 1/10th sec, iso 100, auto wb, RAW file processed PS CS3. / Levels/Curves selectively applied to lighten some shadow areas. FEATURED IN / http://www.redbubble.com/groups/unlimited-quality / AND / http://www.redbubble.com/groups/for-the-love-of-canon / AND / http://www.redbubble.com/groups/highlands-and-islands-photographers / AND / http://www.redbubble.com/groups/northern-landscape / AND / “http://www.redbubble.com/groups/streams-brooks-creeks”http://www.redbubble.com/groups/streams-brooks-creeks / AND / http://www.redbubble.com/groups/rivers-lakes-and-dams MORE OF THE SCOTTISH HIGHLANDS HERE
November 1, 2009 Chestnut Hill, MA Nikon D60, 18-55, raw, nd2 Chestnut Hill, MA was featured in the group Majestic Massachusetts November 12, 2009
Bridlington Beach, East Yorkshire, UK / Nikon D300 / Tamron 10-24mm / HDR, 4 shots, handheld / Photomatix Pro 3.1 / PP in PS SC3
Featured in Old Farts of RB 16th Dec,09 / Featured in Lakes & Inland Waterways 19th Dec 09 / Featured in All Countries Wetlands, Ponds, Lakes & Rivers 20th Dec 09 Leslie Dam, approx 13kms out of Warwick Queensland Nikon D90, Tamron 18-270mm / Focal length 18mm, F/4 @ 1/800sec / Manual exposure, Expo comp -2.0 / ISO 200. NDX8 filter used. Three raw files bracketed in camera. -2, 0, +2 / Tweaked in Photoshop /
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