Herne
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119 creative works found
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For the most special festival of the year, celebrated on October 31st. Sister witches dance round the fire as the old ones look on.
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Location: / Reculver, Kent, England Map: / Google Maps Date and Time: / 21 June 2007, 9.53 p.m. Camera details: / ISO 200 : f/5.6 : 1/3 second : 55mm : Nikon D40 : Nikon 18-55mm lens Shot narrative: / Taken on the longest day of the year there was a collection of people having a picnic party up at the base of Reculver Towers. It seems quite a popular place to watch the sun set at the latest possible time.
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This image is for all those who walk a simerla path to myself, i have been planning to draw a collection of images based on the yearly sabbats and this is the first one i have so far compleated. And all Redbubble’rs will be the first to see it haveing only compleated it last night. / Like most of my work there is a heavy celtic theam in this image but i have tryed to add as much symbolism as i could just to add to the power of the image, the figures are based with in a pentagram surronded by spirals of the waxing and waining moon, and then there is the cressent moon and the blazing sun, there is more but i dont want to give it all away and its fun to see if others can pick up on what is hidden in all my work.
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from my 2009 Calendar
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For a long time now i’ve been trying to think of a way of adding an image based around hares, These wonderful animals i rember from growing up on a farm, dashing round the feilds at dawn when the mist makes everything seem magical. / But i wanted to produce an image which was more than a hare stairing at the moon, so i hope you like the finished work with the horned god watching over them as they dance in the shadow of Glastonbury Tor.
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Ha…just a little funny on my part …it was odd how all the containers were turned so you couldn’t read the name…I could have called this “Comfort”..but that sounds a bit like a lush …so hope you enjoy my play on words here… Original digital photograph. / Taken with a Sony Full HD 1080 Cyber Shot camera. Thank You for viewing my art. VIEW susan’sgallery / VIEW susan’szazzle
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Herne the Hunter is a representation of the Horned God and he is closely associated with Windsor Great Park in Berkshire, UK. He is said to appear at times of national crisis. As an ancient deity he is known by many other names including Cernunnos and he is said to lead a wild hunt, chasing the souls across the sky. . Believe… and the magic will find you!
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The Friends of the Parish Church of St. Mary the Virgin is in the middle of nowhere between Herne Bay, and Reculver Kent. UK. But it is such a pretty Church, and worth going out of your way to visit. / Thank you for looking. / Edited from RAW in Dynamic Photo HDR,FREE DOWNLOAD / 1 shot x 3 / Then in CS3, and finished off in Picasa3 FREE DOWNLOAD
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Location: / Reculver, Kent, England Map: / Google Maps Date and Time: / 21 June 2008, 10.32 p.m. Camera details: / ISO 200 : f/3.5 : 5 seconds : 18mm : Nikon D40 : Nikon 18-55mm lens Shot narrative: / Just after the sun had set on the longest day, Reculver Towers are then illuminated by floodlight.
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Location: / Herne Bay, Kent, England Map: / Google Maps Date and Time: / 3 May 2009, 8.01 p.m. Camera details: / ISO 200 : f/13 : 1/2 second : 18mm : Nikon D40 : Nikon 18-55mm lens Shot narrative: / Just up the coast from the Herne Bay seafront at dusk, facing away from the sun as it’s last rays caught the walkway as it was bombarded with waves.
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Location: / Herne Bay, Kent, England Map: / Google Maps Date and Time: / 3 May 2009, 7.55 p.m. Camera details: / ISO 200 : f/13 : 1/5 second : 18mm : Nikon D40 : Nikon 18-55mm lens Shot narrative: / The otherside of the walkway, 6 minutes earlier and facing into the sun
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Sunset at Herne Bay, Kent, England
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Out of the dark forest into the realm of myth and literature. Created in Photoshop comprising photographic elements and shapes created in Groboto.
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Perhaps the most well-known encumbant of the Vicarage of Herne was Nicolas Ridley who is noted for the “Te Deum” to be sung in English for the first time. He may more often be remembered, as the then Bishop of London, for being burned at the stake in Oxford, along with Bishop Latimer. He was eventually accused and convicted of heresy in 1555 although unfortunately, throwing his support behind the attempt by Lady Jane Grey to become the Queen of England two years earlier had obviously not helped his cause. Prior to his death, he wrote several letters in which he fondly remembered his time at Herne. There are several fine 15th and 16th Century brasses in this Church. These are memorials to; Lady Fineux, the wife of the Chief Justice of the King’s Bench, John Darley, a former Vicar at Herne, Lady Phelip, whose husband supplied the jewels for the coronation of Edward IV, Peter Halle and his wife and the family of John Atte Sea.
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Situated just outside of herne , this long lane goes right through from the farm and over the hills.
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I climbed to the top of the hills , waited till the sun peaked through the clouds and it gave the fields a golden glow. I was also lucky to catch the shadows across the fields from the clouds above.
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1.991 – 2.003 ENGLISH Since 1970 there was already a demand for the company is unmatched in the construction of an auditorium. After contacts with the architect, the Auditorio de Tenerife started with the project so spectacular in 1.991. The play, after relocating to the project in several locations, finally was placed in the new commercial area of Santa Cruz, near the sea, next to his equally Fairs and Conferences. The building, without doubt, gives the impression of continuous movement, unflagging symbol of the architect. For the design of this magnificent work was Santiago Calatrava was inspired by no less than a breaking wave. Potentially modern style and symbolic nature, the Auditorio de Tenerife is composed of a series of curved volumes, some of them lined trencadís technique, Gaudí’s undeniable influence, which overhangs the main body of the curved shape the concrete dome. This huge dome is located no less than 50 meters high with respect to the lower plaza that surrounds it. On both sides of the auditorium, Calatrava indicates the access inside the main hall of the building by two enormous arches placed on a stepped platform. Inside, the majestic building has several distinct spaces, the Symphony Hall, located at level zero and one, has a scenario of 380 m² for a capacity of around 1558 spectators. The other important room, the Chamber Hall, has 150 square meters and a capacity for 428 spectators. In short, the Auditorio de Tenerife is without doubt a unique building and symbol of the island of Tenerife and image externally. ESPAÑOL Desde el año 1.970 ya había una demanda por la sociedad tinerfeña para la construcción de un Auditorio. Después de los contactos previos con el arquitecto, el Auditorio de Santa Cruz de Tenerife arrancaba con el proyecto tan espectacular en el año 1.991. La obra, después de ubicarla en proyecto en varios emplazamientos, finalmente se situó en la nueva zona de expansión de Santa Cruz, junto al mar, al lado de su también Recinto de Ferias y Congresos. El edificio, sin dudas, da la sensación de movimiento continuo, símbolo incansable del arquitecto. Para el diseño de esta majestuosa obra Santiago Calatrava se inspiraba nada menos que en una ola rompiente. De estilo potencialmente moderno y de carácter simbólico, el Auditorio de Tenerife se compone de una serie de volúmenes curvos, algunos de ellos revestidos por la técnica del trencadís, influencia indudable de Gaudí, en el que sobresale por encima del cuerpo central la forma curva de la cúpula de hormigón. Esta enorme cúpula se sitúa nada menos que a 50 metros de altura con respecto a la plaza inferior que la rodea. A ambos lados del Auditorio, Calatrava nos indica el acceso al interior del hall principal del edificio mediante dos arcos enormes situados sobre una plataforma escalonada. En el interior, el majestuoso edificio cuenta con varios espacios bien diferenciados; la Sala Sinfónica, situada en el nivel cero y uno, tiene un escenario de 380 m² para un aforo de unos 1.558 espectadores. La otra sala importante, la Sala de Cámara, dispone de 150 m² y un aforo para 428 espectadores. En definitiva, el Auditorio de Santa Cruz de Tenerife es sin dudas una construcción singular, símbolo de la isla de Tenerife e imagen de cara al exterior. © José Miguel Hernández Hernández
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(1884 – 1886) Client: People of France / Author: Frederic-Auguste Bartholdi / Height without stand: 46.05 meters / Height with Pedestal: 92.99 meters / Weight: 27,000 tons Located on Liberty Island, which bathes the Hudson River and approximately 2.5 kilometers away from Manhattan, the famous Statue of Liberty stands as a splendid symbol of freedom to doubt the whole world. Frédérick-French sculptor Auguste Bartholdi, was commissioned by the French authorities to carry out this giant sculpture that donate to the city of New York to mark the centenary of the Independence of the United States in 1886. The structural engineer Maurice Koechlin, author also of the structural design of the famous Eiffel Tower, build the skeleton to form the basis for the French sculptor carve the 350 pieces that make up the work. The sculpture was built in France at the workshop in 1884 and dismantled for parts arrive by ship to New York in 1885. The famous drawing (Skyline) today offered the city’s skyscrapers of Manhattan, can be seen also from the island itself. The 350 copper panels have a thickness of 2.37 mm each and are the material of the huge sculpture, along with steel internal structure that supports it. A museum is located inside the pedestal that would fund various sources of the United States of America. Corrosion caused by the weather of the place, is offered by the green color characteristic of the statue. In 1984 the Statue of Liberty would be declared a UNESCO World Heritage Site. The famous statue would be inaugurated on 28 October 1886, and today is a symbol of the island of Manhattan. The statue holds in her right hand a torch covered in gold. In his left hand the statue holds a table with the inscription "July IV MDCCLXXVI" (July 4, 1,776), the day that America declared independence. ESPAÑOL Cliente: Pueblo de Francia / Autor: Frédéric-Auguste Bartholdi / Altura sin pedestal: 46.05 metros / Altura con Pedestal: 92.99 metros / Peso: 27.000 toneladas Localizada en la Isla de la Libertad que baña el río Hudson y a 2.5 kilómetros de distancia aproximadamente del sur de Manhattan, la famosa Estatua de la Libertad se erige espléndida como un símbolo indudable de libertad para el mundo entero. El escultor francés Frédérick-Auguste Bartholdi, recibía el encargo por parte de las autoridades francesas para la realización de esta gigante escultura que donarían a la ciudad de Nueva York con motivo del Centenario de la Independencia de los Estados Unidos de América en 1.886. El Ingeniero estructural Maurice Koechlin, autor también del diseño estructural de la famosa Torre Eiffel de París, construiría el esqueleto que serviría de base para que el escultor francés esculpiese las 350 piezas que conforman la obra. La escultura fue construida en Francia en el taller en 1.884, y llegaría desmontada por piezas en barco hasta Nueva York en 1.885. El famoso dibujo (Skyline) que ofrecen hoy día los rascacielos de la ciudad de Manhattan, puede ser observado también desde la propia isla. Los 350 paneles de cobre tienen un espesor de 2.37 mm cada uno y son el material empleado en la enorme escultura, junto con el acero de la estructura interna que lo sostiene. Un Museo se sitúa en el interior del pedestal que financiarían diversas fuentes de los Estados Unidos de América. La corrosión provocada por la climatología propia del lugar, es la que ofrece el característico color verde de la estatua. En el año 1.984 la Estatua de la Libertad sería declarada por la UNESCO Patrimonio de la Humanidad. La famosa estatua sería inaugurada el 28 de octubre de 1.886, y a día de hoy es todo un símbolo de la isla de Manhattan. La estatua sostiene en su mano derecha una antorcha recubierta de oro. En su mano izquierda la estatua sostiene una tabla con la inscripción “July IV MDCCLXXVI”, (4 de julio de 1.776) , día en el que los Estados Unidos declaraban la independencia. © José Miguel Hernández Hernández
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Others related images: 1.987 – 1.992 ENGLISH Client: Junta de Andalucía / Architect: Santiago Calatrava / Type: Bowstring / Span: 656 ft / Use: Mixed Local Authorities ordered from Sevilla Santiago Calatrava bridge to provide access to Cartuja island where the Universal Exhibition held in Seville in 1992. In its original form two bridges planned Calatrava symmetrical and opposed to each side of the Cartuja island to provide access to the important exhibition. Subsequently, due to excessive cuts in the budget, the client chose to perform a single bridge over a viaduct of 500 meters in total length. The Alamillo Bridge finally stood on the east side of Round Ring, meander through the San Jeronimo, a tributary of the Guadalquivir river. Highlights of this work is undoubtedly the spectacular cable-stayed pylon height of 142 meters final with the help of 13 pairs of wires that are anchored to the bottom of the deck and through its own weight, get long sustain board 200 meters in total length. This enormous basin, which contains within itself a staircase than one viewpoint at the summit which is called “the eye of the horse’s head” and from which you can see a panoramic view of the entire city of Seville has an inclination of 58 degrees resembles one of the pyramids of Egypt, Cheops. It would give the board a mixed use which was distributed in three lanes for each direction of traffic on both sides and a walkway for pedestrians and bicycles higher in the center. Inspiration Calatrava imagined prior to the completion of this majestic bridge was triggered by a previous sculpture designed by the architect himself called “Torso in motion.” ESPAÑOL Cliente: Junta de Andalucía / Arquitecto: Santiago Calatrava / Tipo: Atirantado / Vano: 200 metros / Uso: Mixto Las Autoridades Locales de Sevilla encargaban a Santiago Calatrava un puente para dar acceso a la isla de la Cartuja donde se celebraría la Exposición Universal de Sevilla en el año 1.992. En su primer diseño Calatrava había previsto dos puentes simétricos y opuestos a cada lado de la isla de la Cartuja para dar acceso a la importante Exposición. Posteriormente, debido a recortes excesivos en el presupuesto, el cliente prefirió realizar un solo puente más un viaducto de 500 metros de longitud total. El Puente del Alamillo se situó finalmente en el lado este de la Ronda de Circunvalación, atravesando el meandro de San Jerónimo, un afluente del río Guadalquivir. Lo más destacado de esta obra es sin lugar a dudas el espectacular pilón atirantado de 142 metros de altura final que con la ayuda de 13 pares de cables que se anclan a la parte inferior de la cubierta y mediante su propio peso, consiguen sustentar el largo tablero de 200 metros de longitud total. Este enorme pilón, que contiene en su interior una escalera de acceso superior a un mirador situado en la cúspide al que se le conoce como “El ojo de la cabeza de caballo” y desde el que se divisa una vista panorámica de toda la ciudad de Sevilla, dispone de una inclinación de 58 grados similar a una de las pirámides de Egipto, Keops. Se le daría un uso mixto al tablero que se distribuyó en tres carriles para cada sentido de tráfico rodado a ambos lados y una pasarela para peatones y bicicletas más elevada en el centro. La inspiración previa que imaginó Calatrava para la realización de este majestuoso puente vino motivada por una escultura previa diseñada por el propio arquitecto llamada “Torso en movimiento”. © José Miguel Hernández Hernández
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Taken with a Canon 50D, Canon 100 – 400 L series lens @ 100mm, F7.1, shutter speed 1/500 second ISO200, edited in Photoshop This shot was taken near Reculver Castle, the building silhouette in the distance is the old pier that is at Herne Bay. The pier was an incredible 3,613 foot long and a sail powered trolley way was installed to transport alighting passengers and their luggage to the town. It made its debut run on 13 June 1833. Unfortunately the pier was made out of wood after only a few years it began to rot, now the end of the pier is isolated in the bay. Please view large
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(1884 – 1886) ENGLISH Client: People of France / Author: Frederic-Auguste Bartholdi / Height without stand: 46.05 meters / Height with Pedestal: 92.99 meters / Weight: 27,000 tons Located on Liberty Island, which bathes the Hudson River and approximately 2.5 kilometers away from Manhattan, the famous Statue of Liberty stands as a splendid symbol of freedom to doubt the whole world. Frédérick-French sculptor Auguste Bartholdi, was commissioned by the French authorities to carry out this giant sculpture that donate to the city of New York to mark the centenary of the Independence of the United States in 1886. The structural engineer Maurice Koechlin, author also of the structural design of the famous Eiffel Tower, build the skeleton to form the basis for the French sculptor carve the 350 pieces that make up the work. The sculpture was built in France at the workshop in 1884 and dismantled for parts arrive by ship to New York in 1885. The famous drawing (Skyline) today offered the city’s skyscrapers of Manhattan, can be seen also from the island itself. The 350 copper panels have a thickness of 2.37 mm each and are the material of the huge sculpture, along with steel internal structure that supports it. A museum is located inside the pedestal that would fund various sources of the United States of America. Corrosion caused by the weather of the place, is offered by the green color characteristic of the statue. In 1984 the Statue of Liberty would be declared a UNESCO World Heritage Site. The famous statue would be inaugurated on 28 October 1886, and today is a symbol of the island of Manhattan. The statue holds in her right hand a torch covered in gold. In his left hand the statue holds a table with the inscription "July IV MDCCLXXVI" (July 4, 1,776), the day that America declared independence. ESPAÑOL Cliente: Pueblo de Francia / Autor: Frédéric-Auguste Bartholdi / Altura sin pedestal: 46.05 metros / Altura con Pedestal: 92.99 metros / Peso: 27.000 toneladas Localizada en la Isla de la Libertad que baña el río Hudson y a 2.5 kilómetros de distancia aproximadamente del sur de Manhattan, la famosa Estatua de la Libertad se erige espléndida como un símbolo indudable de libertad para el mundo entero. El escultor francés Frédérick-Auguste Bartholdi, recibía el encargo por parte de las autoridades francesas para la realización de esta gigante escultura que donarían a la ciudad de Nueva York con motivo del Centenario de la Independencia de los Estados Unidos de América en 1.886. El Ingeniero estructural Maurice Koechlin, autor también del diseño estructural de la famosa Torre Eiffel de París, construiría el esqueleto que serviría de base para que el escultor francés esculpiese las 350 piezas que conforman la obra. La escultura fue construida en Francia en el taller en 1.884, y llegaría desmontada por piezas en barco hasta Nueva York en 1.885. El famoso dibujo (Skyline) que ofrecen hoy día los rascacielos de la ciudad de Manhattan, puede ser observado también desde la propia isla. Los 350 paneles de cobre tienen un espesor de 2.37 mm cada uno y son el material empleado en la enorme escultura, junto con el acero de la estructura interna que lo sostiene. Un Museo se sitúa en el interior del pedestal que financiarían diversas fuentes de los Estados Unidos de América. La corrosión provocada por la climatología propia del lugar, es la que ofrece el característico color verde de la estatua. En el año 1.984 la Estatua de la Libertad sería declarada por la UNESCO Patrimonio de la Humanidad. La famosa estatua sería inaugurada el 28 de octubre de 1.886, y a día de hoy es todo un símbolo de la isla de Manhattan. La estatua sostiene en su mano derecha una antorcha recubierta de oro. En su mano izquierda la estatua sostiene una tabla con la inscripción “July IV MDCCLXXVI”, (4 de julio de 1.776) , día en el que los Estados Unidos declaraban la independencia. © José Miguel Hernández Hernández
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“A Green Man is a sculpture, drawing, or other representation of a face surrounded by or made from leaves. Branches or vines may sprout from the nose, mouth, nostrils or other parts of the face and these shoots may bear flowers or fruit. Commonly used as a decorative architectural ornament, Green Men are frequently found on carvings in churches and other buildings (both secular and ecclesiastical). “The Green Man” is also a popular name for English public houses and various interpretations of the name appear on inn signs, which sometimes show a full figure rather than just the head. The Green Man motif has many variations. Found in many cultures around the world, the Green Man is often related to natural vegetative deities springing up in different cultures throughout the ages. Primarily it is interpreted as a symbol of rebirth, or “renaissance,” representing the cycle of growth each spring. Some speculate that the mythology of the Green Man developed independently in the traditions of separate ancient cultures and evolved into the wide variety of examples found throughout history.”
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