Harvey
27 members found (show all)
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Lloyd Harvey
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Steve Harvey
United States
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Matt Harvey
Australia
218 creative works found
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The Movie Domino is one of my most fav movies, if I could play any role in any movie it would have to be Domino Harvey’s. This is painted in acrylic , the real size of the painting is 50cm x 50cm, then I added some blood splater using photoshop.
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On a frosty june morning I found myself to the top of a local range near Geranium in the Souther Mallee looking at one of the most brilliant sunrise’s I have ever seen. The warm glow of the sun across the clouds and the shifting light made me forget about the the freezing temperatures I was working in.
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Robe in South Australia is the home of this lighthouse and the rocky cliffs that wonder the coast leaving small beaches here and there. Shot taken soon after sunset as the light beam enhanced the rock face and reflected off the slow rolling waves.
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Another working day ends in country Australia.
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Early morning in the southern Mallee can be breathtaking. The light cloud changes through the colours of the rainbow even before the sun peers over the horizon.
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He is the sort of dentist no one wants…as he is blind, armless and a creature of hell. One my early water colour paintings that many people (people with odd issues) tell me they like the most. Completed in 2006. Original Does Not Exist Contact me at lloydharvey[at]shrunkenheaddesign.co.uk / www.shrunkenheaddesign.co.uk
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The last strike for the night! Taken on one side of a valley where 5 roads intersect hence the name Bee Hive…
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At the recent Skateboarding championships, Harvey parted company with his skateboard….....................
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Early morning light sets the limestone walls of this old stable and the grasses awash with a red glow. Geranium, Southern Mallee , South Australia
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As the sun lowered this golden ripe crop of wheat turned a stunning rusty red. Southern Mallee Australia.
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A lowering sun shows the true colour of these nearly ready crops as a rain cloud tries to gain enough strength to unload the moisture collected during the warm day. No it didn’t rain. Southern Mallee Australia
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Medium: Acrylic and Watercolour Paint on Paper / Size: A4 / Description: About an octopus who has developed a suit so that he may walk with the humans. A piece to fulfill my curiosity with octopuses and old looking diving helmets. The character’s odd infatuation with the human race mirrors my own with his species. Completed in 2008. Original For Sale Contact me at lloydharvey@shrunkenheaddesign.co.uk / www.shrunkenheaddesign.co.uk
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The spirits of the shadows are a playful lot, responsible for moving your keys or anything you put down. This is a digital oil painting and was created in Artrage. Completed 2008. Contact me at lloydharvey[at]shrunkenheaddesign.co.uk / www.shrunkenheaddesign.co.uk
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“Do you wanna know how I got my scars?” Inspired by the new Batman movie, The Dark Knight. Heath Ledger deserves an Oscar. period.
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Medium: Digital / Size: 17” x 9” / Description: A digital painting created entirely in digitally whilst watching Batman Begins, Princess Mononokee and Fight Club. 2008. Original Does Not Exist Contact me at lloydharvey@shrunkenheaddesign.co.uk / www.shrunkenheaddesign.co.uk
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A series of silhouette self-portraits taken in front of a venetian blind.
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Medium: Acrylic Paint on Board / Size: 10” x 14” / Description: One of my paintings from my Sick, Sad Little World Series. Completed in 2008. Original Not For Sale Contact me at lloydharvey@shrunkenheaddesign.co.uk / www.shrunkenheaddesign.co.uk
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Lightning from an approaching storm west of Geranium in the Southern Mallee South Australia
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Copyright 2009.
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Based on my character, The Seamster Copyright 2009.
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Medium: Acrylic Paint on Acrylic Paper / Size: 12” x 16” / Description: Based on the first song from the Tool album 10,000 Days, Vicarious was completed in early 2009 and was an attempt at a more surrealistic style. I don’t watch a great deal of television anymore. In recent times I have noticed that there are a lot of people who do nothing but work then go home and stare at the box. This is fine in some respects, I’m not here judging those. But one thing that stands out to me is society’s obsession with the misery of others, violence and strange. It bares a stark likeness to the Victorian fascination with the side shows in carnivals. People who never miss and episode of a soap opera or even delight (subconsciously) at watching grim events on the news, are tapping into vicarious voyeuristic behavior. In my piece, the mountains of televisions represent portals in which we, as humans, stare through into strange worlds. Contact me at lloydharvey[at]shrunkenheaddesign.co.uk / www.shrunkenheaddesign.co.uk
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Medium: Acrylic Paint on Acrylic Paper / Size: 12” x 16” / Description: Based on the fifth song from the Tool album 10,000 Days, The Pot was completed in 2009 and was an attempt at a more surrealistic style. In this painting, I wanted to infuse a sense of wonder and mystery to a surrealistic style. I also wanted to capture that magical element that is so apparent in Tool’s music. I didn’t base my painting on the band’s meaning of the song as I had portrayed it (inadvertently) in another piece. Set in a desert, a man encounters a giant pot that has no explanation as to why it is there. Suddenly, a fleshy eye opens and stares intently at the man. The man stares back. The Pot doesn’t blink. The man forgets to drink water. The Pot is indefatigable. The man soon dies. The Pot closes it’s large eye and continues to hide it’s mysteries. Contact me at lloydharvey[at]shrunkenheaddesign.co.uk / www.shrunkenheaddesign.co.uk
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Medium: Digital / Size: 5” x 7” / Description: Created in a trail version of Photoshop, June 2009, this piece started out as an acrylic painting on textured canvas paper. I felt I had painted myself into a corner with this piece, so I transferred it to the computer to finish it. The Witch King came about, not from Tolkien’s creation of the same name, but more on the idea of a Burrow Wrights, Liches and Psychopomps. Whilst researching another painting, I found numerous articles on these types of ghostly beings and decided to create a character based loosely around these archetypes of the fantasy genre. Ghosts, to me, represent a manifestation of the fear of the unknown, the almost unexplainable. Although I don’t personally believe in the existence of such entities, my non-belief doesn’t stop me from illustrating them. Original Does Not Exist Contact me at lloydharvey@shrunkenheaddesign.co.uk / www.shrunkenheaddesign.co.uk
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