Green organize
452 creative works found
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Location: Wife’s grandmother’s garden. All artwork is copyright© to Stephen Mitchell / All Rights Reserved. / You may not use, replicate, manipulate, redistribute, or modify my photography, writing, and artwork without my express consent.
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Vegetables at the farmers market in Santa Barbara, CA
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a narrow angle of tree of life /
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a variation from /
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........ready.
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Limited to 10…
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Acrylic on canvas, Carrara modeling and rendering, Photoshop
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Check out more products from this design here!
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Best viewed LARGE Grass – Light / Grass – Dark /
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Untouched photograph, effects achieved ‘in-camera’. Best viewed LARGE Grass – Dark / Organic /
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Leaf
by DesignsByDebAutumn leaf macro taken with a Sony S-650.
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Please support me and favorite this piece here too. Thank you / / Click them / / / / Yaaaay another installment of the flower and make-up series. This time the theme is green. I hope you enjoy this.
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Fractal abstract (best viewed large) / (Fractal Explorer 2.02 & PSP X2) / Copyright © LiorG 2009 This work was featured in the group Psychedelic Art & Design. Add Lior Goldenberg to your watchlist
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Two pinecones on christmas green brunch in the forest / Nikon D60
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Pastels and Coloured Pencil on 280 gsm Linen Paper FEATURED in ‘First Things’ July 2009 FEATURED in ‘Colour me a rainbow’ July 2009 /
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A dreamy fractal with some postwork _____ /
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Digital finger painting (with a mouse), completed through the wee small hours. I’m having trouble sleeping, too many images in my head. Even when I’m asleep, I’m drawing in my dreams. I’m having so much fun experimenting with digital, it’s a new medium for me and I just love it. FEATURED in ‘Creative Cards’ August, 2009 / FEATURED in ‘Lifeline’ August, 2009 /
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Green peas from my garden, shot on a white background. This photo was shot using natural light in the shade. It is part of an ongoing series of images I’m developing on vegetables on white background.
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Fresh Organic Fruits
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The surface was eroded in places where he leaned his hand. He brushed away the dust when he rubbed his palm across his eyebrow, pretending to brush at wiry black hairs. Then his fingers dripped across the ridge of his nose and quickly flicked under his eye. The hands that shook on the steering wheel were not rough, not muscular, yet strong. Farm hand genes. Or maybe a youth that was rougher than was obvious from the business suit and tie that was always worn. Or was that just the way I remember it? / “Brain cancer,” he said. / “Does that mean she’s going to die?” A child’s questions are more truthful than an adults. They don’t know yet about not mentioning certain things out loud. / His response was mumbled and unclear. But I saw tears in his eyes. And it frightened me. I don’t know why. Maybe it was that Daddy was suppose to be always in control, in charge and that meant the world would never fall apart. It was as if God lost control. How unfair I was. To not want him to be a person with emotions. But I was just a child. I didn’t know he was just a man. Weak and afraid. Sometimes. But also courageous and noble and fearless. “Beginning to Bread Away” is 24”x30” acrylic, ink, and gesso on stretched canvas.
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