Glassbeadgame 

186 creative works found

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  096
  by myndzi

  This is from a larger work called ‘Forbidden Fruit’ comprising 25 groups of 5 images. This is the first image of group 20. The creative process begins with felt tip pen drawings on graph paper. These are then scanned into photoshop and digitally manipulated to create the effect of photographed installations. Whilst the content is clearly non-figurative and geometrically derived there is a genuine message to the work. I am either exposing to conscious inspection the archtypical patterns underlying “the meaning of life, the universe and everything’ or I’m “completely off my head”. In the final analysis it’s just a work of art.

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  068
  by myndzi

  This is from a larger work called ‘Forbidden Fruit’ comprising 25 groups of 5 images. This is the third image of group 14. The creative process begins with felt tip pen drawings on graph paper. These are then scanned into photoshop and digitally manipulated to create the effect of photographed installations. Whilst the content is clearly non-figurative and geometrically derived there is a genuine message to the work. I am either exposing to conscious inspection the archtypical patterns underlying “the meaning of life, the universe and everything’ or I’m “completely off my head”. In the final analysis it’s just a work of art.

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  020
  by myndzi

  This is from a larger work called ‘Forbidden Fruit’ comprising 25 groups of 5 images. This is the fifth image of group 4. The creative process begins with felt tip pen drawings on graph paper. These are then scanned into photoshop and digitally manipulated to create the effect of photographed installations. Whilst the content is clearly non-figurative and geometrically derived there is a genuine message to the work. I am either exposing to conscious inspection the archtypical patterns underlying ‘the meaning of life, the universe and everything’ or I’m “completely off my head”. In the final analysis it’s just a work of art.

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  025
  by myndzi

  This is from a larger work called ‘Forbidden Fruit’ comprising 25 groups of 5 images. This is the fifth image of group 5. The creative process begins with felt tip pen drawings on graph paper. These are then scanned into photoshop and digitally manipulated to create the effect of photographed installations. Whilst the content is clearly non-figurative and geometrically derived there is a genuine message to the work. I am either exposing to conscious inspection the archtypical patterns underlying ‘the meaning of life, the universe and everything’ or I’m “completely off my head”. In the final analysis it’s just a work of art.

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  052
  by myndzi

  This is from a larger work called ‘Forbidden Fruit’ comprising 25 groups of 5 images. This is the second image of group 11. The creative process begins with felt tip pen drawings on graph paper. These are then scanned into photoshop and digitally manipulated to create the effect of photographed installations. Whilst the content is clearly non-figurative and geometrically derived there is a genuine message to the work. I am either exposing to conscious inspection the archtypical patterns underlying ‘the meaning of life, the universe and everything’ or I’m “completely off my head”. In the final analysis it’s just a work of art.

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  065
  by myndzi

  This is from a larger work called ‘Forbidden Fruit’ comprising 25 groups of 5 images. This is the fifth image of group 13. The creative process begins with felt tip pen drawings on graph paper. These are then scanned into photoshop and digitally manipulated to create the effect of photographed installations. Whilst the content is clearly non-figurative and geometrically derived there is a genuine message to the work. I am either exposing to conscious inspection the archtypical patterns underlying ‘the meaning of life, the universe and everything’ or I’m “completely off my head”. In the final analysis it’s just a work of art.

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  092
  by myndzi

  This is from a larger work called ‘Forbidden Fruit’ comprising 25 groups of 5 images. This is the second image of group 19. The creative process begins with felt tip pen drawings on graph paper. These are then scanned into photoshop and digitally manipulated to create the effect of photographed installations. Whilst the content is clearly non-figurative and geometrically derived there is a genuine message to the work. I am either exposing to conscious inspection the archtypical patterns underlying ‘the meaning of life, the universe and everything’ or I’m “completely off my head”. In the final analysis it’s just a work of art.

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  094
  by myndzi

  This is from a larger work called ‘Forbidden Fruit’ comprising 25 groups of 5 images. This is the fourth image of group 19. The creative process begins with felt tip pen drawings on graph paper. These are then scanned into photoshop and digitally manipulated to create the effect of photographed installations. Whilst the content is clearly non-figurative and geometrically derived there is a genuine message to the work. I am either exposing to conscious inspection the archtypical patterns underlying ‘the meaning of life, the universe and everything’ or I’m “completely off my head”. In the final analysis it’s just a work of art.

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  095
  by myndzi

  This is from a larger work called ‘Forbidden Fruit’ comprising 25 groups of 5 images. This is the fifth image of group 19. The creative process begins with felt tip pen drawings on graph paper. These are then scanned into photoshop and digitally manipulated to create the effect of photographed installations. Whilst the content is clearly non-figurative and geometrically derived there is a genuine message to the work. I am either exposing to conscious inspection the archtypical patterns underlying ‘the meaning of life, the universe and everything’ or I’m “completely off my head”. In the final analysis it’s just a work of art.

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  114
  by myndzi

  This is from a larger work called ‘Forbidden Fruit’ comprising 25 groups of 5 images. This is the fourth image of group 23. The creative process begins with felt tip pen drawings on graph paper. These are then scanned into photoshop and digitally manipulated to create the effect of photographed installations. Whilst the content is clearly non-figurative and geometrically derived there is a genuine message to the work. I am either exposing to conscious inspection the archtypical patterns underlying ‘the meaning of life, the universe and everything’ or I’m “completely off my head”. In the final analysis it’s just a work of art.

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  115
  by myndzi

  This is from a larger work called ‘Forbidden Fruit’ comprising 25 groups of 5 images. This is the fifth image of group 23. The creative process begins with felt tip pen drawings on graph paper. These are then scanned into photoshop and digitally manipulated to create the effect of photographed installations. Whilst the content is clearly non-figurative and geometrically derived there is a genuine message to the work. I am either exposing to conscious inspection the archtypical patterns underlying ‘the meaning of life, the universe and everything’ or I’m “completely off my head”. In the final analysis it’s just a work of art.

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  116
  by myndzi

  This is from a larger work called ‘Forbidden Fruit’ comprising 25 groups of 5 images. This is the first image of group 24. The creative process begins with felt tip pen drawings on graph paper. These are then scanned into photoshop and digitally manipulated to create the effect of photographed installations. Whilst the content is clearly non-figurative and geometrically derived there is a genuine message to the work. I am either exposing to conscious inspection the archtypical patterns underlying ‘the meaning of life, the universe and everything’ or I’m “completely off my head”. In the final analysis it’s just a work of art.

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  117
  by myndzi

  This is from a larger work called ‘Forbidden Fruit’ comprising 25 groups of 5 images. This is the second image of group 24. The creative process begins with felt tip pen drawings on graph paper. These are then scanned into photoshop and digitally manipulated to create the effect of photographed installations. Whilst the content is clearly non-figurative and geometrically derived there is a genuine message to the work. I am either exposing to conscious inspection the archtypical patterns underlying ‘the meaning of life, the universe and everything’ or I’m “completely off my head”. In the final analysis it’s just a work of art.

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  118
  by myndzi

  This is from a larger work called ‘Forbidden Fruit’ comprising 25 groups of 5 images. This is the third image of group 24. The creative process begins with felt tip pen drawings on graph paper. These are then scanned into photoshop and digitally manipulated to create the effect of photographed installations. Whilst the content is clearly non-figurative and geometrically derived there is a genuine message to the work. I am either exposing to conscious inspection the archtypical patterns underlying ‘the meaning of life, the universe and everything’ or I’m “completely off my head”. In the final analysis it’s just a work of art.

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  119
  by myndzi

  This is from a larger work called ‘Forbidden Fruit’ comprising 25 groups of 5 images. This is the fourth image of group 24. The creative process begins with felt tip pen drawings on graph paper. These are then scanned into photoshop and digitally manipulated to create the effect of photographed installations. Whilst the content is clearly non-figurative and geometrically derived there is a genuine message to the work. I am either exposing to conscious inspection the archtypical patterns underlying ‘the meaning of life, the universe and everything’ or I’m “completely off my head”. In the final analysis it’s just a work of art.

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  120
  by myndzi

  This is from a larger work called ‘Forbidden Fruit’ comprising 25 groups of 5 images. This is the fifth image of group 24. The creative process begins with felt tip pen drawings on graph paper. These are then scanned into photoshop and digitally manipulated to create the effect of photographed installations. Whilst the content is clearly non-figurative and geometrically derived there is a genuine message to the work. I am either exposing to conscious inspection the archtypical patterns underlying ‘the meaning of life, the universe and everything’ or I’m “completely off my head”. In the final analysis it’s just a work of art.

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  125
  by myndzi

  This is from a larger work called ‘Forbidden Fruit’ comprising 25 groups of 5 images. This is the fifth image of group 25. The creative process begins with felt tip pen drawings on graph paper. These are then scanned into photoshop and digitally manipulated to create the effect of photographed installations. Whilst the content is clearly non-figurative and geometrically derived there is a genuine message to the work. I am either exposing to conscious inspection the archtypical patterns underlying ‘the meaning of life, the universe and everything’ or I’m “completely off my head”. In the final analysis it’s just a work of art.

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  transition 25
  by myndzi

  Every end ends with a beginning. Every beginning begins with an end.

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  transition 5
  by myndzi

  Photons are both particles and waves. With light came time and the necessity for multi-dimensional space. Photons bridge the divide between an infinitude of nothingness and an infinitessimally small something. Bursting forth from the singlarity of a point source the photon’s discreteness splays out in all directions, first one dimensionally, then two-dimensionally, then three, reaching out to all four quarters of space in its race to be everywhere in one timeless moment only known to itself.

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  transition 20
  by myndzi

  The two-dimensional gives way to the three-dimensional, much as the surface of the ocean is not illusory but can act as a material force in its own right. An infinitissimally small three-dimensional something exists in a timeless moment. Provide an infinitude of such moments and the three-dimensional reality will enter the fourth dimension of time.

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  transition 19
  by myndzi

  In silence presence stirs.

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  transition 21
  by myndzi

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  transition 23
  by myndzi

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  transition 24
  by myndzi