Garment 

146 creative works found

  • For a humane and balanced lifestyle / / / “Look at the face of these creatures. Face your choice. Opt for food, garments and products that do not carry suffering, abuse and death. “While acceptable alternatives exist not from animal source and use, these creatures, among many others, are being systematically and brutally slaughtered”. “Voiceless victims of varied industries such as food, garment, personal care, art and crafts materials, household products, fashion, furniture, automotive and health care, in order to live they rely on your humane choice.” / / Clockwise from top: Calf / Snow Leopard / Deer / Crocodile / Horse / Turkey / Jaguar / Otter / Sheep / Geese / Swine / Dove / / ... and for all the creatures in the animal kingdom. / / / ============================== / Images, concept and art © Carmen Mandel-Cesáreo / / / / I donate 100% sales proceeds from sales of this creation to Vegan Action / / Dedicated to helping animals, the environment and human health by educating the public about the benefits of a vegan lifestyle. / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Carmen is the creator of Art for Conservation / / / See also the t-shirt companion in a different array: / / / /

  • For a humane and balanced lifestyle / / Apparel companion to the wall art design of the same title / / “Look at the face of these creatures. Face your choice. Opt for food, garments and products that do not carry suffering, abuse and death. “While acceptable alternatives exist not from animal source and use, these creatures, among many others, are being systematically and brutally slaughtered”. “Voiceless victims of varied industries such as food, garment, personal care, art and crafts materials, household products, fashion, furniture, automotive and health care, in order to live they rely on your humane choice.” / / Clockwise from top: Jaguar / Sheep / Snow Leopard / Dove / Swine / Crocodile / Horse / Otter / Turkey / Calf / Deer / Geese ... and for all the creatures in the animal kingdom. / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Images, concept and art © Carmen Mandel-Cesáreo / / / / See also the wall art creation in a different array. / / I donate 100% sales proceeds from sales of this creation to Vegan Action / / Dedicated to helping animals, the environment and human health by educating the public about the benefits of a vegan lifestyle. / / -—-—-—-—-—-—-—-—-—-—-—-—-—-—-- / Carmen is the creator of Art for Conservation / /

  • / “India 2” is part of the Series India.... a series of abstract paintings which reflect the artist’s conception of the decorative arts of the East and West Indies…this piece created on fabric, is painted and dyed to look antique, then hand printed and over printed in some areas with gold, using an ancient hand carved Indian textile decorator’s wooden stamp…others shown below, are etched on plaster, then painted with inks, metallic powders, watercolour on a base of Arches Paper …click on each painting to view the original … One can always sleep / But can one always dream? / When minutes slip away at last / as cloth closes seam / And makes a garment / The design is cast / And no altering of the piece / Can change the fact / The piece has been made / the dream has been cast / The solidifying then / and then / and then / reality sets in. s.k.lindeman / / / / /

  • Featured in Aboriginal Art on April 7th, 2009. Two young aboriginal girls in traditional regalia stop to adjust their grip on each others hands as they walk across the field. Purchase royalty-free license for this image at Clustershot

  • A Ojibiwa native American shawl dancer with a vivid rainbow-coloured shawl dances at a native pow-wow at Curve Lake First Nations near Peterborough, Ontario, Canada.

  • Three native American, Ojibiwa, children help each other across the open field at the Curve Lake Pow-wow, near Peterborough, Ontario, Canada. Purchase royalty-free license for this image at Clustershot

  • Body painting and dark background soften the image.

  • No post processing. / A native American, Ojibiwa elder dancing in traditional regalia, captured at the Curve Lake Pow-wow, near Peterborough, Ontario, Canada.

  • a shirt with a drawing of a hat in 3d good for summer

  • A Ojibiwa native American girl dances in vibrant fiery orange and yellow coloured shawl dancer regalia at a the Curve Lake Pow-wow, near Peterborough, Ontario, Canada. Captured with a Canon Digital Rebel, using a 55-250mm lens.

  • The motifs of SYNTHESIZED FASHION take up standardised, life- and speechless storefront mannequins as protagonists and imbue them with idiosyncratic personalities and a language all their own. Transposed into a novel visual context and given their own stage setting, as it were, they are plunged at the deep end into a realm of captivatingly mysterious beauty and for one timeless moment, vouchsafed a depth beyond all standardisation and conformity.

  • The motifs of SYNTHESIZED FASHION take up standardised, life- and speechless storefront mannequins as protagonists and imbue them with idiosyncratic personalities and a language all their own. Transposed into a novel visual context and given their own stage setting, as it were, they are plunged at the deep end into a realm of captivatingly mysterious beauty and for one timeless moment, vouchsafed a depth beyond all standardisation and conformity.

  • The motifs of SYNTHESIZED FASHION take up standardised, life- and speechless storefront mannequins as protagonists and imbue them with idiosyncratic personalities and a language all their own. Transposed into a novel visual context and given their own stage setting, as it were, they are plunged at the deep end into a realm of captivatingly mysterious beauty and for one timeless moment, vouchsafed a depth beyond all standardisation and conformity.

  • The motifs of SYNTHESIZED FASHION take up standardised, life- and speechless storefront mannequins as protagonists and imbue them with idiosyncratic personalities and a language all their own. Transposed into a novel visual context and given their own stage setting, as it were, they are plunged at the deep end into a realm of captivatingly mysterious beauty and for one timeless moment, vouchsafed a depth beyond all standardisation and conformity.

  • The motifs of SYNTHESIZED FASHION take up standardised, life- and speechless storefront mannequins as protagonists and imbue them with idiosyncratic personalities and a language all their own. Transposed into a novel visual context and given their own stage setting, as it were, they are plunged at the deep end into a realm of captivatingly mysterious beauty and for one timeless moment, vouchsafed a depth beyond all standardisation and conformity.

  • The motifs of SYNTHESIZED FASHION take up standardised, life- and speechless storefront mannequins as protagonists and imbue them with idiosyncratic personalities and a language all their own. Transposed into a novel visual context and given their own stage setting, as it were, they are plunged at the deep end into a realm of captivatingly mysterious beauty and for one timeless moment, vouchsafed a depth beyond all standardisation and conformity.

  • The motifs of SYNTHESIZED FASHION take up standardised, life- and speechless storefront mannequins as protagonists and imbue them with idiosyncratic personalities and a language all their own. Transposed into a novel visual context and given their own stage setting, as it were, they are plunged at the deep end into a realm of captivatingly mysterious beauty and for one timeless moment, vouchsafed a depth beyond all standardisation and conformity.

  • The motifs of SYNTHESIZED FASHION take up standardised, life- and speechless storefront mannequins as protagonists and imbue them with idiosyncratic personalities and a language all their own. Transposed into a novel visual context and given their own stage setting, as it were, they are plunged at the deep end into a realm of captivatingly mysterious beauty and for one timeless moment, vouchsafed a depth beyond all standardisation and conformity.

  • The motifs of SYNTHESIZED FASHION take up standardised, life- and speechless storefront mannequins as protagonists and imbue them with idiosyncratic personalities and a language all their own. Transposed into a novel visual context and given their own stage setting, as it were, they are plunged at the deep end into a realm of captivatingly mysterious beauty and for one timeless moment, vouchsafed a depth beyond all standardisation and conformity.

  • The motifs of SYNTHESIZED FASHION take up standardised, life- and speechless storefront mannequins as protagonists and imbue them with idiosyncratic personalities and a language all their own. Transposed into a novel visual context and given their own stage setting, as it were, they are plunged at the deep end into a realm of captivatingly mysterious beauty and for one timeless moment, vouchsafed a depth beyond all standardisation and conformity.

  • The motifs of SYNTHESIZED FASHION take up standardised, life- and speechless storefront mannequins as protagonists and imbue them with idiosyncratic personalities and a language all their own. Transposed into a novel visual context and given their own stage setting, as it were, they are plunged at the deep end into a realm of captivatingly mysterious beauty and for one timeless moment, vouchsafed a depth beyond all standardisation and conformity.

  • The motifs of SYNTHESIZED FASHION take up standardised, life- and speechless storefront mannequins as protagonists and imbue them with idiosyncratic personalities and a language all their own. Transposed into a novel visual context and given their own stage setting, as it were, they are plunged at the deep end into a realm of captivatingly mysterious beauty and for one timeless moment, vouchsafed a depth beyond all standardisation and conformity.

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