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337 creative works found
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Click on the images below for a more detailed close-up / / “Finches On Parade” is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing 16 X 60 inches / 41 X 153 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ..................................................................................
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The sound of birds early in the morning. Best music of all… Oil on Stretched Canvas – No Airbrushing 37 X 42 inches / 94 X 1107 cm Original : / $3000 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ....................................................................................
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Click on the image below to see the entire artwork / Excerpt Two is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / .........................................................................................
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Taken in the bush near Alice Springs. Waiting for the sun to come up and saw this dead tree and just had to take a shot with all the colours behind it.
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There is a type of quiet peaceful solitude that one can only experience in a park Oil on Stretched Canvas – No Airbrushing 36 X 56 inches / 92 X 143 cm Original : / Sold / contact my Agents at Gallery 112 / .......................................................................................
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. . . I finally did it. / The most addictive substance on earth Oil on Stretched Canvas – No Airbrushing 48 X 48 inches / 122 X 122 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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Minimalist abstract study of speeding cyclists, focusing more on the dynamics of the speed and motion of their movements / Oil on Stretched Canvas – No Airbrushing 37 X 59 inches / 94 X 150 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .....................................................................................
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I have tried to keep the butterfly and its shadow to scale to give the impression of a real butterfly about to land on someone’s T-shirt
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Portrait of Georgia O’Keeffe. Oil on Canvas / American Artist. Georgia O’Keeffe was raised in Wisconsin, educated in Chicago and Virginia, taught, painted, and lived on the east coast until her early sixties when she moved to Abiquiu, & Santa Fe, New Mexico. Close to one hundred when she died in 1986, living alone and painting in scenery that inspired her famous flowers in closeup with strong sexuality, voluptuous lilies and poppies, stark desert landscapes and animal skeletons. She worked in charcoal, water color, and finally oils, and worked large. I’m not sure her story is known well outside the states. She was photographed, courted, and married (1924) by famed 1920’s photographer Alfred Stieglitz who adored her, left his wife and family for her, and made her more famous than he was. She too, was madly in love with him. His black and white photographs of O’Keeffe filled Stieglitz’s famed “291” gallery in New York and caused a sensation with portraits focused on her beautiful bone structure and striking looks, and spectacular nudity. He took over 300 portraits of her from 1918 to 1937. Stieglitz may have been in love, but smart enough of a businessman to cause O’Keeffe’s work to skyrocket in price, averaging $100,000 a painting, monumental for a living artist and a woman in that time. What he did for her career lasted, interest waned some but revived and her work is priceless now. Every girl painter can use a Stieglitz, few get one. Stieglitz died in 1946 and she moved permanently to New Mexico three years later after cataloguing his work and papers. She was 59, began a new life in a landscape she claimed as her own. “God said I may have that mountain,” she’d written, “if I paint it enough.” So she did. / I painted this from one of Alfred Stieglitz’s famous photographs of Georgia O’Keeffe. / When you do portraits, you start to hear conversations from that time, get a sense of the thinking of the subject, smells and impressions wander through you or assault you inescapably. It’s a fascinating and somewhat dangerous occupation because when you put down the brush and turn away you wonder where the hell you’ve been and question your sanity. I’ve come to accept it as just what happens and there it is. One cannot help but see Stieglitz’s fascination with O’Keeffe’s profound physical symmetry. It bothered me. I thought it annoyed Georgia, too, that he was making more of it than in truth was there. Certainly a thoughtfully bright, introspective & solid woman. But he did not capture the O’Keeffe who stood in the desert in thunderstorms alone in the middle of the night to draw the electricity in the air into her being, which she was notorious for doing. Or the O’Keeffe who lived alone on her Ghost Ranch, and drove in her Model A Ford recklessly to plateaus and mountains of New Mexico to soak in the wilderness. DH Lawrence, Ansel Adams, the Lindberghs were visitors. / It’s not the last portrait I’ll do of her, but I wanted to see more in her than Stieglitz’s precision, no matter how beautiful that is to see. / I think he was incredibly kind and thoughtful about this woman’s life, and helped her reach a financial independence undreamt of for an artist of her time and sex. Stieglitz said of the first drawings of Georgia O’Keeffe that he saw: “Finally, a woman on paper!” He admired her, and he loved her. I can’t blame him for thinking her perfect. I’m just not so sure he saw the savage in Georgia. Other US photographers who did some earlier radical work in b/w, nature, and nudes you might want to visit: Ansel Adams. Brett, Edward, and Cole Weston. Edna St Vincent Millay wrote: “My candle burns at both ends; / It will not last the night; / But ah, my foes, and oh, my friends— / It gives a lovely light!” / Which, published in 1918 became an anthem to end constraints on overwatched Victorian girls. A wild, free life… edged with death. / The Hawks Perch
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Minimalist Landscape study of the Trees & Hills as they are seen far off out on the horizon Oil on Stretched Canvas – No Airbrushing 36 X 66 inches / 92 X 168 cm Original : / $1500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .............................................................................................
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The erotic emotions of a woman deep in her own romantic thoughts Oil on stretched canvas – No Airbrushing 36 X 24 inches / 92 X 61 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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Click on the image below to see the entire artwork / Excerpt One is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / ...................................................................................
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All artwork is © Rhonda L. Hall, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent.
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Click on the image below for a more detailed close-up / The subconscious delights of nocturnal thoughts Pen & Ink Freehand 36 X 24 inches / 92 X 61 cm Original : / Sold / contact my Agents at Gallery 112 / ..............................................................................
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“Seabird In Flight” is about the form of a bird’s airborne movement in relationship with the harmonious contours of the overall landscape. The bird itself becomes a natural part of the world that it resides in. . . Oil on Stretched Canvas – No Airbrushing 36 X 61 inches / 92 X 155 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .......................................................................................
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“Astro Boy” strives to render the iconic cartoon character to look as realistically three dimensional as possible in an attempt to give Astro Boy what he’s always wanted – to be as human as possible. The Pinocchio of the robot world… Oil on Stretched Canvas – No Airbrushing 24 X 16 inches / 61 X 41 cm Original : / $900 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ......................................................................................
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View from the air through the eyes of a seagull Oil on Stretched Canvas – No Airbrushing 48 X 48 inches / 122 X 122 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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Final image of the “Alice’s Dream” series Pen & Ink Freehand 18 X 12 inches / 46 X 31 cm Original : / Sold / contact my Agents at Gallery 112 / .........................................................................
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In “Seagull In Flight 2” the focus is primarily on the seagull and it’s contrasting shadow. Both moving in equally opposing directions as the seagull glides close over the peaceful mid-day sand… Oil on Stretched Canvas 36 X 60 inches / 92 X 153 cm Original : / $1500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ...................................................................
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MY FIRST EXHIBITIONS - SEVILLE , ISRAEL AND NEW YORK
by J VelascoHello everyone, I have reached an agreement with one of the most important galleries in Seville (Spain) in September to expose some of …
Hello everyone, I have reached an agreement with one of the most important galleries in Seville (Spain) in September to expose some of my artworks. / At the same time I will be as guest artist in the Digital Print Art Gallery in Israel where I will begin selling limited series of my new artworks and a selection of my others designs. / And the most astonishing of all, is that “the Agora Gallery” in New York has an interest in making an exhibition of my work in 2009.I still need to discuss some issues with the gallery but I’m very excited. I take this opportunity to say thank to all the people that are supporting me with mails, comments, bookmarks and sales.I would like to be able to answer all of you but it is impossible for me.(my english and my time are very limited) / MANY thanks again!!!!!!! / Javier Velasco
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Oskar Was Right, Civic Square Comes Into Its Own Sometime Around Midnight
by Peter KurdulijaUS$3.85–US$102.60
Architecture is music in space, as it were a frozen music. Friedrich Wilhelm Joseph von Schelling (1775 – 1854)
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This is the actual shape of the canvas The shape of the canvas becomes an integral part of this painting to enhance the illusion of a three dimensional object. / “Metaphor For A Metaphor” is about our predilection for categorizing everything that we experience, whether it fits into our scheme of things or not. And then, ultimately, resorting to using metaphors when we can’t.. / Hence the box which is distorted out of context… The round peg into a square hole that we seem to love the most…. Oil on Stretched Canvas – No Airbrushing 51 X 35 inches / 88 X 130 cm Original : / $3500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ...........................................................................................
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In this painting I have endeavored to reduce the landscape down to its absolute minimum, focusing purely on the line of salt-bush on the horizon, with one solitary bird hovering in the air, to give the impression of the raw empty heat of a mid day summer where nothing stirs until l the cool of the evening. . . Oil on Canvas – No Airbrushing 24 X 48 inches / 92 X 122 cm Original : / $1200 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .....................................................................................................
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