US$4.48–US$102.60
Shannan Edwards said / I love the tones of the image, the texture of the background, but most of all,. it makes me smile every time I see it and nominated this image for the Pay It Forward Group. / Thanks a lot, Shannan!
© Dana DiPasquale 2008. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Dana DiPasquale. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved. The Space Between You and Me / My Arms Were Around You and I Hoped That You Wouldn’t Hurt Me /
Met the wonderful Deepbluwater in LA, and not only did she organize this whole shoot in my, ‘dream home’ as far as interior design goes, but also modeled for me in the most perfect of ways. Huge thank you for making this concept come alive in such a perfectly designed environment and for such an amazing day! Heartfelt thanks!
Long Beach Island, NJ / www.danadipasquale.com
I’m a little worried that I may be developing a bit of a furniture fetish!
www.danadipasquale.com Waiting To Say Goodbye / The Space Between You and Me / My Arms Were Around You and I Hoped That You Wouldn’t Hurt Me /
A compilation of photography and illustration for something new and fun. This photo was turned into an advertisement for a condom company.
What is going on inside?
Model: Estelle / MUA: Jem necklace and set: AQUA decor
This image was taken at a friends home, same place that some of you may remember from “Silent Night” or “Sound of Silence”. She has a great art and antique collection, her home just screams to be photographed, (she painted the painting over the fireplace). I tried a little something new with long exposures and LOVE the ghost like silhouettes. You have to view this in large format to see them!!! And there are no ducks in this shot! My art with 1000+ views Click here to see one of my favorite images of her Steinway Piano: /
self portrait
In my line of work I see many different buildings born from concept through to completion. It is always a joy to watch your vision grow from the bare bones of the structure to the finished building and I am always fascinated by every stage… even at this naked stage. / I had to re-think my last upload for the Challenge Cafe, and I’m kind of glad I did. An unscheduled site visit to a current project and I’m done… / All architectural detailing, interior and furniture design by Paul Tupman. Feel free to check out my Interior & Furniture Design Portfolio here
I once had a dream about this was really weird.
Throw out day in King St Mile end
The Stag was once drinking from a pool and admiring the noble figure he made there. “Ah,” said he, “where can you see such noble horns as these, with such antlers! I wish I had legs more worthy to bear such a noble crown; it is a pity they are so slim and slight.” At that moment a Hunter approached and sent an arrow / whistling after him. Away bounded the Stag, and soon, by the aid of his nimble legs, was nearly out of sight of the Hunter; but not noticing where he was going, he passed under some trees with branches growing low down in which his antlers were caught, so that the Hunter had time to come up. “Alas! alas!” cried the Stag: We often despise what is most useful to us
And the Raven, never flitting, still is sitting, still is sitting / On the pallid bust of Pallas just above my chamber door; / And his eyes have all the seeming of a demon’s that is dreaming, / And the lamplight o’er him streaming throws his shadow on the floor; / And my soul from out that shadow that lies floating on the floor / Shall be lifted – nevermore!
www.danadipasquale.com Waiting To Say Goodbye / The Space Between You and Me / My Arms Were Around You and I Hoped That You Wouldn’t Hurt Me /
Oct 2008 – Taken as an HDR. / Suburban Scenes by Mike Savad Squidoo Lenses
Image by photographer Glennis Siverson, www.glennisphotos.com.
—-—-—-—-—-—- / UPDATE: Feb08: This is the cover for the / Autumn edition of Photo Review Australia / -—-—-—-—-—-— / Docklands in Melbourne is like an / outdoor sculpture event. / Even the road bollards look like / sensuous little red aliens! / I spent a great day walking around / this newest Melbourne precinct /
For my FANTASTIC daughter!!! We just LOOOOOOVE to DANCE to this one!) / (YAAAAY LINDA!!!!..... finally 16!!!! Grasshopper!!!! :)) MUSIC Ring the alarm, I been through this too long / But I’ll be damned if I see another chick on your arm / Won’t you ring the alarm, I been through this too long / But I’ll be damned if I see another chick on your arm She gon’ be rockin’ chinchilla coats, if I let you go / Hit in the house off the coast, if I let you go / She gon’ take everything I own, if I let you go / I can’t let you go, damn, if I let you go She gon’ rock them VVS stones, if I let you go / In the ‘Bach or the Rolls, if I let you go / She gon’ profit everything I taught, if I let you go / I can’t let you go, damn, if I let you go Tell me how should I feel when I know what I know / And my female intuition tellin’ me you a dog / People told me ‘bout the flames I couldn’t see through the smoke / When I need answers, accusations what you mean you gon’ choke You can’t stay, you gotta go / Ain’t no other chick spendin’ your dough / This is taking a toll, the way the story unfolds / Not the picture perfect movie everyone would’ve saw She gon’ be rockin’ chinchilla coats, if I let you go / Hit in the house off the coast, if I let you go / She gon’ take everything I own, if I let you go / I can’t let you go, damn, if I let you go She gon’ rock them VVS stones, if I let you go / In the ‘Bach or the Rolls, if I let you go / She gon’ profit everything I taught, if I let you go / I can’t let you go, damn, if I let you go Ring the alarm, I been through this too long / But I’ll be damned if I see another chick on your arm / Won’t you ring the alarm, I been through this too long / But I’ll be damned if I see another chick on your arm Tell me how should I feel when you made me belong / And the thought of you just touchin’ her is what I hate most / I don’t want you, but I want it and I can’t let it go / To know you give it to her like you gave it to me, come on He’s so arrogant and bold / But she gon’ love that shit, I know / I done put in a call, time to ring the alarm / ‘Cause you ain’t never seen a fire like the one I’ma ‘cause She gon’ be rockin’ chinchilla coats, if I let you go / Hit in the house off the coast, if I let you go / She gon’ take everything I own, if I let you go / I can’t let you go, damn, if I let you go She gon’ rock them VVS stones, if I let you go / In the ‘Bach or the Rolls, if I let you go / She gon’ profit everything I taught, if I let you go / I can’t let you go, damn, if I let you go Ooh, how can you look at me / And not see all the things that I kept only just for you / Ooh, why would you risk it babe / Is that the price that I pay, ooh But this is my show, and I won’t let you go / All it’s been paid for, and it’s mine / How could you look at me / And not see all the things She gon’ be rockin’ chinchilla coats, if I let you go / Hit in the house off the coast, if I let you go / She gon’ take everything I own, if I let you go / I can’t let you go, damn, if I let you go She gon’ rock them VVS stones, if I let you go / In the ‘Bach or the Rolls, if I let you go / She gon’ profit everything I taught, if I let you go / I can’t let you go, damn, if I let you go / / INCENDIA & PSP
Once upon this was a dining chair – but now it spends long days outside the back fly-screen door – dried and cracked. / ... / The “FIL” sits upon it to pull boots on in morning. / ... / All day the chair sits, unmoving, uncaring, withstanding the sun. / ... / He sits down at night to wrench boots off. / ... / All night the chair stays, tolerating possums, ignoring the dog, withstanding the dew. / ... / This chair has done well thus far. Related Photography: ... Sepia Shadow / ... Chair in Sepia / ... Chair in Sepia II / ... Chair Shadow All artwork is copyright© to Stephen Mitchell All Rights Reserved. / You may not use, replicate, manipulate, redistribute, or modify my photography, writing, and artwork without my express consent.
Once upon a midnight dreary, while I pondered, weak and weary, / Over many a quaint and curious volume of forgotten lore, / While I nodded, nearly napping, suddenly there came a tapping, / As of some one gently rapping, rapping at my chamber door. / ”’Tis some visitor,” I muttered, “tapping at my chamber door – / Only this, and nothing more.”
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